Levitating 3D printed sculpture “Panopticon”
Wax Monks at Russian-Japan joint exhibition of Young Talents, Manege, St.Petersburg, 2018
Russian artist working under Scheme moniker creates mind-blowing colourful mandalas of plywood by spraying and applying resin on small cutouts and than assembling it into 16- or more layered wall pieces.
Interactive installation SOLE produced by artistic duo Quite Ensemble (Fabio di Salvo and Bernardo Vercelli)
The space floats in a suspended time, inhabited by the sun's rays and the moving shadows that dominate the surrounding architectures. The audience crosses a timeless place, where time is different, where sunrise and sunset meet, the suns are multiple and the twilight drowns in a stroboscopic dawn. A 360 degree video-mapping that, thanks to the use of 49 video projectors, simulates the movement of the sun around and inside the hall of the Salone degli Incanti in Trieste.
Young artist Marcos Anziani born in Dominican and based in New York brings a new breathe into the highly esteemed neo-expressionism. His artistic dialect is close to that of such artists as Willem de Kooning, Joan Miro and Jean Michel Basquiat. In each of paintings, Marcos aims to 'curb' the energy of color within the framework of a canvas. He combines abstract forms with primitivist images of people and objects done in simple lines.
Various, mostly warm, colors balance the artistic chaos of forms in Marcos' paintings. His compositions remind us of Kandinskiy's abstractions. Marcos is actively evolving as an artist and seeks for an art that would continue the ways of the great artists of the XXth century.
Anziani understands painting as a means of expressing his emotions and thoughts. While working, he imagines himself being inside the painting and concentrates on one particular image or idea, finds a way to express them through painting and then develops the whole painting around them. He builds the composition from the inside, fully giving himself to it, and that produces actually sincere 'portraits' of the inner feelings of the artist, prints of the fly of his imagination.
Marcos Anziani is exclusively represented by ASKERI GALLERY in Russia
Valencia-based artist Olga Esther creates a visual stories of her imaginary princess world
Continuum Remix v.2 is the second in a series of works by Krista Kim in collaboration with Efren Mur (@efrenmur) and Ligovskoï (@ligvsk) to be released on Sedition Art platform. Continuum Remix v.1 was launched in Summer 2020 as part of the @Digital.Decade SE 2020 collection, curated by us - @Designcollector Network.
“Meditation will save us from the machine; art will save us from ourselves. I believe in the healing and transformational power of visual art + sound + meditation on an individual and a social level.
Our future is unknown and unstable. There are difficult times ahead due to social and economic unrest due to pandemic risk, digital disruption, automation and climate change. Collective fear is undeniable, but we cannot allow ourselves to be dominated by fear — we must face the unknown with open hearts and mindfulness. In chaos, there is creative opportunity. We must create a better future with compassion and love.
My collaboration with Efren Mur (video artist) and Ligovskoï (electronic music band) was created during the COVID-19 crisis. Our purpose is to present a vision of meditativeness and digital beauty to collective consciousness. The world is forever changed, and we must adapt with mindfulness, self care and connection to creative energy that will help us navigate the unknown.”
Studio Studies
ГЦСИ Санкт-Петербург
Studio Studies is a series of video interviews with St. Petersburg artists and a logical continuation of the work with the artists' studios, which was launched as part of the 1st Curatorial Forum. Then, in the fall of 2019, the artists of St. Petersburg opened the doors of their studios to the public. The program called Open Studios raised important questions about the ethics of visiting and hospitality, the attitude of the artist and the public, and the very essence of these private spaces.
In 2020, we continued to work with the studios, now in an exploratory way, to clarify for ourselves, the audience, and the artists the designated "blind spots". We revised the format of open studios in favor of videos about the artist's life in the studio. This decision was also forced by the epidemiological situation, in which we think it is right to avoid mass visits to the studios.
Calling the series Studio Studies, we appeal to an already existing field of knowledge, relatively developed in European and American art criticism. Studio Studies is an area of knowledge that explores the artist's studio as an ecosystem of aesthetic and material production, and as a place that defines the entire future cultural process. We asked questions about the artist's daily life, looked at internal processes and relations with the outside world, i.e. we were engaged in topology and ethics of these special spaces.
