BBC2 Idents by Future Deluxe
Future Deluxe recently worked with BBC Creative and Superunion to design and produce a set of unique idents to help launch BBC2’s first identity update in over 25 years.
Future Deluxe recently worked with BBC Creative and Superunion to design and produce a set of unique idents to help launch BBC2’s first identity update in over 25 years.
This innovative art project by Leni Dothan was prompted by the desire to raise a stronger awareness towards the invisible enemy that is air pollution. Together with the Chemistry department of UCL, Leni created these photographs on 200 Portland stones using London’s air pollution
Texts by Marine Tanguy MTArt Agency
This project is a perfect conceptual and chemical symbiosis between science and art, aiming for awareness and a response to air pollution through public art in between London and Portland Isle. During the b-side biennale, the artist will transform the Verne High Angle Battery into a rehab centre for air polluted sculptures made in London.
These sculptures will be the outcome of an ongoing research based collaboration with Dr. Raul Quesada-Cabrera, expert in photochemistry at UCL, prof. Andrea Sella and Sana Ali. Together, they developed a pollution-reactive material in UCL’s Chemistry lab.
Leni Dothan will bring these polluted sculptures to Portland for them to be cleaned while on display at the Verne High Angle Battery for nine days. The audience will witness the colour changes on the sculptures as the artworks react to a healthier context. The sculptures will become a powerful tool for public awareness towards the growing issue that is air pollution, especially in cities.
Founded in 2015, MTArt is the first artist agency in the world for the world’s most exciting up and coming visual artists. While the art world concentrates on selling art on walls, the agency focuses on investing and supporting the artists. Every month, the agency reviews 200 portfolios of artists. Its selection committee select artists with innovative techniques, inspiring content and strong visions.
For the artists who sign with the agency, MTArt covers their studio costs, sells their works, implement cultural & commercial partnerships and offers press exposure. This is how the agency accelerates their artistic reputation, visibility and success.
British sculptor Jason deCaires Taylor has once again left his mark on the environment with a stunning new installation. Created for the Fairmont Maldives Sirru Fen Fushi, Coralarium is a semi-submerged art gallery filled with nearly 30 sculptures that will act as a habitat for coral and other marine species (via MyModernMet)
The Sculpture Coralarium is situated in the centre of the largest developed coral lagoon in the Maldives, on the island resort of Fairmont Sirru Fen Fushi. The artwork by Jason deCaires Taylor is a semi-submerged tidal gallery space that exhibits a series of sculptural artworks on the skyline, inter-tidal waterline and seabed. As world's first semi submerged tidal Art Gallery it is cube shaped, six metres tall, with its front façade submerged up to median tide of three metres. The design of the walls is based on natural coral structures and is porous to allow the tides, current and marine life to pass through and the structure to “breathe” within its location
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Leading UK "phygital" art and research studio Universal Everything continues its journey in Machine Learning exploring human-machine collaboration through performance and emerging technologies. The ongoing project Hype Cycle (previously)
These human-machine interactions from Universal Everything are inspired by the Hype Cycle trend graphs produced by Gartner Research, a valiant attempt to predict future expectations and disillusionments as new technologies come to market.
Creative Director: Matt Pyke
Animation: Joe Street
Sound Designer: Simon Pyke (Freefarm)
Senior Producer: Greg Povey
Motion Capture: Nick Dulake, Ursula Ankeny (Sheffield Hallam University)
Dancer: Tamar Draper
Choreographer: TC Howard
Designcollector and FutureFest (by Nesta, London) present “Future Selves”, a special edition of the annual “phygital” art collaboration where Digital Decade was looking for Ello Artists to submit artworks (1 - 18 June) and imagine how we may reinvent and edit our identities in the future. The call was reflecting on one of the main programming areas of this year’s FutureFest, ‘Alternative You’. The best 3 artworks selected by 20 members of prominent Jury Panel will be part of a pop-up exhibition at the festival alongside other artworks (from Digital Decade Cyberia 2017) curated by Designcollector Network. The popup exhibition of 12 Artworks take place on 6-7th July at London’s Tobacco Dock and will look at the future of our ever evolving identities at the intersection of real and digital worlds.
Future Selves is a pop up exhibition curated by Designcollector Network in partnership with Ello. It’s a special edition of the annual “phygital” art collaboration, Digital Decade which showcases the work of a new generation of visual artists. For this occasion we selected 9 artists from Digital Decade Cyberia 2017, to join the 3 winners of Ello Artists Invite
Tobacco Dock, Wapping Lane, London E1W 2SF
East Mall Passage
About Digital Decade
Digital Decade is an annual recurring collaboration and exhibition run by Designcollector Network and partners devoted to emerging artists around the world it provides a platform for a new generation of artists who are shaping the current discourse of contemporary art and visual culture. Digital Decade was launched in 2013 at OFFF Festival in Barcelona and has returned there for the following two years. Since then Digital Decade has appeared as a standalone exhibition in London featuring 50 artists at Ugly Duck, Bermondsey in 2017.
