3rd Wave of Inspiration
Since 2003
Montreal-based artist Jannick Deslauriers is widely-recognized for her ghost-like sculptures made of delicate fabric. Deslauriers is currently presenting new works at the Art Mûr Montreal spanning life-sized versions of a demolished car, train models, and telephone lines. Each piece is crafted out of transparent textiles such as aluminum mesh, silk, and tulle.
The self-titled show is currently on the view at Art Mûr Montreal up until April 28.
Baby cream: gypsum • acrylic • lacquer • synthetic hair, 240 x 30 mm
Moscow-based artist Katia Lyubavskaya shares her ongoing synth pop project on Ello with the following statement
Bubble gum
matte glass ball • synthetic hair, 600 x 200 mm
“The world of post-truth is not just a simulative copy of the real world, but a hyper-saturated version that seeks to surpass it.
This is about media and politics, where the facts have lost power and turned reality into fake, which is accepted as true. Let us imagine that the perception of the objective world exists by the same rules. While alteration of elements and scales is a lie, the image remains recognizable and gives a delusive sense of truth - the victory of emotions over facts. The reality here is physically distorted, almost surreal, filled with anxiety and frustration.
Synthetic hair - a material, that unites all objects, symbolizes the femininity, its strength and magic. The same way as the power of words is used to distort facts in media, I use the power of hair, archetype, lying deep in the subconscious, to manipulate the perception. This literally soft, anti-monumental material revives objects so you want to touch them. In the era of cyberspace subject of tangibility is more relevant than ever.”
Dessert ?
paraffin • synthetic hair, 300 x 200 mm
In a rose I trust
artificial rose • acrylic • synthetic hair, 950 x 220 mm
Perfect temperature
tap • acrylic • synthetic hair, 320 x 190 mm
Venezuelan artist Raya (previously) and photographer Leo living and working in their studio in Barcelona. They were commissioned to create a new narrative with by Folch for Doiy Design - a joyful objects store in Barcelona too, with an aim to generate meaningful collaborations with diverse creatives. Inspired by the Mexican architects Luis Barragán and Ricardo Legorreta and Doiy’s recent Scala collection, together Raya and Leo created and filmed an artwork made entirely from paper that plays with textures, colours, clean cuts, light and perspectives.
Photo: Alex Delfanne. Courtesy of the artist and Hauser & Wirth
Lorna Simpson’s inaugural exhibition at Hauser & Wirth London, ‘Unanswerable’, features new and recent work across three different media: painting, photographic collage and sculpture. Simpson came to prominence in the 1980s through her pioneering approach to conceptual photography, which featured striking juxtapositions of text and staged images and raised questions about the nature of representation, identity, gender, race and history. These concerns are reflected throughout the exhibition to present the artist’s expanding and increasingly multi-disciplinary practice today
Lorna Simpson: Unanswerable is on view at Hauser & Wirth, London, through April 28.
"Multidisciplinary artist Miguel Rothschild works across a wide variety of mediums from modified photography to glass sculpture and textiles. In several recent works the Argentine artist has captured the slow roll of ocean waves in suspended fabric installations titled Elegy and De Profundis. Both artworks seem to play with the viewer’s perception, appearing both as waves or perhaps a slice of the sky. Even the filament that holds the artwork airborne seems to glisten like rays of sun or rain. You can see more of the Berlin-based artists work on his website."
Torino-based Studio Nucleo houses some of italy’s most prestigious artists, designers and architects. Their recent project "Law of Past Experience" curated by Atto Belloli Ardessi and Ginevra Bria, uses computer-aided boolean data to create the unique sculptures.
Boolean as in computer-aided design are called operations of subtraction, intersection, and union
The Puddles came from my desire to make work that at first glance feels mundane and unassuming, a candid situation you wouldn’t immediately regard as or associate with an art experience,” said Austin. “I’d hoped that in this way they would gently present themselves as yet another detail of your natural environment, before then unfurling with a kind of subtle and surprising magic — an extraordinary quality that you have to grapple with for a moment before facing it with any criticality."