Based on a research perspective, we invited artists representing different types of contemporary art: painters, graphic artists, sculptors, photographers, media artists, activists, etc. in order to see, perhaps, the specific routine of each direction.
Curator: Anna Zavediy
Russian release
Государственный Центр Современного Искусства в Санкт-Петербурге (Северо-Западный филиал ГМИИ им. А.С. Пушкина) @ncca_northwest при поддержке «Фонда поддержки инноваций и молодежных инициатив» представляют первую часть спецпроекта Studio Studies – девять видео-интервью с петербургскими художниками в их мастерских.
Ася Маракулина в мастерской
Studio Studies – логическое продолжение работы с мастерскими художников, начатой осенью 2019 года. В рамках 1-го Кураторского форума была запущена программа Open Studios: во время Art Weekend художники Петербурга открыли двери своих мастерских для широкой аудитории. Программа, сфокусированная на этике посещения и гостеприимства, отношениях художника и публики, а также на самой сути этих приватных пространств, оказалась успешной.
В 2020 году работа с мастерскими продолжается, теперь уже в исследовательском ключе. Формат открытых мастерских был пересмотрен в пользу фильмов о жизни художника в мастерской (или о жизни мастерской).
Мастерская художника – это пространство со своей экосистемой, как правило закрытое для широкой публики. В серии видеоинтервью исследуется повседневная жизнь художника в мастерской и таким образом десакрализуется художественный труд.
Ильдар Якубов в своей мастерской
STUDIO STUDIES
Серия исследовательских видеоинтервью с петербургскими художниками.
http://curatorialforum.art/2020studiostudies
Куратор: Анна Заведий (@anna_zavediy)
Участники: Анна Андржиевская, Ася Маракулина, коммунальная галерея «Егорка», Анна Прилуцкая, Никита Селезнёв, студия перформативных искусств «СДВИГ», Илья Смирнов, Наталья Тихонова, Ильдар Якубов.
Photographer Tim Tadder speaks out for himself on his new project Black is a Color - “Black is a color demands that we look past skin tone, & into beautiful, infinitely complex humans whose lives matter equally. Black is a beautiful color & intrinsically linked to my own liberation as an artist.”
“When primary colors are mixed at equal parts, black is ultimately the precipitating color. During the process, an imperial display of tones appears in the swirling to mirror powerful structure & emotion from the subjects. At a crucial time for the nation to unite, I hope this collection encourages empathy, unity & a non-binary view of race. Black is a color challenges one to see past profiling & foresee the beauty that is capable of elevating the human experience. Black is a color demands that we look past skin tone, & into beautiful, infinitely complex humans.”
French artist Juliette Clovis (@julietteclovis) released a new series of ceramic sculptures called "Endless", with "Samsara", "Black Knot" accompanied by "Manis Tetradactyla" on the view at Gent Design Museum in Belgium among their curated exhibition Kleureyck: Van Eyck’s Colours in Design, curated by Sigrid Demyttenaere (@designmuseumgent). Another work "Ananta" - is currently exhibited in Four des Casseaux Museum Limoges in France among their curated exhibition Magie Noire (@fourdescasseaux)
Bertjan Pot shares The Masks series begun in 2010 and still in progress, is an exploratory work on the subject. The idea originated in an unexpected reaction: wanting to make a carpet, Bertjan realises that once the textile assembled, curves are created. From there, he began to consider a first mask, the beginning of a long series. The possibilities are endless and the designer has since enjoyed creating each time new faces.
Delaney Allen is an American photographer whose work investigates self-exploration while surveying and masking varying objectives within photography. Employing the use of self-portraiture, still-life and landscape, Allen constructs an individualised path as the collections intersect in storytelling
Contemporary artist, creative director and illustrator Gabriel da Silva based in Miami, creates modern version of Bosch as its personages has been teleported to the Adventure Time series and get some portion of magic happy pills
You may heard from us the stories about magic art projects coming out of Studio Drift hands (Lonneke Gordijn and Ralph Nauta). Here is another chapter of their tender child made of dandelions and light - “Another Future”. Released on the leading Instagram art platform @Avant.Arte Another Future consists of nine luminous real dandelion seeds, hand-picked and glued seed–by–seed to LED lights. An (already sold out) edition of 50, it is made from conductive print, dandelion seeds, LEDs & plexiglass. Includes a micro-USB cable and a location-specific plug.