The moon landing is one of the greatest milestones in human history. hat if the moon landing wasn’t real? eet Jack Torrance, the man who made it all happen. The Trip is an Instagram interactive storytelling experience that tells his story. Follow his adventure to the dark side of politics and manipulation and learn how surveillance technologies have changed since 1969. The story blends original NASA footage and unclassified FBI documents in an immersive experience. Truth? Lies?
ABOUT THE AUTHORS
The Trip is written and directed by The Kissinger Twins, award-winning director duo, and was inspired by a real-life event. During their holiday on American Samoa, the Kissinger Twins met Jack Torrance, a singular 80-year-old, who claimed that he was the mastermind behind NASA’s moon landing. "Jack finds mobile technology and social media as a threat to privacy, so telling his story via Instagram became a subversive choice. He was initially reluctant, but soon understood that we needed to use the most relevant tools of modern storytelling to amplify his message.”
Sébastien has been in the advertising and photography for 15 years, having worked as a photographer, graphic designer and film director.
In 2006, Sébastien moved to London to build his photographic portfolio working for Estée Lauder, the British Fashion Council, Apple UK, Vivienne Westwood and Lancôme. In 2015 Sébastien aside his advertising work has started developping fine art projects exploring effects of paint and deconstruction on his fashion photographs.
London-based CG artist Peter Tarka shares his personal visual artworks done in between of heavy commercial projects. In his works he explores the interaction between real and surreal, physical and digital. We'd like to see his work in real made with the help of 3D printers to feel in the full the "phygital" nature of his experiments
Hattie Stewart is an Artist and Illustrator based in London, UK. Although she is best known for 'doodlebombing' over influential Magazines, her tongue-in-cheek artwork moves fluidly between many creative fields including Fashion, Music and Contemporary Art.
She is about to open an exhibition of new immersive works for NOW Gallery in London’s Greenwich Peninsula this month.
Hattie’s I Don’t Have Time For This exhibition is the gallery’s first collaboration with a young artist as part of its new programme, which aims to work with rising artists “who have an unusual approach and standout visual aesthetic”.
Commissioned by the gallery’s cultural curator Kaia Charles, the free exhibition from May 16 to June 25 will feature large scale floor-based artwork that invites participation with Hattie’s legendary doodle bomb illustrations, references to psychedelic art from the 60s and post-modern classics like Who Framed Roger Rabbit, offering the viewer a clean break from reality.
"Inspired by El Lissitzky, a key figure of the Russian avant-gardemovement in the early 20th century, ELIT PROUN BAR is the result of a creative collaboration between London-based architectural practice Carmody Groarke and Wallpaper* Handmade. Part art, part architecture, it was developed under the auspices of elit® Vodka, a platinum, award-winning premium vodka, and unveiled at Wallpaper* Handmade’s “Wellness & Wonder” exhibition during Milan Design Week 2018, taking centre stage in the Mediateca Santa Teresa, an 18th century baroque church turned into digital library."
Hype Cycle is a series of futurist films exploring human-machine collaboration through performance and emerging technologies.
Machine Learning is the second set of films in the Hype Cycle series. It builds on the studio’s past experiments with motion studies, and asks: when will machines achieve human agility?
Set in a spacious, well-worn dance studio, a dancer teaches a series of robots how to move. As the robots’ abilities develop from shaky mimicry to composed mastery, a physical dialogue emerges between man and machine – mimicking, balancing, challenging, competing, outmanoeuvring.
Can the robot keep up with the dancer? At what point does the robot outperform the dancer? Would a robot ever perform just for pleasure? Does giving a machine a name give it a soul?
These human-machine interactions from Universal Everything are inspired by the Hype Cycle trend graphs produced by Gartner Research, a valiant attempt to predict future expectations and disillusionments as new technologies come to market.
Creative Director: Matt Pyke
Animation: Joe Street
Sound Designer: Simon Pyke (Freefarm)
Senior Producer: Greg Povey
Motion Capture: Audio Motion
Dancer /Choreographer: Dwayne-Antony Simms
Esther Brown is a British/South African artist and designer born and raised in Japan, currently settled and working in the UK. She completed a BA HONS in Fine Art in 2014, worked as a print designer and has won an award for her drawings.
Gleaning elements from her multicultural background, Esther’s work is based around the concepts of symmetry, beauty and Utopia. Brightly coloured birds sit on a background of patterns and golden halos, and animals are surrounded by a wreath of voluptuous flowers and butterflies. Her pieces often reflect the conflict between animals in decorative spaces and the desire for all nature to be wild and free. Both the small fragile creatures and those creatures considered more powerful are depicted and upheld in an other-worldly utopian environment, where their beauty and uniqueness is to be celebrated.
