Laura Breiling Illustrations
Berlin-based Laura Breiling illustrates the life in its finest - always actual, diverse and speaking truth aloud. If 2020 is still not an eye-opening year for the viewer, what else can be?
Studio Form & Rausch
Directed by Hannes Lippert, the Berlin-based contemporary design studio Form & Rausch creating stunning eye-candy dream scapes and spaces
Douglas Hale's Collage Art
“Douglas Hale’s witty collages play with pieces of found imagery, colour and symbolism. Hale uses contemporary graphic styles to produce fantasy landscapes and unusual profiles, combining tribal and mythological references in contrasting tones beautifully strange scenarios.” via @trendland
Sunsetting by Jeff Masamori
Jeff is a Senior Art Director at Huckberry, an occasional freelancer, and chef de cuisine at Mi Casa. Beside these he loves shooting and exploring the outdoors, and recently comes up with a long-term project “Sunsetting” - a zine featuring selected shots made in SF.
Sunsetting
“At the end of a 10-year spell living in the sunset district of San Francisco, I created this short series of photographs documenting the character of the area—taken at the time of day from which the neighborhood gets its name.”
Bite tongue, deep breaths
Glitch Art by Azamat Akhmadbaev
Azamat Akhmadbaev (b.1991) is a visual artist who lives and works in Saint Petersburg, Russia. He works across many disciplines including painting, photography, video and digital art. His artworks operates in the gap between glitch art, abstraction, minimalism and graphic art. Also he is a founder/editor-in-chief of @dontpostme_magazine - a magazine about contemporary art. Private collections in Russia, Spain, the USA, the UK and Poland
We’ve approached Azamat this July to create an artwork for our Special Edition of @Digital.Decade reflecting on the current situation in the world. He came up with “Bite tongue, deep breaths” available for collecting on @seditionart for your digital home and mobile screens.
BITE TONGUE, DEEP BREATHS, 2020 is a part of an ongoing series of digital artworks by Azamat Akhmadbaev. This artwork continues to explore the limits of digital art world, and it was inspired by a song by Clams Casino & Imogen Heap ‘I’m God’.
Having taken the repeating words ‘bite tongue, deep breaths’ from the song, the artist has transformed a sampled song’s melody and text into the colorful artwork with infinite number of layers. Using glitched, vandalized images and texts (in a special, manually designed fonts) as brushes on a digital canvas, Akhmadbaev represents a dualism of the digital and the real, physical world. Technically, the artist checks out the ability of auto and manual software tools to create the image with glitched, lost, degraded effects. Conceptually, the artist launches the self-reflexive process with a manifestation of his attitude to the legacy of the post-war (abstract painting) and 90’s (usage of computer technologies in art) periods. And references to the popular song are the digitally manipulated links with culture and time in history discourse.
Polina Okean
Russian illustrator Polina Okean easily transforms her colourful works to murals and back to prints. Following a minimal visual approach creating quite self-esteemed and good looking characters
Morten Lasskogen
Denmark-based artist, Morten Lasskogen a.k.a Moteh on Instagram has people sold with his unique artwork that just pulls you in and fascinates
Brushes by The Dink
London-based motion designer The Dink shares his experimental short that follows the movement and personality of various household items. The environment that each brush finds itself in directly impacts the way they move. with each scene depicting a unique movement and flow providing an individual character to each brush. The collection of brushes chosen, each have very distinctive bristles and textures in order to showcase the contrast of each animation.
Design, animation and direction by The Dink
Sound design by Echoic Audio
When the drape falls, Digital Decade SE, 2020
Grégoire A. Meyer for Digital Decade SE, 2020
Award-winning artist Grégoire A. Meyer creates digital illustrations that evoke thought-provoking reactions. His art examines the body in its extraordinary simplicity as a biological, digital and aesthetic organism. He captures the essence of fleeting moments, like a splash of water or a disintegrating face, and freezes them in time in objects that appear almost tangible. His works create a complex relationship between fact and fiction.
