Ballpoint pen art by Adewale Mayowa
Self-taught ballpoint pen artist and conceptual self portrait photographer Adewale Mayowa shares amazing talent and skills through the NFT journey
Self-taught ballpoint pen artist and conceptual self portrait photographer Adewale Mayowa shares amazing talent and skills through the NFT journey
Designcollector network (2003) founder Arseny Vesnin, the curator of self-initiated Digital Decade (2013) art collaborations, presents artists drop in a series of "Digital Decade NFTs".
Dimitri Daniloff (b.1970, France) developed body awareness from an early age as the son of a sculptor. He has since cultivated a connection to texture and materiality. Fascinated by the numerous possibilities that technology offers, he first experimented with 4x5 view cameras and then turned to the practice of digital art. A shift, since he then started to transform his images. He now produces new scenes of everyday life by assembling raw elements with real subjects – always finding the right balance between authenticity and fiction. His campaign for PlayStation is a great example of this tension: deconstructed bodies knocking together and questioning our boundaries.
Another turning point in this creative artist’s career was his collaboration with the electronic music band Daft Punk. Producing the Virtual Girl project (2008), he integrated 3D creations into his existing pictures, thus proposing his own vision of an augmented human being. A few years later, Dimitri Daniloff started focusing on photogrammetry – a process consisting in taking measurements in space and building, through software, a 3D model from several viewpoints.
By integrating this technique into his practice, he inserted the virtual world into the real world. He created, in collaboration with plastic artist Tamal De Canela, L’humain illimité (The unlimited human), a project built around a virtual character still anchored into reality. Cleared from his corporeal envelope, the subject – half-man, half-God – pushes the limits of 2D image, body and thoughts. In this undefined space and time, borders no longer exist and humankind – and its extensions – finds its independence. The modern Prometheus owns as many masks as there are identities. “Give him a mask and he will tell you the truth”, Oscar Wilde said with irony.
Appearances press Dimitri Daniloff to question men's flaws - what still resists. And in this quest, the artist surrounds himself with other specialists: dancers, architects, decorators or even graphic designers. Highlighting the vulnerability of mankind thus turns into a political act, turning the stage around. More than a plastic artist, Dimitri Daniloff prevails as a sculptor of reality.
In January 2019 Daniloff was invited by EDF ODYSS ELEC (France) to make his first VR piece in collaboration with Ferdinand Dervieux. The piece was supposed to be presented at the VR Arles Festival but will be presented in an other event linked to VR Arles Festival later in 2020.
In 2020, Designcollector’s founder Arseny Vesnin invited Dimitri to take a part in Digital Decade SE 2020 - an online exhibition on the Sedition Art Platform.
Series of six 1/1 NFT drops
A small, intimate room that protects us from the vastness. As "The Milkmaid" by Vermeer, we inhabit the space, lost in our thoughts. But in this room we are not lost, we inhabit the virtual world, with a space that protects us. A virtual space, which is also real, two universes that meet, that confront each other. Above all they complement each other, the virtual space does not try to resemble the real world, it finds its own space, which is a combination of both. And that is the freedom of these rooms without a roof, that we can enter and exit, from both worlds, as if they were one.
And we can penetrate them, they are not photos, they are rooms, they are spaces to enter, to become part of the image. Become shells, like these people, like these characters, be statues, rigid, colourless, be bodies, sensual, Greek, perfect, imperfect, full of defects, like existence itself, but we multiply, and we can observe from different angles.
We can challenge perspectives and windows that do not fit but do not want to. Invert the process, create something, stop organizing everything and then take a picture, start with photogrammetry, to create the image with the captured elements, inventing combinations, unexpected, open to amazement. Enter everyday objects, as if they were every day.
And the looks remind us that it is the real world, that they can be confused, that we can be gods, above, we can invite the skull to a world without death, to a world where there will be no end, where our identity is fragmented, like small pieces, never erased, we leave traces of us in this virtual world.
These images, photos and non-photos, inhabit the appeared world, which does not want to be real, or virtual because it is both and that’s what gives it its strength, its limitlessness and its uniqueness. A universe where flying is allowed. Where originality dwells, an authentic universe that resembles what he has dreamed of himself.
For the 2022 NFT release, Designcollector is happy to release 1 of 6 artist work (above) on our special Digital Decade NFT smart contract aimed to reveal art names we have collaborated with through our offline and online events.
Illustrator Nani Tamoona uses AI and clever “prompts” (“using it is like talking to AI chatbot in that you provide text, asking it to make an image, and it gives you an answer” - thoughts on AI art by Eric Wayne).
The way Nani aka Moonchildtamoo uses AI as a base for her work is outstanding and proves that generated art can be beautiful and captivating
Designcollector network (2003) founder Arseny Vesnin, curator of self-initiated Digital Decade (2013) artist collaborations, presents a fresh drop in a series of "Digital Decade NFTs".
Anton Marrast is an illustrator and digital artist from Barcelona, who creates surrealistic characters and stories, inspired by his life and feelings. He defines his style as "psychedelic surrealism".
"Feel the Data" is an illustration Marrast created for Designcollector's iPad Magazine "DCMAG" in 2011.