Talented young artist from Russia - Viktoria Veisbrut went full circle from tattoo art to canvas and further on the street walls. Her visual stories went beyond colourful murals, depicting informational overdose of our days and the needs to sedate ourselves on a daily visual diet
Artist Sebastian Burdon aka Whatshisname is a London-based sculptor mostly known for his “balloon”-like dogs he started doing few years ago as a fun, being fed up with one famous guy. After he was accepted as a raising star he changed the game and started running a series of limited editions for his “POPek” and “PEEPek” “balloon-dogs” and recently released an anthropomorphic version called Jeff Balloonski.
Artist Szilard Gaspar practicing professional boxing as well as arts, sculpture and performance
“On a both practical and conceptual level, in my artworks, I always try to express and give artistically shape to the energies that I experience in my life as a sportsman. The artistic result in my artworks comes from accumulated personal experiences and many years of experiments with different art materials, with my body and my mind. Combining art with sport and the specific elements of these two different life styles, shaped my passion for art, which is the most distinct and strong part of my personality. Now, I can express myself more freely since I found my original way of making artworks and performing.”
Bite tongue, deep breaths
Azamat Akhmadbaev (b.1991) is a visual artist who lives and works in Saint Petersburg, Russia. He works across many disciplines including painting, photography, video and digital art. His artworks operates in the gap between glitch art, abstraction, minimalism and graphic art. Also he is a founder/editor-in-chief of @dontpostme_magazine - a magazine about contemporary art. Private collections in Russia, Spain, the USA, the UK and Poland
BITE TONGUE, DEEP BREATHS, 2020 is a part of an ongoing series of digital artworks by Azamat Akhmadbaev. This artwork continues to explore the limits of digital art world, and it was inspired by a song by Clams Casino & Imogen Heap ‘I’m God’.
Having taken the repeating words ‘bite tongue, deep breaths’ from the song, the artist has transformed a sampled song’s melody and text into the colorful artwork with infinite number of layers. Using glitched, vandalized images and texts (in a special, manually designed fonts) as brushes on a digital canvas, Akhmadbaev represents a dualism of the digital and the real, physical world. Technically, the artist checks out the ability of auto and manual software tools to create the image with glitched, lost, degraded effects. Conceptually, the artist launches the self-reflexive process with a manifestation of his attitude to the legacy of the post-war (abstract painting) and 90’s (usage of computer technologies in art) periods. And references to the popular song are the digitally manipulated links with culture and time in history discourse.
Garden of Hubris, oil and acrylic on canvas
Sholto Blissett (b.1996) is an artist from Salisbury who lives and works in London.
Garden of Hubris I, water based emulsion on canvas on board
Growing up surrounded by the ancient sites of Stonehenge and Avebury stone circle, Sholto has always had an interest in the fictions which societies create in an attempt to understand their place in nature. Hence, Sholto’s largescale, fictional landscapes explore humankind’s relation to nature. At first glance, he evokes the Kantian division of the human and nonhuman; yet his works then turn the viewer towards the Sublime realisation that these two notions are indivisible. Thus, the original, Kantian conception of the Sublime in which the human and natural are purported as separate are challenged by the alternative arguments emerging from the events of the Anthropocene. Sholto encourages the viewer to realise their – our – inescapable intertwinement with the natural world.
Yinka Ilori is a London based multidisciplinary artist of a British-Nigerian heritage, who specialises in storytelling by fusing his British and Nigerian heritage to tell new stories in contemporary design. He began his practice in 2011 up-cycling vintage furniture, inspired by the traditional Nigerian parables and West African fabrics that surrounded him as a child.
Always curious for contrasts and bold simplicity, Lou bases her artworks in the act of balancing abstracted memories, feelings and music. All of them influenced by a minimal and modern approach to the diversity of her Latin roots.