We’ve approached Grégoire this July to create an artwork for our Special Edition of @Digital.Decade reflecting on the current situation in the world. He came up with “When the drape falls” available for collecting on @seditionart for your digital home and mobile screens.
““The horse represents our last hope and challenges the concept of black as darkness and as the drapes slips off with its own weight - the future of humanity will be exposed..””
Digital Decade SE 2020 - VR Exhibition
Garden of Hubris, oil and acrylic on canvas
Sholto Blissett Art
Sholto Blissett (b.1996) is an artist from Salisbury who lives and works in London.
Garden of Hubris I, water based emulsion on canvas on board
Growing up surrounded by the ancient sites of Stonehenge and Avebury stone circle, Sholto has always had an interest in the fictions which societies create in an attempt to understand their place in nature. Hence, Sholto’s largescale, fictional landscapes explore humankind’s relation to nature. At first glance, he evokes the Kantian division of the human and nonhuman; yet his works then turn the viewer towards the Sublime realisation that these two notions are indivisible. Thus, the original, Kantian conception of the Sublime in which the human and natural are purported as separate are challenged by the alternative arguments emerging from the events of the Anthropocene. Sholto encourages the viewer to realise their – our – inescapable intertwinement with the natural world.
Daniel Carlsten
Stockholm-based digital artist and art director, Daniel Carlsten worked as an art director at Acne before starting to work freelance. He has since been commissioned by clients such as Le Bon Marché, Herman Miller, Rimowa, Van Cleef & Arpels, and done editorial work for Dwell Magazine and Nowness.
His work is represented in the permanent collections of the National Museum in Stockholm and the Röhsska Design Museum in Gothenburg.
Ricardo Cavolo
Ricardo Cavolo is a Spanish artist based in sunny Barcelona. His eclectic international style is based on relationships with folk art, traditional and modern tattoo culture, Western religious imagery and the tribal arts.
Cavolo’s art is all about stories, characters and their experiences across time. Utilising art as a complex narrative, Cavolo often focuses on portraiture. These depictions propel protagonists to champion their unique tales. Referencing religious and historical fiction illustrations, his use of symmetry and symbolism connect to a modern and playful audience. Cavolo’s portfolio features public murals and art exhibitions across the globe from Paris to Moscow and Mexico City to Hong Kong. Notably Cavolo’s body of work includes illustrations, publications, fashion collaborations and a wide variety of commissioned works.
Akatre Studio
Akatre is a creative studio founded in 2007, in Paris, by Valentin Abad, Julien Dhivert and Sébastien Riveron. The trio works and expresses themselves in graphic design, photography, typography, video, artistic installation and musical creation for institutions in art, cultural, fashion, media and luxury.
PYRAMID
“Pyramids are the ancient monuments where people worshiped their gods. My concept is re-interpreting the pyramid in modern society where individualism is appreciated. The concept of the god has been changed and considering oneself as a god has become trendy. People can experience spiritual meditation through climbing up to the top of each stair way. On each top, there are the lights on the floor and ceiling which represents their own Sun (the concept of ancient god). Maybe people can feel themselves directly connected to indescribable power. About the installation movement, each stair way is connected with each ring ground and spins by some interacting way with the audiences. By the spin, it eventually shows the extended form of cone or pyramid”
Louisa Salas
Always curious for contrasts and bold simplicity, Lou bases her artworks in the act of balancing abstracted memories, feelings and music. All of them influenced by a minimal and modern approach to the diversity of her Latin roots.
David Åberg
David Åberg is a digital sculptor and 3D animator. His pieces are created virtually and without limitations of gravity and materiality. From the imagination and the limitless starting point, his artistic handicraft is filtered through a digital pen and touch-sensitive drawing screens.
Åberg’s tactile process is in this way transferred into algorithms, in the dialogue between individual creativity and descriptive mathematics, that formulates into digital spatiality and sculpture.
