London-based FutureDeluxe were approached by Wacom & Iris London to create a self-initiated art film with an open brief. The result is a surreal and experimental art piece combining woman and bird to tell a beautiful visual story within an imaginary world of intricate colour and detail – Plume.
The resident of Digital Decade 5 - interactive artist MARPI shares his latest project - a Virtual Reality collaboration with Archan Nair, a series of 3D virtual worlds with music by An on Bast.
New York-based, British artist Anthony McCall practices in the fields of film, installation, sculpture and drawing.
Anthony McCall. "Long Film for Four Projectors" (1974). Installation view (2003). Photograph: Hank Graber.
Light Show at Hayward Gallery, London. Photo by Linda Nylind. 27/1/2013.
Anthony McCall. “You and I Horizontal” (2006). Installation view at Institut d’Art Contemporain, Villeurbanne, France (2006). Solid light installation. 50-minute cycle in six parts. Computer, computer script, video projector, haze machine. Dimensions variable. Photograph: Blaise Adilon. Courtesy Sean Kelly Gallery, New York.
Anthony McCall. "Between You and I" (2006). Installation view at Peer/The Round Chapel, London, 2006. Vertical solid light installation. 30-minute cycle in two parts. Computer, QuickTime movie file, two video projectors, two haze machines. Dimensions variable. Photograph by Hugo Glendinning. Courtesy Sean Kelly Gallery, New York.
Anthony McCall. “Face to Face” (2013). Installation view at Sean Kelly Gallery, New York, 2013. Photograph by Jason Wyche.
Directed by Susi Sie "Wild Valley" has all scenes filmed with RED Dragon and 100mm macro lens.
Ahead of the launch of Maxim Zhestkov’s first digital edition on Sedition, Elements, this October 2017, they interviewed the visual and motion graphic artist from his studio in Russia to discuss his surreal animations, his approach to his own work and its subsequent reception.
Elements is an experimental video work by Maxim Zhestkov, which explores nature, physics, art and love through digitally animated ‘particles’ or ‘elements’. More than two billion particles, governed by tensions and forces influenced by those occurring in nature were used to replicate the motion of collective behaviour. As well as patterns of motion, the particles tell stories and evince emotional responses.
The film is a trial by the artist to explore the idea that everything around us and inside us is made from simple elements or blocks, which can be arranged in complex relationships and become compound structures. It demonstrates that there is a relationship between the tiny and individual, and the enormous and multiple. The ideas the work explores brings together emotions, behaviours, thought processes, relationships, life, planets and the universe.
The new Martian Materials imagined by JVG Studio in their recent CGI project - "What you are going to see came from another planet. The first visuals from outer space ever made. Thanks to NASA's Robotic Mars Exploration Mission we were able to create a collection of abstract images where textures, reliefs, glossiness and colours have been taken from real martian material acquired in their different expeditions."
Japanese digital artist Kota Yamaji that has been graduated from Tama Art University in Tokyo 2 years ago. His successful debut at our Digital Decade 5 exhibition in London, where he was presented by event partner - Curioos, landed as a profile on Creative Debuts
Digital Decade 5
Special Artwork made for our exhibition "Cyberia" in London, August 2017
Anthony Samaniego is a visual artist residing in Los Angeles, California.
It took 3 years for artist Yannick Jacquet to create Élytre, a forty metres long generative work on display at the foot of the the Alexandre III bridge in Paris. The piece was commissioned as a permanent design feature for Le Flow, a floating building moored along the new pedestrian area on the banks of the Seine.
Yannick Jacquet drew inspiration from the dark mass of the barge between the sky and the river to fine-tune his response to the immediate surroundings, calling on the instability and permanence of the flowing water, the infinitely nuanced shifts of light, and the interplay of transparencies between its large plate-glass windows and the glass dome of the Grand Palais just across the water. Drawing on the barge’s organic, cocoon-like architecture, he came up with a highly sensitive, reactive work in the form of an installation that reverses the overall structural inertia of the barge’s four hundred tons of steel, as if echoing Reyner Banham’s principle of regenerative architecture. The installation is linked up to a battery of sensors so that it varies according to the time of year, season, atmospheric pressure, wind speed, temperature, and so on. It is in a constant state of flux, permanently subject to imperceptible shifts.
"Hot Art Exhibition is a series of visualisations following the question: What would happen if there would be no air conditioning during extremely hot summer?"
Digital artist Denis Sartakov does a lot of CG art on his own and for commercial needs and recently he caught our attention with the motion graphic interpretation of human heart alive.
