Banksy x Danny Boyle "The Alternativity"
The story of how Britain’s favourite artist Banksy teamed up with Britain’s favourite film director Danny Boyle to put on a moving nativity play at The Walled Off Hotel in December 2017.
The story of how Britain’s favourite artist Banksy teamed up with Britain’s favourite film director Danny Boyle to put on a moving nativity play at The Walled Off Hotel in December 2017.
Memory Lapses are temporary installations photographed by François Ollivier when he revisited places linked to strong memories, past or recent. By overexposing reflective material in the process, data becomes absent from the digital file, creating an empty zone in the image that alters reality and distorts our perception: like time and distance do.
As part of NGV Triennial, twenty large-scale new artworks have been commissioned by the NGV, including Ron Mueck’s Mass 2016–17, a monumental work of extraordinary presence comprising 100 individual skulls.
Photo by Sean Fennessey
"Mass" is an installation of 100 individual human skull forms piled up on the gallery floor, each which engage with the architecture of the site.
Photo by Sean Fennessey
"The installation brings to mind the massed remains in the catacombs of Paris, an imposing wall of human heads that resonates with a simultaneous and strange sense of impermanence and eternality. In ‘Mass’, Mueck celebrates the form that links all humanity and pays homage to a symbol that has stood within the art of essentially all cultures and religion. surrounded by skulls covering nearly every surface of the walls, visitors are reminded of the transience of life" via designboo
For his ongoing series of ceramic donuts, sculptor Jae Yong Kim chooses patterns and images that evoke a sense of pop culture both past and present
“Without my intention, references to Pop Art have been a consistent occurrence throughout the entirety of the donut artworks. Questioning myself regarding the donuts falling in line with a specific genre has brought questions and need for understanding. Each individual donut has invariably read to me as a small painting; color, pattern and physicality have been the ultimate procedure for my personal expression.”
Dmitri Aske, a multidisciplinary Russian artist, has had a large solo show in Moscow RuArts Gallery. The exhibition entitled Through The Mist, which lasted from November, 2 till December, 2, included 24 plywood relieves created in the artist’s unique technique and 4 middle-sized plywood sculptures. Dmitri had worked on the series for nine months.
According to the artist, the title of the show describes the life of modern people who try to find their own way wandering through the informational mist. The characters of all the artworks exist in the state of uncertainty, doubts, second thoughts, anxiety concerning past and future, which lies behind the white noise of our digital age.
Dmitri Aske is a versatile Moscow artist and one of the main figures behind the Russian urban contemporary art movement. He started his career in 2000 from writing graffiti, later moving to graphic design and illustration. In mid-2000s, Dmitri had collaborated with Nike, Reebok, PlayStation, and the like making different art objects and graphics. He also used to be an Edior-in-Chief of one of the first Russian graffiti magazines and a co-founder of a street wear brand. Since 2015, Aske has dedicated himself full-time to art, creating plywood tile relieves, sculptures, and painting murals. In 2016, according to the InArt research, he was named 4th by the sum of auction sales among the young Russian artists. Apart from working in the studio, Dmitri runs an online magazine vltramarine.ru, as well as gives lectures on graffiti and street art.
Natalia has created more than 150 paintings throughout the course of her artistic career and is known for her powerful utilization of vibrant colors, unique visual schemes and patterns in creating original masterpieces that are hailed by art enthusiasts of every generation. Notably, Natalia holds a patent for her unique style of painting, which she has aptly named “TwiddleART.”
In the modern world, women’s beauty is associated with slim figures. If a woman falls far behind the standard and accepts the rules of this game, she starts torturing herself with sports, diets, and other restrictions. If the body of a woman is much bigger than the standard, it is considered abnormal. Such a pressure makes full-bodied women feel unhappy and inferior.
Belly, 2017
A full body can be beautiful, but people might have difficulties in seeing it. This is where art can assist. My works in TwiddleArt style (a technique of painting with swirls and twiddles) expand the feminine beauty ideal. The artwork catches the eye and makes one want to explore it. Through the paintings, people can see the beauty of curvy women and overcome the associated stereotypes.
Woman in a Chair, 2017
Back, 2017
Woman on a Sofa
Mr Doodle
Exhibition: 30th November - 4th December 10am - 5.30pm
The Art of Ping Pong and @creativedebuts invite you to celebrate this year’s exhibition and auction in aid of @Trekstock
Yoni Alter
For the fifth year running, The Art of Ping Pong has asked 27 artists to customise a ping pong bat to be auctioned for charity. This year’s charity is Trekstock, which provides social and practical support for people with cancer in their 20s and 30s across the UK.
This year’s roster of artists in full is Yoni Alter, Mr Bingo, John Booth, Emma Brewin, Fred Butler, Alison Carmichael, Sebastian Cox, Mr Doodle, Marina Esmeraldo, Emily Forgot, George Hardie, Nigel Howlett, Kev Munday, Neasden Control Centre, Nous Vous, Zuza Mengham, Hattie Newman, Charlie Oscar Patterson, Stina Persson, Saskia Pomeroy, Pref, Benedict Radcliffe,Gemma Shiel, Adam Simpson, Sam Taylor, Louis Trew and Celia Washington.
"In his recent series ‘The Circle and the Line’, Stockholm-based photographer Erik Östensson presents his viewer with subtle complexities in the setting of every day life. His poetic, performative images capture emotive interactions between people, objects and the landscape. In each image, all elements are somewhat intertwined and exist in harmony with one another, forming new relationships in materiality and form."
