Magic Carpets by Miguel Chevalier
"Magic Carpets 2014" by French artist Miguel Chevalier was an interactive light display spread out across the floor of the former Sacré Coeur church in Casablanca, Morocco.
http://vimeo.com/91624877
"Magic Carpets 2014" by French artist Miguel Chevalier was an interactive light display spread out across the floor of the former Sacré Coeur church in Casablanca, Morocco.
http://vimeo.com/91624877
Our friend and recent collaborator at the Digital Decade III Cy Tone collaborated with electronic music composer Franco Cazzola to release THE ARCH3TYPE piece (Listen to the full album on Spotify). "Odi et amo, endless dualism between good and evil, light and darkness, love and hate. The cube, a metaphysical symbol of improvement in human and social dimensions. One white, on the run. One black, hunting ... together to become a single element ... LIFE"
"For the series ‘Distortions‘, photographer Stephen Ocampo Villegas – also known as Steoville – creates bizarre self-portraits through photo manipulation."
Rafael Merino is former art director based in Madrid, focused on the creation of engaging graphics for all kinds of purposes. We consider his works more from digital art side neither graphic design
As many as other digital artist Tony Futura mixing up media and pop culture but rare visual cocktail strikes like his own. Tony's light-hearted and funny digital art is often charged with sexual energy.
After reading an awesome study on digital art done by Charmaine Li for iGNANT we revisited some artist mentioned in the article. Here is Andreas Nicolas Fischer, we mentioned few years ago. A Berlin-based artist working with generative systems, physical representations of data as well as visualizations of digital processes. Apart his famous "Schwarm I" generative art complex from 2012, he was in to a lot of new digital experiments exhibited worldwide recently that are worth to explore on his personal website now
http://vimeo.com/105481581
http://vimeo.com/44938883
http://vimeo.com/106376348
http://vimeo.com/106364148
"Los Angeles based Turkish artist Refik Anadol wants us to slow down and make technology into something we consciously see and feel..His most recent installation, titled the “Infinity Room” at Zorlu Performing Art Center in Turkey, is a trippy, black and white installation that uses audio and visual stimulation to alter one’s sense of the room. For this, he installed a cinema screen, onto which 3D kinetic animation based on algorithms was projected. It is part of his ongoing project titled, “Temporary Immersive Environment Experiments,” which takes the idea of immersion. Immersion into virtual reality is a perception of being physically present in a non-physical world." via Hi-Fructose
"Ezin izan esan ezin" is a glitch art series created by Basque Country (Spain) designer Zigor Samaniego, literally the title translates as "Could not say no".
Combinophy project of Romanian artist Cristiana Costin is a juxtapose of analog photography and digital illustration.
Recently booked by Vogue Korea young artist Lee Sol burst his Instagram account in eye-killing colours of rendered classic sculptures froze still in a madness surreal dance. The vivid palette and high definition render makes his art stand out and captivate. Follow him now on @venusmansion
Talented Russian digital artist Yuri Shwedoff (previously) shares his latest artwork on Behance as well as invites everyone interested to check his painting tutorial on a Gumroad account
One of the best electronic light and projection mapping studios in the world (yes, literally), Russians - TUNDRA and SilaSveta collaborated together to produce an EPICENTER immersive installation to celebrate 7th Anniversary of ARMA17 in Moscow
"Each group created an installation that places the viewer in the “epicenter of borderless creativity.” Tundra’s piece, Halo, creates eerie scenes such as a lightning storm and a fire, playing with space and criss-crossing beams of light. A figure weaves in and out of the beams, getting closer and closer but ultimately disappearing into the darkness. The soundtrack consists of choral music overlaid with what sounds like either rain or a scorching forest." says The Creators Project
Technical support: Robe Lighting, Light Logic Special thanks: Mix Pro, ARMA17 Team As well as: Dmitry Znamensky, Ildar Yakubov, Egor Kraft, Bulat Sharipov Filming and editing: Evgeniy Arkhipov vimeo.com/tunddra robe.cz lightlogic.ru fb.com/silasveta fb.com/dpulseband fb.com/monoleakagency
After enormous design school workshops we posted during last years, BHSAD Moscow students strike again. This time their unstoppable tutor Dmitry Karpov asked guys to imagine cities having an all sorts of mental disorders - the results are killing. We selected few of them, but please follow the link on Behance to check all works from the team
https://www.behance.net/gallery/30629721/Cities-with-mental-disorder
"A Guide to (be) Happy" is a personal view on a common question directed by Renaud Futterer & Mark Lindner at Panoply
Jati Putra Pratama is an artist and graphic designer from Jakarta, Indonesia. On Instagram (@jatiputra), Jati has become known for his surreal photos and imagery, tweaking actual photos and turning them into some kind of fantasy world straight out of Inception.
I'm not a big fan of movies especially sci-fi but the work behind the scenes always fascinated me. Apart of the rumours that there is a crowdfunding campaign to return Matt Damon from Mars, the movie itself is captivating and first of all with its smart use of interface. After discovering GMUNK's work over "Tron" interfaces at OFFF festival few years ago, the way we see UI in movies raised the bar (sorry not to mention the Shell in Matrix).Here is the new, absolutely stunning and definitely painstaking work done by Territory Studio for "The Martian" movie. Working closely with NASA, Territory developed a series of deft and elegant concepts that combine factual integrity and filmic narrative, yet are forward looking and pushing NASA’s current UI conventions as much as possible.
In all Territory delivered around 400 screens for on-set playback, most of them featuring interactive elements. With 85 screens on the NASA Mission Control set alone, a number of which were 6mx18m wall screens, there are many moments in which the graphics become a dynamic bridge between Earth and Mars, narrative and action, audience and characters.
20th Century Fox Credits Director: Ridley Scott Production Designer: Arthur Max Sup. AD: Mark Holmes Motion Graphics Art Director: Felicity Hickson Territory Credits Creative Director: David Sheldon-Hicks Producer: Sam Hart Art Direction: Marti Romances Lead CGI: Peter Eszenyi Design and Animation: Daniel Højlund, Marti Romances and Sam Keehan. NASA Headquarters Director, Planetary Science Division: Dr. Jim Green Program Executive for Solar System Exploration: Dave Lavery Manager, Multi-Media Programs: Bert Ulrich Playback Credits Compuhire Showreel Edit: Marti Romances Audio: Zelig Sound © 2015 Twentieth Century Fox, The Martian
See more at: http://www.territorystudio.com/work/motion/
Check this stunning sunny studio digital visualisation done by Diego Querol. Follow this link to find out the process behind this work