While some populists use "There is no Planet B" phrase without real input, guys from Amsterdam went further to prove the actual meaning behind that saying as "Start it from yourself". As we tried to think of "..Planet B" from visual perspective during our Digital Decade 4, in 2016, nearly in the same time GUM-TEC created the backward process to extract actual rubber from chewing gum (yes, it is no more an eco-tree rubber). Later on they were baked by Amsterdam official "I AmSterdam" municipal group and asked designers from EXPLICIT to come back with a pair of recycled sneakers "Gumshoe". Real shoes are ready for pre-order now
Gum Drop Bin was an actual diploma of Gumshoe designer Anna Bullus at Brighton Uni, UK
"Photographer Mandy Barker creates deceptively eye-catching images to document the pandemic of plastic debris in the world’s waterways. Barker, who is based in Leeds, UK, works closely with scientists to collect trash from our oceans and beaches on the edges of nearly every continent. One research expedition covered the debris field (stretching to Hawaii) that resulted from Japan’s 2011 tsunami and earthquake; she has also explored the Inner Hebrides in Scotland with Greenpeace." (see also Trash Isles)
When a residential project in collaboration with Zaha Hadid did not receive approval by the local Moscow legislature, Vladislav Doronin was determined to work with Dame Hadid and subsequently commissioned her to design a residence for him. Over a lunch meeting they discussed the brief, ‘floating above the treetops, overlooking the forest’ and Zaha Hadid sketched her ideas onto a napkin. The result was the Capital Hill Residence, a fluid monument emerging from its surrounding landscape.
"Hidden Layer looks at the way neural networks augment our identities and change the way we think and behave. With AI increasing its influence on the decisions we make and the information we digest, how will algorithmic structures infiltrate and influence human concepts of self? What happens to AI - augmented humans if the structures they rely on collapse?
Often described in terms of what it can do for us, a neural network is complex, self-evolving and dynamic. It is also capable of decision-making autonomously, without human intervention. As such, artificial intelligence algorithms can be understood both as a way to analyse today’s complex world and as beings distinct from human influence.
The name Hidden Layer comes from a term used in the development of artificial neural networks. The Hidden Layer is neither seen nor understood by humans; it is the part of the network in which the main computation driving the network is done. Hidden Layer is part of FIELD’s broader series of works titled Second Nature, which examines Machine Learning as an entity."
FIELD
London based digital art studio FIELD work at the intersection of art, technology and design, and explore “colour, life, and infinity though new technology and a research-led approach - creating high-tech experiences with a human touch”. FIELD create expressive and dynamic artworks for digital platforms, including audiovisual installations, digital artefacts, and interactive films. FIELD are known for their unique approach to aesthetics, blending the latest digital technologies with nature and human subjects. FIELD’s body of work takes many different shapes, from apps to installations. Their work Energy Flow is an app experience weaving animated story lines into audiovisual pieces that change endlessly and is different for each viewer.
It was listed among the best apps from The Guardian Technology blog. For Deutsche Bank, FIELD collaborated with Universal Everything to create a large-scale installation using a 12-metre wide screen with atmospheric cityscapes, hand-drawn scenes, patterns and landscape animations that were generated in realtime that made every iteration unique. The studio collaborates with cultural institutions and global brands on commissioned artworks and generative design solutions, including Nike, Deutsche Bank, HP, Nokia, GE, and AOL. Their work has been exhibited at cultural institutions and galleries internationally, including at La Gaîté Lyrique, Paris; The China Museum for Digital Art, Beijing; and The British Library, London. FIELD has also been included in festival programs at Ars Electronica and onedotzero.
Mike Driver, a London, based freelance illustrator, currently represented by MP Arts. "His textural and brightly-hued work, full of long-limbed characters is a joy to look at. Their crispness and clarity suits print wonderfully but his use of both digital and analogue techniques keeps things interesting."
The Squash is an immersive installation combining performance and sculpture by 2016 Turner Prize nominee Anthea Hamilton. The artist has designed seven costumes in collaboration with LOEWE Creative Director Jonathan Anderson to be worn by the performers. The Squash has been created for the annual Tate Britain Commission, which invites contemporary British artists to create new artwork in response to the grand space of the Duveen Galleries.
Direct Painting Group has laid over 7000 white ceramic tiles for the design background of Anthea's exhibition.
The Brief
To create the social marketing material for Adidas's officia Winter Olympics Kit launch.
The BLUP way
There aren't many household names who represent GB in the Winter Olympics so there were no sports celebs to base the kit launch around. Thinking The Blup Way we decided to focus on the kit with no model at all giving each piece its own identity through a series of still and motion graphics. The soundtrack we added aims to act like an 'epic' movie trailer in order to create a dark, icy impact.