"Transitional Speculation is Wang & Söderström’s first major exhibition in Stockholm and “is the first time where we have a platform where we can showcase a broader perspective of our works,” says Tim. “With additional works, both digital and physical, the foundation of our practice which originates in the physical world, is more comprehensible.” In its combination of the unexpected and twisted familiar, the exhibition aims to create an “experience of something ostensibly well-known, something one recognises from the real world that suddenly feels warped,” adds Anny. “Where a small detail makes you question what you are seeing and by extension, how you are perceiving the world.”
The cube measures 5.50 meters long, 2.55 meters wide and 3.10 meters height
Mercedes-Benz encases its 1979’s G-class inside a gigantic “amber” (44 tons of coloured resin, 90 days in production) cube at NAIAS 2018 Detroit show. Created by Antoni agency with video production from Markenfilm-Crossing
The 1979 model of the G-class is enclosed in 44.4 tones of synthetic resin
"The piece symbolizes the timelessness of the off-road legend and makes a conscious reference to the natural phenomenon of insects preserved in amber. With it, the german auto manufacturer wants to portray through an art piece that these characteristics have been handed down from generation to generation, making it the perfect symbol for the premier of the classic’s newest version."
As part of NGV Triennial, twenty large-scale new artworks have been commissioned by the NGV, including Ron Mueck’s Mass 2016–17, a monumental work of extraordinary presence comprising 100 individual skulls.
Photo by Sean Fennessey
"Mass" is an installation of 100 individual human skull forms piled up on the gallery floor, each which engage with the architecture of the site.
Photo by Sean Fennessey
"The installation brings to mind the massed remains in the catacombs of Paris, an imposing wall of human heads that resonates with a simultaneous and strange sense of impermanence and eternality. In ‘Mass’, Mueck celebrates the form that links all humanity and pays homage to a symbol that has stood within the art of essentially all cultures and religion. surrounded by skulls covering nearly every surface of the walls, visitors are reminded of the transience of life" via designboo
For his ongoing series of ceramic donuts, sculptor Jae Yong Kim chooses patterns and images that evoke a sense of pop culture both past and present
“Without my intention, references to Pop Art have been a consistent occurrence throughout the entirety of the donut artworks. Questioning myself regarding the donuts falling in line with a specific genre has brought questions and need for understanding. Each individual donut has invariably read to me as a small painting; color, pattern and physicality have been the ultimate procedure for my personal expression.”
Dmitri Aske, a multidisciplinary Russian artist, has had a large solo show in Moscow RuArts Gallery. The exhibition entitled Through The Mist, which lasted from November, 2 till December, 2, included 24 plywood relieves created in the artist’s unique technique and 4 middle-sized plywood sculptures. Dmitri had worked on the series for nine months.
According to the artist, the title of the show describes the life of modern people who try to find their own way wandering through the informational mist. The characters of all the artworks exist in the state of uncertainty, doubts, second thoughts, anxiety concerning past and future, which lies behind the white noise of our digital age.
Dmitri Aske is a versatile Moscow artist and one of the main figures behind the Russian urban contemporary art movement. He started his career in 2000 from writing graffiti, later moving to graphic design and illustration. In mid-2000s, Dmitri had collaborated with Nike, Reebok, PlayStation, and the like making different art objects and graphics. He also used to be an Edior-in-Chief of one of the first Russian graffiti magazines and a co-founder of a street wear brand. Since 2015, Aske has dedicated himself full-time to art, creating plywood tile relieves, sculptures, and painting murals. In 2016, according to the InArt research, he was named 4th by the sum of auction sales among the young Russian artists. Apart from working in the studio, Dmitri runs an online magazine vltramarine.ru, as well as gives lectures on graffiti and street art.
