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The Ashes of Snow by Carla Chan

February 07, 2018 by Arseny Vesnin in Art, Hong-Kong, Digital Art, 2018

Carla Chan obtained her Bachelor of Arts Degree from the School of Creative Media, City University of Hong Kong. She works with a variety of media including video, installation, photography and interactive media. Much like the never-ending development of new technology Chan considers media art as a medium with infinite possibilities for artistic expressions.

The Ashes of Snow

The Ashes of Snow is an immersive environment that mistreats and misplaces a natural phenomenon: snow. By applying thermochromic technology and a particle falling system, the artwork simulates snowing indoor, By manipulate the temperature inside the particle falling system, the snow’s colour change in greyscale during falling. And eventually the white snow changed to black on the air.

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The process seems to be an ordinary snowy environment, but there is subtle drama within. The black tainted snow causes a sense of misplacement of the snowing experience, bringing the audience a twist in the supposedly dreamy imagination of pure white snow. By manipulating the colour of snow and the falling pattern, the flaws, contamination and pollution are exaggerated as the snow falls. Such a foreign but familiar environment gives the audience a space to think and reflect in the bittersweet beauty of destruction. In the process of snow falling in black and white, the artwork also creates a physical landscape of white snow tainted in black at times. With a hint of traditional Chinese ink painting, the minimal visual experience conveys an atmosphere that is dramatic, poetic, pessimistic and concerning for the future. 

Ultimately, the impure snowy landscape aims to heighten the sense and awareness of climate change, global warming and pollution in the global scale. In reality, black snow is oftentimes related to heavy pollution and contaminated environment, by staging the audience in the simple, yet dramatic immersive environment. The gradient change of snow color is giving a space for audience to think deeply of a non- exit and twisted situation and yet creates a stage of destruction and invertible situation.

www.carlachan.com

February 07, 2018 /Arseny Vesnin
FEB
Art, Hong-Kong, Digital Art, 2018

George Washington

Hail to the Chief by Frank Synowicz

LACDA
February 06, 2018 by Arseny Vesnin in Art, Digital Art, Portfolios, USA, 2018

Frank Synowicz is a multidisciplinary new media/digital artist and designer working with Computer graphics, visual effects, video, virtual reality, and traditional painting and drawing. He presents the new art projects "Hail to the Chief" and "Composite of the Chiefs" where under anthropological decomposition he creates the demystification of the American idols

John Adams

Currently on view at The Los Angeles Center for Digital Art LACDA

This portrait series reflects the fun house nature of the American political process. The circus-like spectacle distorts details of the individuals seeking the prime office. Our relation to them is mainly from the many facets of historical representation and media coverage. Their exalted placement conjures a synthetic character, which becomes warped as it is consumed by the world. This feeds the base of American mythology and the drive of current campaigns.

The fight for control plays out on the public stage, triggering a national identity crisis. Attacks and propaganda distort reality, twisting these most famous of faces. Strings pulled for posturing position, propping up the most promised person at the helm. A side step song and dance, juggling talking points and agenda. A pageant of manufactured personality. Placing in the public eye a poster picture of power and promise.

Hail to the Chief

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Composite of The Chiefs

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@franksynowicz
February 06, 2018 /Arseny Vesnin
FEB, American
Art, Digital Art, Portfolios, USA, 2018

Hyper Realism by Evgeny Lushpin

January 25, 2018 by Arseny Vesnin in Art, Russia, Portfolios, 2018

Acclaimed "Master of Light" talented artist Evgeny Lushpin creates jaw-dropping realistic artworks with a drop of magic twist, in that way that you not allow you to mess it up with a photography.

Born outside  Moscow in 1966, and then educated in Russia's finest schools, Lushpin crafts lush masterpieces that transport viewers to the time and place of his choosing. From golden, unforeseen moments along hidden canals, to the warmth of a stately centuries-old European mansion, to  some of the world's most famous cities. 

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One can find his works too figurative but the truth is in the eyes of beholder and who said Art has no genres like Music. Evgeny plays a main violin in hyper realism orchestra. Art is not about what you see, it is about what you feel.

lushpin.com
January 25, 2018 /Arseny Vesnin
Russian, JAN
Art, Russia, Portfolios, 2018

CarbonSpace

January 24, 2018 by Arseny Vesnin in South Korea, Motioncollector, Art, Digital Art, Portfolios, 2018

CarbonScape is the latest kinetic data soundscape installation created by h0nh1m aka Chris Cheung  It consists of 18 tracks of granular synthesized sound samples, collected from the sound sources where carbon footprints left; from the jet engine sound, steam noises of the factory to the horn of the ships etc…one minute long for each track, giving chances to stand in silent tribute to the mother earth. The finale is composed of all tracks blending into the soundscape.