Marcel Lisboa - one of the ten winners of our recent Ello x Digital Decade 5 open contest became a base of Phygital Art Exhibition held in London last month at Ugly Duck
Marcel Lisboa for the Digital Decade 5
Graphic designer Marcel Lisboa, living and working in São Paulo/Brazil, uses digital means to create his utterly unique illustrations; all of which expressions of private worlds that reveal a distinct story and invite endless contemplation.
Through digital collage the artist reflects his key inspirations: the Renaissance, the Baroque and Neoclassicism. But by shunning the usual genealogy of the Dadaists, Lisboa creates an unique aesthetic based on stunning draftsmanship and evocative scenography.
Creative Debuts, London is a platform celebrating the brightest emerging artists and designers. Designcollector is proud to have them as a new partners for upcoming Digital Decade events you won't miss if subscribed to the Newsletter
After Fabergé, is a personal project and ongoing exhibition of five digital prints created by artist Jonathan Monaghan, to run a half year at The Walters opening in November
After Fabergé is a series of five prints which transform an iconic symbol of status and wealth into uncanny objects composed of modern furniture, computer parts, and historic architecture. Set on stark white backgrounds and rendered with perfect glossy surfaces, the imagined forms appear almost like a commercial product with an eerily ambiguous function. The eggs are meticulously crafted in virtual space and are presented as highly-detailed, large photographic prints
Wade Jeffree is a New York-based Designer and Art Director whose practice is based upon creating long-standing collaborative partnerships built on honesty and purpose within the fields of art, culture, and commerce. He believes in a life where work and play are forever intertwined. As of 2016, he runs a studio with his wife Leta Sobierajski from Brooklyn, New York.
“Wade and I had the pleasure of spending 3 days in San Francisco on Adobe Live Stream to create a 3 part photographic poster series following the theme of “Hear No Evil, See No Evil, Speak No Evil.””
Universal Everything has worked with Apple to create not just moving, but emotive 3D wallpapers that animate when touched on the new iPhone devices
We are proud of our friend and artist from recent collaboration - the Digital Decade 5 - Shane Griffin continues his series of "Chromatic" and expands it to official wallpaper pack of upcoming iOS11
iOS11 Official Pack by Shane Griffin
During UK bank holidays on 25th of August Designcollector Network ran a successful exhibition that explored intersections digital and physical forms - "Phygital" in art, featuring 50 Artists working in the field of near-future terms. This year's theme was "Cyberia - the Unknown Territories shaped by the Digital Ethnos" encourages artists to reflect on the concept of the newborn digital-native that is changing our common value systems.
Digital Decade 5 went on 25 - 27 August at Ugly Duck, London
For the 5th Edition we were lucky to collaborate with 3 huge online platforms working in the fields of Digital Art and representing the majority of online artists. If you are looking to promote your body of work, please consider this platform as a kick starter of your career
Ello is The Creators Network, a socially-powered publishing and collaboration platform supporting a global community of artists. Founded in 2013 by a small group of art & design professionals, Ello provides a creative oasis for artists and their fans while empowering artist x brand collaboration via our Artist Invites program.
Designcollector is proud to have Curioos as a retail partner. They are printing all artworks for Digital Decade 5. Curioos is a curated marketplace of lifestyle products designed by independent artists. It’s the one-destination for graphic artists to profit from their creativity by selling their artworks on high-quality, everyday products such as wall art, apparel and accessories.
Delivering Video Art challenge and showcasing selected artists on “Sedition digital Frames” at Digital Decade 5. Sedition Art is the world’s leading online platform for artists to display and sell their art in digital format for connected screens and devices. Sedition offers everyone an easy, enjoyable and social way to experience art-collecting at affordable prices. The company was founded by Harry Blain, the owner of Blain|Southern. The mission of Sedition is to change the art world by introducing a marketplace for collecting and trading art in the digital age.
Photos are taken by Antony Kitson
Sedition and Designcollector are delighted to announce the winners of the Digital Decade open call for video artworks.
During July 2017, artists working with the moving image submitted their responses to the theme ‘Cyberia’ to an open call co-ordinated by Sedition and DesignCollector Network.
85 artworks were submitted by artists whose work responds to the geopolitical, environmental and social changes which are taking place, and will take place, as a result of the increasing influence of digital practices worldwide.
Five artworks were chosen for exhibition in Digital Decade 5 organised by DesignCollector Network, which takes place from 25-27 August. Digital Decade 5 will combine works from a range of media including print, video and VR to look to the digital future.
Markos R. Kay is a digital artist, director and lecturer with a focus on art and science. He is best known for his video art experiment aDiatomea (2008), exhibited at Ernst Haeckel's Phyletic Museum, and for the generative short The Flow (2011), which can be seen in an episode of the TV series, Breaking Bad. His art and design practice ranges from screen-based media to projection and print. Kay’s work can be described as a series of experiments using generative methods which explore and abstract the complex worlds of molecular biology and particle physics.
