"Lighting, Layers and Reflections" installation by Autumn de Wilde was commissioned by Cadillac for their Escalade ad campaign (in 2014). Where De Wilde was inspired by the reflections of the landscape on the vehicle
“I designed the sculptures so that they would interact and transform with the landscape as the sun rose, passed over us and set.”
Already named as the Monet of XXI Century by Artsy's Charlotte Jansen "beyond botanicals, her current practice is increasingly aligned with Impressionist ideas, but for the 21st-century set" digital art of Petra Cortright is something to focus on now.
"Her most recent works, now on view in concurrent exhibitions at San Francisco’s Ever Gold [Projects] and Berlin’s Société, are evidence of this: digital paintings filled with flowers and water lilies that are instinctively reminiscent of Monet. Both shows illuminate Cortright’s multi-pronged process. She begins by sourcing imagery online, employing a sort of digital impasto technique to make what she calls “a mother file,” which she then manipulates and prints onto various substrates—such as aluminium panels, sheets of linen, rag paper—which are layered to create the final painting, varying in opacity and translucency." says Artsy
“I came up in such a boy’s club, surrounded by guys—technology-based work can be very guy-heavy. When I was at Parsons, there were maybe three girls in the whole program, it was crazy. Pinterest is heavily geared towards women and I wanted to be using more of that imagery and energy, trying to make something that a lot of people really make fun of, things that are reductive to something that was additive.”
Ai Weiwei, Law of the Journey (installation shot). Courtesy of Prague’s National Gallery.
"At his upcoming exhibition at Prague’s National Gallery, Chinese artist and activist Ai Weiwei continues his investigation into the European refugee crisis. A refugee himself, Ai’s latest body of work has preoccupied him since the onset of the mass migration of people fleeing war and poverty in the Middle East and Africa for Europe in 2015."
"The exhibition, titled “Law of the Journey,” takes place against the backdrop of an Austrian proposal to cut European Union subsidies to member states refusing to participate in the EU’s refugee relocation program. According to Sputnik News, the Czech Republic has been reluctant to accept refugees from Italy and Greece in recent weeks."
Zak Group was commissioned to design a bespoke type treatment for Frank Ocean’s magazine Boys Don’t Cry and to design the masthead.
Following its long-awaited public release Frank Ocean published the foil-wrapped magazine Boys Don’t Cry which included a special release of the album Blonde. The magazine, featuring three alternate covers, was launched at four pop-up newsstands in Chicago, Los Angeles, London, and New York on Saturday, 20 August 2016. The compendium of poetry, interviews, essays and photography includes contributions from Kanye West, Wolfgang Tillmans, Tyrone Lebon, Viviane Sassen and Tom Sachs among others.
The lettering of the hand-distorted masthead was made by scanning originals on a large-format scanner. The technique of printing, capturing and manipulating original artwork references historical works by artists such as Bob Cobbing or experiments made in the late 60s with the then-new photocopy technology.
bitforms gallery nyc is very pleased to continue its fifteen-year anniversary season with Fragments, Quayola’s second solo show with the gallery.
Born in Rome, Quayola’s practice is deeply affected by the grandeur and decay of ancient sculptures and Renaissance masterpieces that he encountered at an early age. Architectural façades, objects, and artworks that were once new chip, fade, crack, and break over the centuries. While the perception and reception of distressed frescoes or fractured sculptures is fluid, the work itself remains, containing a multitude of temporal narratives. Quayola translates this experience into his sculptures and works on paper and aluminium, which he presents in the exhibition as “simulated archaeological artefacts.”
Laocoön Fragments is a series of sculptures based on the Hellenistic sculpture Laocoön and His Sons. A paramount example of the Pergamene Baroque style, the work was endlessly copied—beginning in Roman times and through the nineteenth century—both as an artistic training device and due to its sheer popularity. Quayola inserts himself into this tradition with a digitally-driven approach. The artist’s software imagines and renders alternative breakages, fragmenting the work into two distinctive styles: representationally accurate sections and geometric abstractions coalesce into new forms. Made with a unique blend of pulverized iron powder mixed with resin, the sculptures are then chemically treated to cause an accelerated patina effect. The geometric sections are polished and waxed to achieve a smooth, newer appearance, while the representational segments appear oxidized and textured. Thus, the visual contrast between the “past” and “present” becomes more pronounced.
Working on CGA Colour Mode digital artist from Toronto Joël Guzman creates surreal scenes in Instagram format
Inspired by quiet rural roads and grand, open landscapes, artist Grant Haffner creates vibrant neon depictions of sprawling vistas bursting with bright color.