The work is a visualisation of carbon dioxide (CO2) levels in the atmosphere according to the NOAA (National Oceanic and Atmospheric Administration) since 1958. In 2017, the concentration of CO2 soared to its highest of the past three million years, with industrialization and the use of fossil fuels being one of the major factors. The installation arranged in a bamboo forest like landscape, with the changing ambience drone noises, imitates chimneys frequently found in power plants and factories, with black spheres indicating CO2 levels around the globe. Immersing the viewer in an environment taken over with chimneys, CarbonScape thinks about what our position as humans can be, while the earth’s capacity for life reaches its limits. 

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@honhim
January 24, 2018 /Arseny Vesnin
JAN
South Korea, Motioncollector, Art, Digital Art, Portfolios, 2018

Law of Past Experience by Studio Nucleo

January 23, 2018 by Arseny Vesnin in Art, Italy, Sculpture, Portfolios, 2018

Torino-based Studio Nucleo houses some of italy’s most prestigious artists, designers and architects. Their recent  project "Law of Past Experience" curated by Atto Belloli Ardessi and Ginevra Bria, uses computer-aided boolean data to create the unique sculptures. 

Boolean as in computer-aided design are called operations of subtraction, intersection, and union

 
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@studionucleo
January 23, 2018 /Arseny Vesnin
JAN
Art, Italy, Sculpture, Portfolios, 2018

SAD FACE Ice Graffiti by Aleksey Ilkaev

January 22, 2018 by Arseny Vesnin in Street Art, Russia, Portfolios, Art, 2018

Perm-based Russian street artist Aleksey Ilkaev better known as ilkaif and was quite famous locally for his significant "sad face" graffiti he placed around the town since 2011. The story of his "sad faces" based on Ural's poetics and romanticised harshness of life in the region.

@ilkaif
January 22, 2018 /Arseny Vesnin
Russian, JAN
Street Art, Russia, Portfolios, Art, 2018

Puddle Sculptures by Jeffrey Michael Austin

January 19, 2018 by Arseny Vesnin in Art, Sculpture, Portfolios, USA, 2018

The Puddles came from my desire to make work that at first glance feels mundane and unassuming, a candid situation you wouldn’t immediately regard as or associate with an art experience,” said Austin. “I’d hoped that in this way they would gently present themselves as yet another detail of your natural environment, before then unfurling with a kind of subtle and surprising magic — an extraordinary quality that you have to grapple with for a moment before facing it with any criticality."

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jeffreymichaelaustin.com
January 19, 2018 /Arseny Vesnin /Source
JAN, American
Art, Sculpture, Portfolios, USA, 2018

Wang & Söderström Phygital Art

Volvo Studio Stockholm
January 18, 2018 by Arseny Vesnin in Digital Art, Portfolios, Sculpture, Sweden, Art, 2018

When digital meets physical anything can happen and Stokholm based duo Anny Wang & Tim Söderström managed to push their screen art into the real world

"Transitional Speculation is Wang & Söderström’s first major exhibition in Stockholm and “is the first time where we have a platform where we can showcase a broader perspective of our works,” says Tim. “With additional works, both digital and physical, the foundation of our practice which originates in the physical world, is more comprehensible.” In its combination of the unexpected and twisted familiar, the exhibition aims to create an “experience of something ostensibly well-known, something one recognises from the real world that suddenly feels warped,” adds Anny. “Where a small detail makes you question what you are seeing and by extension, how you are perceiving the world.”

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@wangsoderstrom
January 18, 2018 /Arseny Vesnin /Source
JAN
Digital Art, Portfolios, Sculpture, Sweden, Art, 2018

The cube measures 5.50 meters long, 2.55 meters wide and 3.10 meters height

Stronger Than Time: G-class 1979 inside "Amber" Cube

January 17, 2018 by Arseny Vesnin in Advertising, Art, Cars, Events, Motioncollector, Germany, USA, Sculpture, 2018

Mercedes-Benz encases its 1979’s G-class inside a gigantic “amber” (44 tons of coloured resin, 90 days in production) cube at NAIAS 2018 Detroit show. Created by Antoni agency with video production from Markenfilm-Crossing

The 1979 model of the G-class is enclosed in 44.4 tones of synthetic resin

"The piece symbolizes the timelessness of the off-road legend and makes a conscious reference to the natural phenomenon of insects preserved in amber. With it, the german auto manufacturer wants to portray through an art piece that these characteristics have been handed down from generation to generation, making it the perfect symbol for the premier of the classic’s newest version."