“When looking at our surroundings, we fill it with our own notions. Without these simplifications, we would not be able to operate within the world’s complexity. I want to create images where the viewer can see it all again. I do this by depicting objects from a new angle and by putting them in a new context. Past notions are replaced and the meanings of familiar objects expand”
Painted bronze, marble
"Matelli's work is known for the juxtaposition of antique looking marble or concrete garden-like statuary, against abrupt hyperrealism embellishments. By contrasting these aged forms against unexpected decorations, such as cast bronze vegetables, fruit, meats and bread, the artist questions the value and purpose of classical figure. Turning them into a setting or a merely a pedestal for presenting common everyday objects, he shows his remarkable technical facility and a cautious romanticism. Both the aged feel of the statues and the freshness of the ornaments are created using elaborate fabrication process and peculiar materials. From meticulously cast and painted bronze that flawlessly depicts the bread texture or gradients of an apple peel, to use of cast glass to evoke the translucence of citrus flesh, Matelli continues to play with viewer's perception while presenting his iconoclastic temperament" —Sasha Bogojev
Denis Bychkovskiy / @denbych
Leading calligraphy artist Pokras Lampas spent 30 hours to customise Shortcut Racing car in collaboration with DK Racing Team Russia. By applying his personal "Calligrafuturism" style Arseny (Pokras Lampas) brings dynamics of streets to typography patterns applied across the buggy car body.
Denis Bychkovskiy / @denbych
Photography: Denis Bychkovskiy / @denbych
Song Kang is an artist based in Portland, Oregon. She combines her interests in organic forms and textural details to create dreamlike images. Her latest project "Vernacular" features sculptures of imaginary architecture growing from animal bodies.
The term ‘vernacular’ tends to correlate with all things commonplace; however, in the architectural sense, the ‘vernacular’ exemplifies man’s abilities to adapt to his surroundings and build with his environment. This series explores the symbiotic relationship between the vernacular home and the environmental context in which it exists.
Danish-German artist duo Anna Borgman and Candy Lenk created a series of installations exploring “the relationship between sculpture and place”.
"Titled ‘Wurf’ (‘Throw’), the large-scale installation features a piece made of paper maché and wood that mimics a heavy stone. Displayed in a courtyard in Berlin-Prenzlauer Berg, ‘Wurf I’ is installed in a delicate green glasshouse. ‘Wurf II’ features the stone imitation hanging from the roof of a monastery church near Leipzig."
Artist Qixuan Lim born-and-raised in Singapore and now based in Eindhoven makes these and several other tiny sculptures as a sideline to her work as an information designer
Colour Theory is a bold and sensual photographic project released by photographer Connor Singh that explores the beauty of the body. The luminescent light follows the curves of the body to form an ensemble that is both electric and almost erotic.
"Burnt by the Sun" is ongoing series of photography started by Russian artists Sonya and Mark Whitesnow several years ago They manage to caught that "mellow brain" moment of models over-exposed on the sun during a photo session.
"Conceived by partner and co-founder of Danish practice Norm Architects, Jonas Bjerre-Poulsen, and co-founder and creative director of Kinfolk, Nathan Williams, CLOSE CONTACT is a conceptual project that brings a series of bespoke leather spheres, crafted by Danish brand Sørensen Leather, and the human body together in a tactile dialogue of textures, shapes and hues. The project was launched at the Kinfolk Gallery in Copenhagen via an exhibition that ended at the end of October 2017, and is comprised of ten large-scale, limited edition artworks and 100 portfolios of smaller prints of photographs taken by Jonas Bjerre-Poulsen"
"In this ongoing body of sculptural works, Brazillian artist Vanderlei Lopes creates temporary interventions where his polished brass objects appear to pour and drain like gold from the walls or floors of galleries. Much of Lopes’ work plays with aspects of transformation, be it through the tension of liquid and solid forms seen here, by subtraction, or experimenting with orientation. You can see much more of his work on Artsy and Athena Contemporânea"
All images © Andrea Rossetti
For Untitled (plot for dialogue), Asad Raza continues his exploration of inhabiting space with social practices, human and non-human beings, and objects. Raza responds to the architecture of the 16th-century church by introducing flooring, lines, netting, racquets, iced jasmine tea, and coaches for a tennis-like game. He repurposes the church, a place of messages from higher authorities, into a space of two-way exchange and recreation. Raza’s involvement in tennis is longstanding; he is an avid player and has written extensively on the subject. Here he reorients the sport as a reflection on the importance of non-productive activities in a society focused on work. For Raza, the game serves as a method of absorbing energetic drives into symbolic but non-harmful practices.
Visitors to Untitled (plot for dialogue) become more than spectators—practicing with the coaches, they inhabit their bodies in coordinated action. Players respond to each other through the medium of the ball and the plot of the court. The piece places the experience of play above purely visual appreciation, as the back-and-forth of tennis exchanges produces meditative beauty through actions never to be repeated.
Director and curator: Alexander May
Curator: Michele D’Aurizio
Exhibition coordinator: Nadine D’Archemont
Assistants: Giulia Ratti, Chiara Spagnol
Tennis coaches: Tommaso Agrati, Edoardo Bodini, Tommaso Corbetta, Chiara Dell’Acqua, Jacopo Mazzetti, Marco Zanghì
"Exuding a Renaissance aura and staring at the distance with haunted eyes, Pippa Young’s characters are born from a jumble of influences, the most notable of all being photographic imagery. The British artist’s characters, often young girls resembling art historical figures, seem displaced in time. Posing against unadorned backdrops and separated from imposed narratives, Young plays on the ambiguity of the figures, leaving us to construct our own stories and interpretations of each one."