Turkish artist Mahyar Kalantari creates awesome digital collages and artworks that can be seen on Behance following his progress on a timeline of a few last years
Minneapolis-based artist Alex Kuno imagines a world of twisted organic beings that borrow elements of plant life, anatomy, and the natural world. The artist admits that his illustrations are likely to creep some people out, but purposefully includes ideas that highlight life and growth, creating a dichotomy of revulsion and delight as the viewer carefully untangles each artwork. The mixed-media drawings are made primarily using ink, watercolor, graphite and chalk.
Brooklyn-based motion designer and digital artist from Puerto Rico - Nate Rodriguez-Vera shares his experiments on Instagram and personal website
Zhuang Hong Yi can best be described as a Chinese, contemporary artist who has impressed audiences in different countries by his unique style in his many pieces of modern art. His works represent beauty, sophistication and a high level of perfection with a clear presence of Chinese influence represented in his use of colours, themes, shapes and materials that touch the heart.
Hong Yi’s concern with environmental issues is reflected in his repetitive use of floral patterns, highlighting the increasing urbanisation of his home country, the ferocious plundering of natural resources and the depopulation of the rural environment.
Following the success of his first London exhibition in 2015, RAW at the Unit London - Zhuang Hong Yi returns to the gallery with RAW II offering another chance to witness this artist’s captivating and iridescent works.
Untitled The Harvest, 2015
Untitled Sun Blaze, 2015
Untitled Emerald Sunset, 2015
Untitled Sapphire Bloom, 2015
Tidal, 2016
"Some weeks ago, we saw Nike release a number of local-market spots for women, in what we suspected was a push to convey a larger, global message..
Just in time for International Women’s Day, Wieden + Kennedy Amsterdam—which created them—had the Russia, Middle East and Turkey ads subtitled in English. The agency also revealed they are indeed part of bigger campaign, with the tagline, “Believe in More.
They also coincide with news that Nike is launching a Pro Hijab line for veiled Muslim women, which goes on sale in spring 2018.”
Western-Russia artist Kirill Maksimchuk shares the leftovers from his commission work for DJ Carnage. After a successful sing off of 2 versions shown above artist went mad and created 100 variations of it
London-based photographer Marietta Varga creates renaissance scenes from a modern routine relationship
Young blood of British (portrait) black and white photography Jack Davison shows his best on personal website and Flickr
A magician never reveals her tricks, so maybe that’s why the Dutch design team Studio Drift (Lonneke Gordijn and Ralph Nauta) declined to explain how, exactly, they are making a huge concrete block levitate at next week’s Armory Show in New York
Representatives from Pace Gallery pose with Studio Drift's Ralph Nauta and Lonneke Gordijn, Armory Show director Benjamin Genocchio, and Platform curator Eric Shiner. Photo by the Beckett Mufson, VICE
Titled Drifter, the 5 x 2.5 x 2.5-meter rectangular prism created by Dutch artists Studio Drift was presented by Pace Gallery
Beside neat posters with sharp Swiss grids and clean typography that we reviewed last year, Studio Feixen noted for their interactive events micro-sites.
“For us it was clear that we wanted to design something that stretches the borders of what you usually see these days. We think there’s a lot to do in the area of interaction, animation and graphic design. And especially when it comes to moving typography.”
The latest one done for Oto Nové Swiss - a three day festival at London’s Cafe Oto, you can watch recorded interactions above and below or enjoy it on www.otonoveswiss.co.uk
Florence based graphic design student Federico Picci has already gained an interest from creative by achieving a nice results in CG on his latest projects
Nestled against the infamous cement barrier that currently separates Israel and Palestine in Bethlehem rests the latest ambitious art installation from the elusive street artist Banksy. Titled the “Walled Off Hotel,” and promising the “worst view in the world,” the experiential art show is a fully functional hotel that will be open for reservations as soon as next week.
“If you stay at the Walled Off you could find yourself literally sleeping inside a work of art. So far Banksy, Sami Musa and Dominique Petrin have customised guest rooms, more will follow. As Diane Arbus once said ‘to live with an artwork is something different, to glimpse it from the corner of your eye.’
The hotel boasts floor to ceiling views of graffiti-strewn concrete from almost every room. And for the exhibitionists amongst you – many are within range of the army watchtower. All scenic rooms are ensuite and equipped with wifi, fridge, radio, personal safe and air conditioning.
Outfitted with surplus items from an Israeli military barracks, this room offers a bed from $30 a night. No frills, includes locker, personal safe, shared bathroom, complimentary earplugs.”
No. Our proximity to the wall means nobody is permitted to go on the roof without prior permission from the Israeli military. You should exercise common sense when staying with us. Aggressive drunkenness or loud public nudity is not encouraged. Under no circumstances should you shine laser pens at the army watchtowers.