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January 17, 2018 /Arseny Vesnin /Source
JAN
Advertising, Art, Cars, Events, Motioncollector, Germany, USA, Sculpture, 2018

Arthur Brouthers Art

January 10, 2018 by Arseny Vesnin in Art, USA, Portfolios, 2018

Arthur Brouthers is well known in the world of social media as a pioneer of an abstract fluid painting technique that achieves cellular like separations, with the use of acrylic paints and other chemical agents. In his figurative works, these unconventional methods are used as bottom layers or the “skins” of his subjects. Arthur uses anywhere from 4 to 15 layers of clear resin between layers of acrylic paint, pigmented inks, and spray paint to show depth, giving a 3D effect.

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@arthurbros
January 10, 2018 /Arseny Vesnin
JAN, American
Art, USA, Portfolios, 2018

Damien Hirst mockumentary "The Treasures from The Wreck of the Unbelievable" hits Netflix

January 08, 2018 by Arseny Vesnin in Art, Motioncollector, United Kingdom, 2018

The film, financed by the artist himself, seeks to re-enact the fictional backstory behind the divisive show went in Venice last year (see full coverage)

According to the 90-minute mockumentary, the vast Venice spectacle was not the 52-year-old artist’s highly anticipated comeback exhibition, which took 10 years and cost a reported $65 million to produce.

Instead, the film suggests the show was the debut presentation of long-lost treasure discovered by a team of archaeologists and divers off the coast of east Africa. The trove—so the story goes—had been assembled during the 1st or 2nd centuries by a former slave turned voracious collector, Cif Amotan II (an anagram, it turns out, for “I am fiction”).

Read more on Artnet

Watch on Netflix
January 08, 2018 /Arseny Vesnin /Source
British, JAN
Art, Motioncollector, United Kingdom, 2018

Sculpture by Toru Kurokawa

January 05, 2018 by Arseny Vesnin in Art, Japan, Portfolios, 2018

Japanese artist Toru Kurokawa sculpts improbable liquid and biological shapes from a variety of ceramic materials. What begins life as a mere lump of clay, the artist molds and carves into artworks that appear like arrays of honeycomb, undulating coral, or dripping stalactites. Last year Kurokawa had a solo show with Sokyo Gallery titled The Savage Math, and you can see more of his work on Artsy

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January 05, 2018 /Arseny Vesnin /Source
JAN
Art, Japan, Portfolios, 2018

Art of Light by Adela Andea

January 03, 2018 by Arseny Vesnin in Art, USA, Portfolios, 2018

"Romanian-born artist Adela Andea creates futuristic light installations that range from wall-based works to immersive environments. The pieces appears as lit explosions, with LED lights, magnifying lenses, and flex neon springing outwards in a blend of chaos and control. Despite their composition of electrified material, each work is inspired by a natural phenomena. Andea looks to bioluminescent sea life, melting icebergs, and cosmological events to shape the composition and meaning of her large-scale installations." via Colossal

Andea is currently represented by Anya Tish Gallery in Houston and Cris Worley Fine Arts in Dallas. You can see more of her neon-based installations on her website

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January 03, 2018 /Arseny Vesnin /Source
JAN, American
Art, USA, Portfolios, 2018

The 50 Digital Artists we curated offline in 2017

December 27, 2017 by Arseny Vesnin in Digital Decade, Digital Art, Events, United Kingdom, Art, 2017

Instead of doing our classic Cream of the Top we decided to look back and underline the best thing we did this year. Definitely it was the 5th instalment of Digital Decade collaboration with 50 artists (let's say top artists of 2017 by our version) that ended in August as a group show of Phygital Art in London. And it wouldn't happen without a great support of the partners listed below:

ELLO
Curioos
Sedition Art
Ugly Duck
LUWA
Virtually Mine

Curated by Arseny Vesnin

The concept of Digital Decade5: Cyberia was “the Unknown Territories Shaped by the Digital Ethnos”. This, “Ethnos” refers to the generation of digital people that are changing our world, and continuing to influence our culture. As our world becomes increasingly digital, it ultimately transforms to become a ‘Cyberia’.