Created as a series of virtual experiments, Quantum Fluctuations shows the complexity and transient nature of the quantum world, which is impossible to observe directly.
Joëlle (b. 1982) is a South African designer and visual artist whose work is focused on exploring the connection between sound and form. Her creative process is led by experimentation and emotion and she considers her output a reflection of her environment and state of mind.
Her works range from music videos and generative graphics to live real-time visuals and are constructed of computer generated imagery and audio responsive elements that result in moving images largely sculpted by sound.
Turmoil explores themes of fragility and desolation. A longing for a world untouched and unbroken.
Yoshi Sodeoka is an artist from Yokohama, Japan, who’s lived in New York for more than two decades. Sodeoka’s neo-psychedelic work with video, GIFs and print simultaneously inhabits the world of fine art, music (he’s collaborated with bands like Psychic TV, Tame Impala, Yeasayer, Beck, The Presets), publications (creating art prints for New York Times, Wired Magazine, San Francisco Magazine, Entertainment Weekly), and advertising (developing projects with brands like Apple, Samsung and Nike). Sodeoka’s work has been shown all over the world, from Centre Pompidou, Tate Britain, Museum of Modern Art, Deitch Projects, La Gaîté lyrique, Channel 4 Random Acts UK, Baltimore Museum of Art, OneDotZero, Sonar Festival, Transmediale, Whitney Museum of America's Art Artport. His artworks are in the permanent collections of Museum of the Moving Image as well as the San Francisco Museum of Modern Art. Sodeoka’s experimental video art collective, Undervolt & Co, was founded in 2013.
When Hell Freezes Over is a time-based realization of the print triptych and consists of composited elements which capture the cycles of nature. The seasons are rendered as emojis as the work flits between Bosch’s famous painting and digital culture at its most recognizable and ubiquitous. When Hell Freezes Over is both a humorous mash-up and reflective comparison of Bosch’s iconography and Emojis, the virtual sign/symbols of the present century.
Overlap's Nearfield appears as a moving piece of audiovisual abstraction rendered in a palette of mostly whites, occasionally interrupted by nuances of new colours which add a subtle warmth to an otherwise icy ambience. As the visuals unfold, Overlap’s polyphonic soundtrack produces a series of alien vibrations, evocative oscillating disruptions which carry the shifting shadows across the screen. As hypnotic as they are haunting, Nearfield creates a view into an isolated and entirely abstract world in which detail appears to have been replaced by impenetrability and ambiguity. As with other works from the Glide collection, Nearfield appears to delve into our psyche, relating experienced dreams to realised abstractions.
We a happy to announce that leading interactive artist MARPI is joining our own exhibition Digital Decade in London to showcase his latest installation "Mass Migration Builder". If you happen to be in London during 25 - 27 August don't hesitate to pop in to Ugly Duck venue and experience the "Cyberia"
Interactive installation based on Mass Migrations using HTC VIve controllers and no headset. Multiplayer digital mecha graffiti - originally presented at Next Art Night in Los Angeles.
Matthew Stone is an artist and shaman. These two interconnected roles are defined by his activities as painter, photographer, sculptor, performance artist, writer, Optimist and cultural provocateur.
“Optimistic thought without action will not fix broken systems. In fact pitching optimism as the primary means of self-actualisation for those facing genuine adversity can be a patronising tool of oppression. By-your-bootstraps philosophies tacitly reassert the toxic idea that inequality arises from the attitudes of those who are oppressed rather than the systemic violence enacted upon them.”
Stone’s most recent body of work demonstrates an innate enthusiasm for the development of painting within the framework of art history. The new works, use 3d modelling software and paint to break with the history of painting on a flat surface, lifting the strokes into a virtual and free space. The addition of shadows and foreshortening creates an illusionistic - trompe l’oeil sense of depth and perspective within the canvases. He organises and examines complex statements in regard to the relationship between painting, photography & computer generated imagery disrupting the holy status of painting as the ‘cosmic flesh’ of art history whilst simultaneously pushing the visceral experience of paint forward. The series offers a new technical approach to traditional painting, showing diverse bodies at play and in conflict.
Mikhail Batrak is a Ukrainian artist whose work examines the relationship between perception, Surrealism and empiricism. His creative process involves taking photographs with a digital camera and manipulating the results using computer software, combining disparate elements to create unexpected hybrid images. Drawing on techniques such as photomontage, digital drawing and collage, he updates the tropes of Surrealism for the digital age, utilising the visual language and style of the movement to pursue his own vision.
