3rd Wave of Inspiration
Since 2003
A group of Russian designers created outstanding UI for their "handmade" application AirPiano City Book revealing 360 Panoramas of most beautiful cities. Eye-catchy illustrations for the project were created by Maxim Shkret
Team
Illia Kazantsev
Andrei Nikiforov
Maxim Shkret
Yuriy Malugin
The Summer after 10th grade Mike spent two solid weeks with horrible horrible migraines, dizziness, blind spots and tunnel vision—he didn’t know what it was… This is the story of his Coke Habit.
Produced and Directed by: Dress Code
Executive Producers: Dan Covert + Andre Andreev
Producer: Tara Rose Stromberg
Production Coordinator: Nick Stromberg
Read full feature on Motiongrapher
Bordeaux-based artist Juliette Clovis is back soon after her latest "Porcelain Eggs" series with new 4 Women Busts «Mechanitis Polymnia», «Millipora», «Black Baccara» and «Sternocera». This last piece was made by the artist during a residency program at The Insect Museum of Nedde (France). More than 500 jewel beetles’ wings were necessary to make this stunning piece where the incredible colours of these wings strongly contrast with the pureness of the porcelain biscuit.
P.s. Note that jewel beetles wings are a product of leftovers from Asian restaurants, they sold it on special fairs to artists like Jan Fabre etc.
The new Audi A5 Coupé premiere became the world’s first automobile launch event employing real-time motion tracking technology. The car’s advantages were presented in an innovative show “Artificial Intelligence vs YOU’ — the result of a creative collaboration between the event’s general producer, DEPARTÁMENT New & Wow Marketing agency, SILA SVETA studio and Interactive Lab.
The creative concept “AI vs YOU” was the main theme of the event and the reference point for the script of the show where real-time motion tracking technology was used. Acting as the author and the main character of its own presentation, the car effortlessly controlled the 3D mapping scenario by driving around the projected area. Special sensors were attached to the car to detect its precise location in the 500 sq.m space and to connect it to the live synchronisation and rendering system creating impressive video content and controlling light fixtures in real time.
More than 400 guests watched the show from the stand designed to secure a specific viewing angle. At the show’s culmination point each of them was surprised by a phone call telling them a short phrase “But You Can” in the voice of Artificial Intelligence.
General Producer & Creative Agency — DEPARTÁMENT NEW&WOW Marketing
Creative & Technology concept — DEPARTÁMENT x SILA SVETA x Interactive Lab
Video content and special effects — SILA SVETA
Interactive show, tracking system — Interactive Lab
We have been following the digital art of Peter Tarka since his first major steps, now he is doing a lot of new shiny CG things and currently sums up his latest works on Behance
Western Flag (Spindletop, Texas) 2017 depicts the site of the 'Lucas Gusher' - the world's first major oil find - in Spindletop, Texas in 1901, now barren and exhausted. John Gerrard has recreated the site as a digital simulation and placed at its centre a flagpole bearing a flag of perpetually-renewing pressurised black smoke. The computer generated Spindletop runs in exact parallel with the real site in Texas throughout the year: the sun rising at the appropriate times and the days getting longer and shorter according to the seasons. The simulation is non-durational (having no beginning or end) and is run live by software that is calculating each frame of the animation in real time as it is needed.
Graphic designer from Albania - Vasjen Katro challenged his inner visual goddess by doing a stunning abstract poster every day. By completing "Baugasm 365" last month he sets new goals for the next year
Visual artists from Mexico - Alfredo Chamal uses simple ball-point pen to create his photo realistic artworks. This medium is nothing new and used by prominent contemporary artists like Jan Fabre or famous illustrator Juan Casas . As for Alfredo it's a new way to reveal psychorealistic art that's rolling on in Mexico right now
Graphic designer from Buenos Aires, Angello Torres, envisioned a series of dreamy, scattered posters. Focusing on neat typography, the works illustrate films, art events or depict loose thoughts and ideas.
Artist Stacy Lovejoy’s newest sculpture series “Super Power Tools” combines vibrant colours and simple shapes, inspiring viewers to harness the carefree and adventurous spirit of childhood. Stacy channels her inner child and love for whimsy to communicate childlike abandon and lust for life through installations, paintings, sculpture and performance art. Her ability to convey the essence of youth through multiple mediums seems driven by her connection to honesty and spontaneity: an artistic expression of the desire to remain forever young.