Identity of Cyberia

The whole identity of Digital Decade 5 was created by famous artist Ruslan Khasanov who has recently won ADC Young Gun 15 Award and Behance selected him to decorate their own Behance Decade :)

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@ruskhasanov
 

First us then Apple

The curator of Digital Decade and Designcollector founder Arseny Vesnin was happy enough to cross path with leading artist Shane Griffin whose works you can see on iPhone X and 8 now. But long before this, he created a special artwork for Cyberia collaboration

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@grif
 

Aristarkh Chernyshev, Loading, 2007

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The idea to get on board one of the pioneer of digital art - Aristarkh Chernyshev came to me after I revisited "Electronic Superhighway" exhibition in Whitechapel in 2016. That's how we got his famous electric marquee artwork to the walls of Cyberia exhibition

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@aristarkh_chernyshev
 

Improvised Cinema at Digital Decade 5

Video Art went high

This year Digital Decade was expanded not only with VR installations but with a whole new world of Video Art. Together with our new partners - Sedition Art we came up with a Collaboration Call for Arms and selected 5 Artist to join our exhibition.





Learn More on Sedition Art
 

Exhibition Artists

The idea of a phygital (digital with physical) art was fully evolved during the exhibition by inviting talented VR artists. Together with the help of Virtually Mine Ltd we installed immersive installations of 

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Desislava Desseva
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Daniel Armegnol Altayo
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Salomé Chatriot
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The Kissinger Twins
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Jose Montemayor
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Melanie Courtinat
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Anna Neklesa

ELLO x DCN

The whole event wouldn't happen without a massive support from Ello Creative Network and we are really happy to roll into 2018 affair with them. During the first month of summer together with 20 Jury Members we shortlisted 60 artists  and selected 10 winners whose artworks joined our exhitibition

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Alexy Préfontaine
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Alice Conisbee
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Cy Tone
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Daina Hodgson
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Davy Evans
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Elena Kulikova
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Emmanuel Achusim
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Fill Ryabchikov
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Karen Rodriguez
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Marcel Lisboa
Learn More on ELLO
 

Stay Hungry, Stay Curioos

The whole event featured 15 installation artists and 35 print artists including the winners above. Together with our best partners at Curioos we selected 25 artists to join the search of Cyberia on the "Unknown territories shaped by the Digital Ethnos" 

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Antoni Tudisco
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Antony Kitson
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Archan Nair
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Ben Paul
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Blake Kathryn
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Carolina Fuenmayor
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Cityabyss
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Daniel Taylor
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Daria Popovskaia
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Desislava Desseva
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Dorian Legret
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Whitecalx
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Kirill Maksimchuk
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Kota Yamaji
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Louise Mertens
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Matthew Custar
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Max Sobkowski
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Oksana Zmorovych
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Rik Oostenbroek
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Santi Zoraidez
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Shane Griffin
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Sasha Katz
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Slava Semenuta
Download as Wallpapers
Buy Aluminium Prints on Curioos

 

Digital Decade 5 was hosted by Ugly Duck space as a part of their Creative Seasons program. Ugly Duck is a London Based social enterprise that revitalises empty and underused buildings, and open them up for creative uses. Ugly Duck has also been used as unusual locations for films, photoshoots, and events.

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Exhibition Catalogue

There is no good exhibition without collectible catalogue of featured artists. Digital Decade 2017 is no exception and you can still support us by ordering the catalogue to your doors.

Buy Catalogue
 

Official Video from Event

 

Follow the Leading Digital Art Event

Now you have no other reasons but to follow our initiative entering the Sixth Instalment in 2018

with  partners like Creative Debuts, POSH.SPACE, ELLO and Curioos

DIGITALDECADE.NET

@digital.decade


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December 27, 2017 /Arseny Vesnin
British, DEC, Aristarkh Chernyshev, Louise Mertens, Sedition, Joelle Snaith, Kulikova Elena, Vesnin Arseny
Digital Decade, Digital Art, Events, United Kingdom, Art, 2017

Kirsten Beets Art

December 25, 2017 by Arseny Vesnin in Art, South African Republic, Portfolios, 2017

Cape-Town-rooted artist Kirsten Beets works predominantly with oil paint on paper. Her main subject is the interaction between humans and nature.

"The artist infuses observations of people and places, fleeting moments, into physical objects. She lifts their significance to touchstones of remembrance. Beets’ artworks represent the fragmentary illustrations of a shifting memory. They oscillate between the feeling of dry, heat shimmering Cape Town, geometric-shaped swimming pools and the preserved green nature of the suburban and gardens. In her paintings the artist expresses the illusionary spaces that remind of nature but are in fact fully constructed by humans. This play with illusion is substantial for Beet’s works where she comments on the interaction between humans and their environment in a bigger picture. Beets has exhibited both nationally and internationally, including the Royal Academy of Arts in London and the Scuola Internationale di Grafi in Venice, Italy. She also took part in the Cape Town and the Johannesburg Art Fairs."

