Guangzhou Image Triennial Exhibition Identity
A Creative Lab another design delivered impressive identity for ongoing Triennial in Guangzhou merging visual language of Chinese typography with glitch aesthetics of modern technology
A Creative Lab another design delivered impressive identity for ongoing Triennial in Guangzhou merging visual language of Chinese typography with glitch aesthetics of modern technology
Dutch architecture firm MVRDV along with the Tianjin Urban Planning and Design Institute (TUPDI), have designed China’s massive new library in Tianjin as part of the city’s Binhai Cultural Center and part of a larger urban plan to provide a cultural district for the city.
"Surreal and hyper-realistic, these seemingly contradictory traits have become the signature aesthetic of Xooang Choi‘s sculptures. His approach of incorporating anatomically correct human features – which have all been crafted with excruciating attention to detail – onto his nightmarish creations make each sculpture that much more harrowing. From the head of a Great Dane sewn onto the neck of a life-sized man to a pair of wings formed by disembodied hands, the South Korean artist seems to know no bounds in deforming and contorting familiar human bodies and body parts into deeply disturbing works of art. But through invoking discomfort, Choi’s goal is to draw attention to important societal issues such as human rights, discrimination, and isolation. Scroll down and see more of Choi’s haunting sculptures below."
"Fascinated by anatomy and realistic depiction of human organs, the artist divided classical artworks into pieces showing anatomic details that compose their interiors. Believing that the object’s inner side is as important as the surface, Hui challenges the viewers’ expectations towards the classical sculpture. When assembled, the artworks appear to be predictable, traditional sculpture.." text by Monika Mroz, iGNANT
Ai Weiwei, Law of the Journey (installation shot). Courtesy of Prague’s National Gallery.
"At his upcoming exhibition at Prague’s National Gallery, Chinese artist and activist Ai Weiwei continues his investigation into the European refugee crisis. A refugee himself, Ai’s latest body of work has preoccupied him since the onset of the mass migration of people fleeing war and poverty in the Middle East and Africa for Europe in 2015."
"The exhibition, titled “Law of the Journey,” takes place against the backdrop of an Austrian proposal to cut European Union subsidies to member states refusing to participate in the EU’s refugee relocation program. According to Sputnik News, the Czech Republic has been reluctant to accept refugees from Italy and Greece in recent weeks."
Zhuang Hong Yi can best be described as a Chinese, contemporary artist who has impressed audiences in different countries by his unique style in his many pieces of modern art. His works represent beauty, sophistication and a high level of perfection with a clear presence of Chinese influence represented in his use of colours, themes, shapes and materials that touch the heart.
Hong Yi’s concern with environmental issues is reflected in his repetitive use of floral patterns, highlighting the increasing urbanisation of his home country, the ferocious plundering of natural resources and the depopulation of the rural environment.
Following the success of his first London exhibition in 2015, RAW at the Unit London - Zhuang Hong Yi returns to the gallery with RAW II offering another chance to witness this artist’s captivating and iridescent works.
Untitled The Harvest, 2015
Untitled Sun Blaze, 2015
Untitled Emerald Sunset, 2015
Untitled Sapphire Bloom, 2015
Tidal, 2016
Chinese contemporary artist Hsu Tung Han creates wooden carved sculptures with a sense of pixel glitch deconstruction.
Young photographer and designer Jennifer Bin explores the place she lives and works - Shanghai. Her preferred location of shooting is a rooftop of any building, and speaking in terms of Chinese "San Francisco", any location that reminds an upcoming movie "Ghost in the Shell". To get more information about the body of her work, please check the artist's interview on 500px
Johnson Tsang (previously) is an exceptional artist who skilfully combines figurative sculptural techniques with surreal portrayals. His latest series ‘Lucid Dream’ consists of sculptures of human heads in strangely transformed representations. The sculptures were made of porcelain representing different faces or personalities in a variety of weird situations. The complete series could be seen at Hong Kong’s Sculpture Biennial 2016.
Urbanist and media artist JT Singh has captured the vibrance and massive scale of Shanghai’s skyline, streets, and infrastructure through a series of experimental projects viewed by millions (This is Shanghai, Walk in Shanghai, etc); hence, contributing greatly to the city's growing global status. With this new film, he turns to the Shanghai of its residents, the lives that revolve not around the city’s 4000 skyscrapers, but around the simpler ways of living, the local charm, and the familiar corner.
“What if, instead of oozing blood, we sprouted flowers? “To Bloom Not Bleed” by Peony Yip illustrates this idea, portraying “the fine line between the grotesque and beauty of death.” A gutted fish, instead of looking limp and lifeless, reveals its insides to be a bouquet of peonies and roses. It’s a notion that makes death appear almost romantic.”
Liu Yuanshou is a contemporary Chinese painter. He was born in Beijing in 1967. He earned a degree in oil painting from the Capital Normal University of Beijing in 1991, and has exhibited in and won awards in many prestigious exhibitions throughout Asia, including China, Taiwan, Hong Kong and Japan.
"On the shore of an idyllic white sandy beach in Beidaihe New District, a coastal region in eastern China, rests a monolithic yet classical structure that contains sublime spaces of aesthetic illumination. The Seashore Library, designed by the Beijing-based studio Vector Architects in 2015, portrays the endless interaction between the manmade and the natural where light, wind and the sound of the ocean enter uninterrupted into the building’s spaces to accentuate its austere lines." Read more on Yatzer
"Tsang’s work integrates the themes of human beings vs. objects. Sometimes he anthropomorphizes these objects, giving them human attributes— like in the example of the coffee cups. In other cases, the figures he develops are decidedly human, but distinct nonetheless. He is particularly adept at sculpting expressive, childlike faces— sometimes cheerful, at other times ominous, especially when used in depictions of child soldiers or with other socio-political themes. On the one hand, he can make lovers out of coffee. On the other, he can turn transform a grenade into a pile of human organs. Johnson Tsang’s work has many faces— usually turned out to the world in an unexpectedly jarring way." via Decompoz
Russian proverb says "Word is not a sparrow. Once it flies out, you can't catch it", it can hit, can humiliate and even kill. Shockingly tragic acts of youth violence are on the rise in our neighbouring China. An even lesser known finding is that in China, childhood verbal abuse has a strong link to adolescent delinquency (personally it happens everywhere in the world).
The Center for Psychological Research, Shenyang and Ogilvy & Mather, Beijing have joined hands to launch a creative campaign "Words Can Be Weapons" that raises Chinese public awareness of the serious and detrimental effects of verbal abuse.
fireladder
"Chinese artist Cai Guo-Qiang, known for his use of gun powder to create art, recently used a whole lot of it pay tribute to his grandmother’s 100th birthday with a stunning art piece, “Sky Ladder”. The pyrotechnic art piece lit up the sky above Quanzhou, south-eastern China on Monday, utilizing fireworks and a giant balloon to create the effect of a fiery ladder building itself 1,650 ft up into the sky." via Booooooom
A fully CG rendered short film created by Ziye Liu based upon contemporary artworks from artists Yayoi Kusama and Ai Weiwei, the short film explored the infinite possibilities by using 3D digital art to create new “versions” of existing artworks.
http://vimeo.com/136114837
Take a heartbreaking video-trip to the world's largest Chinese cave Hang Son Doong, directed for you by Ryan Deboodt
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Shengsi, an archipelago of almost 400 islands at the mouth of China’s Yangtze river, holds a secret shrouded in time – an abandoned fishing village being reclaimed by nature. These photos by Jane Qing, a creative photographer based in Shanghai, take us into this lost village on the beautiful archipelago.