From her studio in Portland, OR, Stacy creates a variety of art which aligns well with the neo-pop, futurism and contemporary faux naïf genres. Her history includes drawing from a very young age, and continuously seeking new ways in which to artistically express her joy and concurrently inspire others to lie authentically through reigniting the glittering excitement and insatiable curiosity inherent in young children.
“Creating art takes me back to my childhood - that time when you admire water drops which sparkle in a sunny ray; seek funny characters in a rug; giggle over your puddle reflection and smile when a gentle wind tickles your cheeks. A time when you are happy-go-lucky, sensitive, almighty, and sometimes naive, but always genuine. I am an eternal child and art allows me to maintain this state of being”
Through this mindset, Stacy aims to inspire others to create their own reality and utilise their freedom of choice to foster artistic and intellectual curiosity with a penchant for experimentation and adventure.
“Super Power Tools” is composed of 17 pieces fashioned primarily from acrylic on plywood, which exhibit a multitude of influences: mother nature makes a strong appearance, with a repeating theme of foliage and flower petals in variegating color schemes, plumage of winged creatures, and mystical patterns reflecting majestic creatures; conversely, the installations reference to tools shines through in pieces like Programming Book of a Goal Achievement and Fan Spreader of Spontaneity, which tout markings and shapes that call to mind protractors, measuring tapes, and grandfather clocks. This dichotomy of nature and spontaneity, melded with structured implements from the man-made world, seems to explore Stacy’s desire to cultivate a return to the childlike state for those who view her art, urging them to let go of stifling stress and seriousness and breathe in “Super Power Tools” to unleash the silliness and wonderment of youth.
Discovered by FKA Twigs for her Nike campaign , young photographer from Brussels @daviduzochukwu David Uzochukwu is now shooting for editorials like Wonderland magazine clutching tightly at his signature style, where vulnerability is met with power and dipped in soft light
Photographer Flora Borsi explores the human identity and the relations between animals and people in her new series "Animeyed" where she "replaced" her right eye with animal's chosen
New York artist James Clar exploring the aesthetic behind artificial lights system and creating indoor installations exploring the ways shadows cast in front of us are generated by the systems we create.
Scottish photographer Louis MacLean has a keen eye for details merely stripping taken object from its function to only have composition made of form and colour.
“My passion for patterned art has evolved to focus on fluid-based photography over the course of the last ten years. From working with computer generated fractals, to researching various procedural pattern systems, to playing with acrylic paints in a water tank, I finally found my way to ferrofluid and ink experiments. This photoshoot was done with a Nikon D7100, and a Nikon micro lens”
It’s been almost four centuries since the world lost the talent of one its most influential classical painters, Rembrandt van Rijn. That's clear world will never see another new piece from him even there were numerous hoax and fakes done during the last century. But what happens when tech minds step in the game? Having Microsoft and ING at their back, researchers, curators and developers from Museum Het Rembrandthuis, TU Delft and Mauritshuis created an AI that has generated a "new" Rembrandt painting by gathering and using data from all of his art legacy.
Visit the website to understand the project
Berlin-based illustrator Sivan Karim creates black and white inked artworks by emphasising the role of female hair and beauty on each piece
"Australian photographer Murray Fredericks’ long relationship with Lake Eyre, where his most recent series Vanity has been produced, commenced in 2003, and to date consists of twenty journeys to the centre of the lake where he photographs for weeks at a time in the vast and infinite landscape. Fredericks is not interested in documenting the literal forms of the landscape. He views the landscape as medium in itself which, when represented in a photograph, has the potential to convey the emotional quality of his experience and relationship to the lake."
“The mirror can be seen as emblematic of our obsession with ourselves, individually, and collectively. In the ‘Vanity’ series, rather than reflecting our own ‘surface’ image, the mirror is positioned to draw our gaze out and away from ourselves, into the environment, driving us towards an emotional engagement with light, colour and space”
Murray Fredericks's Salt: Vanity is on view at Hamiltons through June 14, 2017.
New York based designer Nick Misani shares his latest affair with floor mosaics he got in while still working at Louise Fili Studio she founded few decades ago. Formerly senior designer for Herb Lubalin, Louise Fili was art director of Pantheon Books from 1978 to 1989, where she designed close to 2,000 book jackets. The idea to run a small self-initiated project Fauxsaics came to Nick while he was digitally restoring Louise' books. He started to create faux digital mosaic inspired by the piece he saw in London