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@kirst_b_kind
December 25, 2017 /Arseny Vesnin /Source
DEC
Art, South African Republic, Portfolios, 2017

Banksy x Danny Boyle "The Alternativity"

December 20, 2017 by Arseny Vesnin in Street Art, United Kingdom, 2017, Art

The story of how Britain’s favourite artist Banksy teamed up with Britain’s favourite film director Danny Boyle to put on a moving nativity play at The Walled Off Hotel in December 2017.

December 20, 2017 /Arseny Vesnin
DEC, British
Street Art, United Kingdom, 2017, Art

Memory Lapses by François Ollivier

December 19, 2017 by Arseny Vesnin in Canada, Portfolios, Photography, Art, 2017

Memory Lapses are temporary installations photographed by François Ollivier when he revisited places linked to strong memories, past or recent. By overexposing reflective material in the process, data becomes absent from the digital file, creating an empty zone in the image that alters reality and distorts our perception: like time and distance do.

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@francoisollivier
December 19, 2017 /Arseny Vesnin
DEC
Canada, Portfolios, Photography, Art, 2017

Ron Mueck "Mass" Large-scale Skull Installation

NGV Melbourne
December 15, 2017 by Arseny Vesnin in Art, Australia, United Kingdom, Sculpture, 2017

As part of NGV Triennial, twenty large-scale new artworks have been commissioned by the NGV, including Ron Mueck’s Mass 2016–17, a monumental work of extraordinary presence comprising 100 individual skulls.

Photo by Sean Fennessey

"Mass" is an installation of 100 individual human skull forms piled up on the gallery floor, each which engage with the architecture of the site.

Photo by Sean Fennessey

"The installation brings to mind the massed remains in the catacombs of Paris, an imposing wall of human heads that resonates with a simultaneous and strange sense of impermanence and eternality. In ‘Mass’, Mueck celebrates the form that links all humanity and pays homage to a symbol that has stood within the art of essentially all cultures and religion. surrounded by skulls covering nearly every surface of the walls, visitors are reminded of the transience of life" via designboo

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@ronmueckart
December 15, 2017 /Arseny Vesnin
British, DEC
Art, Australia, United Kingdom, Sculpture, 2017

Ceramic Donuts by Jae Yong Kim

December 13, 2017 by Arseny Vesnin in Art, Portfolios, Sculpture, South Korea, 2017
 
Featured
Jae Yong Kim
Jae Yong Kim
 

For his ongoing series of ceramic donuts, sculptor Jae Yong Kim chooses patterns and images that evoke a sense of pop culture both past and present

“Without my intention, references to Pop Art have been a consistent occurrence throughout the entirety of the donut artworks. Questioning myself regarding the donuts falling in line with a specific genre has brought questions and need for understanding. Each individual donut has invariably read to me as a small painting; color, pattern and physicality have been the ultimate procedure for my personal expression.”
— Jae Yong Kim
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@jae_yong_kim_nyc
December 13, 2017 /Arseny Vesnin
DEC, Jae Yong Kim
Art, Portfolios, Sculpture, South Korea, 2017

Through The Mist: Dmitri Aske

December 04, 2017 by Arseny Vesnin in Street Art, Art, Sculpture, Russia, Portfolios, 2017

Dmitri Aske, a multidisciplinary Russian artist, has had a large solo show in Moscow RuArts Gallery. The exhibition entitled Through The Mist, which lasted from November, 2 till December, 2, included 24 plywood relieves created in the artist’s unique technique and 4 middle-sized plywood sculptures. Dmitri had worked on the series for nine months. 

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According to the artist, the title of the show describes the life of modern people who try to find their own way wandering through the informational mist. The characters of all the artworks exist in the state of uncertainty, doubts, second thoughts, anxiety concerning past and future, which lies behind the white noise of our digital age.

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Dmitri Aske is a versatile Moscow artist and one of the main figures behind the Russian urban contemporary art movement. He started his career in 2000 from writing graffiti, later moving to graphic design and illustration. In mid-2000s, Dmitri had collaborated with Nike, Reebok, PlayStation, and the like making different art objects and graphics. He also used to be an Edior-in-Chief of one of the first Russian graffiti magazines and a co-founder of a street wear brand. Since 2015, Aske has dedicated himself full-time to art, creating plywood tile relieves, sculptures, and painting murals. In 2016, according to the InArt research, he was named 4th by the sum of auction sales among the young Russian artists. Apart from working in the studio, Dmitri runs an online magazine vltramarine.ru, as well as gives lectures on graffiti and street art.

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@dmitriaske
December 04, 2017 /Arseny Vesnin
Aske Sicksystems, Russian, DEC
Street Art, Art, Sculpture, Russia, Portfolios, 2017
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