Painted bronze, marble
"Matelli's work is known for the juxtaposition of antique looking marble or concrete garden-like statuary, against abrupt hyperrealism embellishments. By contrasting these aged forms against unexpected decorations, such as cast bronze vegetables, fruit, meats and bread, the artist questions the value and purpose of classical figure. Turning them into a setting or a merely a pedestal for presenting common everyday objects, he shows his remarkable technical facility and a cautious romanticism. Both the aged feel of the statues and the freshness of the ornaments are created using elaborate fabrication process and peculiar materials. From meticulously cast and painted bronze that flawlessly depicts the bread texture or gradients of an apple peel, to use of cast glass to evoke the translucence of citrus flesh, Matelli continues to play with viewer's perception while presenting his iconoclastic temperament" —Sasha Bogojev
Song Kang is an artist based in Portland, Oregon. She combines her interests in organic forms and textural details to create dreamlike images. Her latest project "Vernacular" features sculptures of imaginary architecture growing from animal bodies.
The term ‘vernacular’ tends to correlate with all things commonplace; however, in the architectural sense, the ‘vernacular’ exemplifies man’s abilities to adapt to his surroundings and build with his environment. This series explores the symbiotic relationship between the vernacular home and the environmental context in which it exists.
Artist Qixuan Lim born-and-raised in Singapore and now based in Eindhoven makes these and several other tiny sculptures as a sideline to her work as an information designer
"Conceived by partner and co-founder of Danish practice Norm Architects, Jonas Bjerre-Poulsen, and co-founder and creative director of Kinfolk, Nathan Williams, CLOSE CONTACT is a conceptual project that brings a series of bespoke leather spheres, crafted by Danish brand Sørensen Leather, and the human body together in a tactile dialogue of textures, shapes and hues. The project was launched at the Kinfolk Gallery in Copenhagen via an exhibition that ended at the end of October 2017, and is comprised of ten large-scale, limited edition artworks and 100 portfolios of smaller prints of photographs taken by Jonas Bjerre-Poulsen"
"In this ongoing body of sculptural works, Brazillian artist Vanderlei Lopes creates temporary interventions where his polished brass objects appear to pour and drain like gold from the walls or floors of galleries. Much of Lopes’ work plays with aspects of transformation, be it through the tension of liquid and solid forms seen here, by subtraction, or experimenting with orientation. You can see much more of his work on Artsy and Athena Contemporânea"
The “Scented Cloud” installation for Cartier’s new perfume in Paris. Photo by Quyen Mike, courtesy of Cartier.
During Paris’s premier contemporary art fair, (the Foire Internationale d’Art Contemporain), known as FIAC the luxury brand Cartier chose the shallow reflecting pool outside the Palais de Tokyo, Paris’s most avant-garde art center, to show an installation billed as “OSNI 1- Le Nuage Parfumé,” or “Unidentified Scented Object 1 – Scented Cloud.”
"Visitors were invited to enter the cube and climb up the staircase. Traversing the thick cloud on the landing, they could experience—against a stunning view of the Eiffel Tower—the perceptibly warmer air above the cloud and the enveloping scent of L’Envol, a masculine fragrance created by Cartier’s in-house perfumer, Mathilde Laurent."
Massimiliano Pelletti was born in Pietrasanta, a land of noble sculptural roots that gave and gives a lot to the contemporary art. In Pietrasanta he also grown up, and he trained technically in the study of his grandfather, the sculptor Mario Pelletti. He made his debut as an artist in 2006 by winning the 12th biennial of young artists of Europe and the Mediterranean.
Pelletti makes experience of the shape with rigorous attention compositive, strictly consistent with the creative mood of his territory.
He puts togheter the mannerism with the conceptual relevance and the narrative sensibility, because he realizes that the aesthetic perfectionism contains in itself the conflicting root of the emotions.
Titled ‘The Spirit Of Ecstasy’, the artwork is a collaboration between the unnamed model, Chemical X and artist Schoony. According to the press release, “the British model and actress, who is a fan of Chemical X’s and already collects his work, has been identically recreated – as a hyperreal silicone and fibre glass model.”
The model was digitally scanned “posing in position with her hands and feet life cast” with her head and body 3D printed in order to make the silicone sculpture. This was then suspended into five sheets of acrylic “surrounded by a halo of 7,254 meticulously hand placed pills.” See images of the artwork below.