“There is something exciting in this technology and its relation to drawing. By drawing on the screen’s two-dimensional surface I manipulate the geometry, which presents itself as three-dimensional objects. Furthermore, I see the media as a metaphor for the constructed, virtual, and intangible, and as raising questions about multidimensional realities and glitches in our communication.”
David Åberg is inspired by imaginary and esoteric art as well as sci-fi pop culture aesthetics and mythologies. With roots in art history, one might trace a clear relationship to natural forms in his practice, where the more strict language of technology is present. David Åberg's sculptures become detailed and hyper-realistic and simultaneously cause a transformation that turns away from our physical reality. In his universe - in the electronic, non-tactile version of reality - he builds up a fictitious gallery of personalities.and examines issues relating to fantasy identities and transhumanism.
Skin Deep by Miguel Marques and Pascal Schonlau
Madrid-based art director Miguel Marques and photographer Pascal Schonlau from London created a series of visual artworks under the theme SKIN DEEP. It's a visual essay that addresses how human bodies merge to other digital mediums, addressing 2D photography with 3D illustrations in this collaboration.
SKIN DEEP
The ability to recognise finest nuances and deviations when observing the appearance of a person is often tested by the abundance of purely digitally created bodies in cinema, print and online. Utilising a combination of photography and 3D elements we created a series of images that show a progression from the original human shape towards an abstracted virtual representation.
Wetlands by Lucy Hardcastle
Lucy Hardcastle creates an interactive landscape visualising her own brainwaves, as part of the studio’s 2020 rebrand
Having used the lockdown period as an opportunity to define the studio’s mission, values and brand identity, Lucy Hardcastle Studio is unveiling a new website incorporating an interactive feature, based on a data visualisation of her own brainwaves.
Wetlands is a self-initiated project that outlines the vision and approach of the studio. By combining Lucy’s own neurological responses to material tactility with the user’s own interactions on the site, the project creates a unique digital landscape that constantly shifts in colour and form as the two data sources intersect.
Developed in consultation with specialists in the field of neuroscience, the project takes Lucy’s personal response to sensory materials as its starting point. A wearable headset was used to track electrical activity in her brain, as well as heart-rate and breath-rate, during stimulating experiences with different surfaces while in a closed-eye meditative state. These data were compiled into linear waves, graphs and cross-sections, which were then translated into a 3D landscape – a spectrum of colour and wave movement that acts almost as a 3D graph.
This landscape captures Lucy’s responses to a range of material textures, including glass, suede, acetate, slime, silicone rubber, sandpaper and silk, translating her brainwaves and other bodily data into high-points and valleys, rock pools of fluid and flurries of different coloured particles. Accessing the site, the user is brought into this realm, and encouraged to play with their surroundings. As they navigate the 360-degrees digital space, their interactions disperse colour and trigger wave motions in correlation with the data, creating mini-ecosystems or tides. The more the user plays with the pools, the more they spread and melt into the landscape, creating a flooded effect, with the outcome of an ever-changing digital environment.
“For our new identity, we were inspired by the importance of presence, as a way to represent how we ‘bring the human’ into our practice. In order to feel connected and personal to the foundations of the studio, we chose to use my sensitivity to materials as an area of exploration and data extraction, creating a visualised algorithm that is as much living and breathing as I am. The outcome is a digital landscape in a constant state of change between the data and the individual user’s input.”
Experience Wetlands and reimagined identity at lucyhardcastle.com
Katarzyna and Marcin Owczarek Collages
Belgium-based duo artists Katarzyna & Marcin Owczarek creates wonderful surreal Animal Collages.
“Our project is mysterious, surreal and has emotional vigour. Our works are based on the poetics of surrealism, because surrealism makes visible the invisible and transgresses the traditional bounds of reality. Our minds works in similar way, we feel comfortable in this kind of universe, so we decided to inhabit there and invite art lovers to visit us.”