Unexpected combination of ethnicity and futurism is the key to balance past and future and be a true life surfer. This look is for brave adventurer who is hungry for new experience and preserves memories in the galaxy backpack.
Utility: ARTISANT will airdrop The Sandbox NFT fashion wearable to all holders. You will be able to use your fashion garment in The Sandbox Metaverse by connecting your wallet.
Life in Our Minds incorporates boundary-pushing technology that enables buyers to actively participate in the formal evolution of the NFTs to make them rarer. Together, the individual NFTs make up a large-scale virtual sculpture titled Mother Flock, which transforms in tandem with its constituent parts.
Pace Verso, Pace Gallery’s web3 hub, and Snark.art’s OG.Art NFT platform is pleased to announce a new generative NFT project by Random International—the experimental art collective known for its large-scale, interactive installations, including the widely exhibited, immersive Rain Room (2012)—in collaboration with multidisciplinary digital artist Danil Krivoruchko, co-creator of the OG: Crystals NFT project. Titled Life in Our Minds, the two-part project comprises an animated NFT collection and a related interactive video sculpture — titled Mother Flock and made up of the individual NFTs — that will be unveiled later this year.
Upon minting, each Life in Our Minds NFT features a small group of Boids, 3D bird-like origami objects. The visual traits of any given Life in Our Minds NFT are initially generated and evolve according to the content of its owner’s wallet, among other factors. The longer a Life in Our Minds NFT remains in a single collector’s wallet, the rarer and more elaborate its formal characteristics become: the number of Boids may increase, and their formations and decorative patterns may change. These interactive, 3D video NFTs are distinguished by their continuous development, which is achieved through the highly complex and inventive technological processes of the Life in Our Minds collection.
In this way, the evolution mechanics of the project offer collectors the opportunity to actively participate in the creation of the artwork as it shapeshifts, incentivizing long-term retention of the NFTs. By encouraging purchasers to retain their Life in Our Minds NFTs for extended periods, the artists and project partners aim to upend typical behaviours in the crypto market—including speculation and flipping—and, in the process, introduce a new generation of crypto collectors to the space.
Life in Our Minds has collaborated with Flamingo DAO, Pleasr DAO, Fingerprints DAO, PROOF Collective, Tom Sachs Rocket Factory, Moonbirds, Outland, Pace Verso, OG:Crystals, Ksoids, and 89 Seconds Atomized to offer custom evolutionary traits that are only available to people who hold NFTs associated with these partners. Additional custom patterns that holders of other NFT collections can achieve will be announced at og.art/collections/liom.
The Life in Our Minds NFTs are part of a constantly evolving Mother Flock virtual sculpture, which reflects the formal transformations of the individual NFTs. The Mother Flock’s visual traits are informed by the behavior of its constituent Boids, bringing ideas about the power of both collective and individual action to the fore of the project. A special web version of the Mother Flock will live permanently on the OG.Art platform, freely accessible to viewers around the world. Deeply engaged with scientific research surrounding the psychology and behaviors of both humans and birds, Life in Our Minds is one of the most collaborative, technologically innovative NFT projects to date.
In an artists’ statement, Random International says: “Life in our Minds continues our exploration of the human tendency to ascribe character, intent, and narrative to the complex behaviors of simple moving forms, as well as the subconscious instincts and emotional triggers that cause us to do so.” To mark the launch of the project, Pace will host AMA discussions with the artists on Twitter Spaces and OG.Art’s Discord in October. Further details about these programs will be released in the coming weeks. Life in Our Minds is realized as part of a collaboration between major forces in the contemporary art and crypto worlds.
The art collective Random International, which was founded in 2005 by Hannes Koch and Florian Ortkrass, has shown its large-scale multimedia works at major art institutions around the world. Krivoruchko is an award-winning artist and creative director involved in the production of multiple upcoming OG.Art collections. Snark.art has been producing acclaimed web3 projects since 2018, including OG: Crystals, a collection of more than 10,000 unique NFTs; it launched the new NFT platform OG.Art this year. Pace, which launched Pace Verso in 2021, is a leading international art gallery with nine locations worldwide. Founded by Arne Glimcher in 1960, Pace represents influential contemporary artists and estates from the past century.
Random International is a post-digital art group exploring the impact of technological development on the human condition. Best known for its large-scale interactive installations, the group works across an array of media, including sculpture, light, kinetics, video, print, and sound. Established in 2005 and led by founders Hannes Koch (b.1975, Germany) and Florian Ortkrass (b.1975, Germany), the group has a studio in London and comprises a global team of complementary talent. Random International’s work has been shown worldwide and can be found in the collections of the Museum of Modern Art in New York; the Victoria & Albert Museum in London; the Yuz Foundation in Shanghai; the Los Angeles County Museum of Art; and other international institutions.
Snark.art has experimented with the blockchain as a revolutionary medium since 2018, producing various NFT projects and working with established artists from both the contemporary art and crypto worlds, including Mat Collishaw, Eve Sussman, Michael Joo, Ilya and Emilia Kabakov, Nancy Baker Cahill, Kendell Geers, Tommy Hartung, Duke Riley, Cassils, and many others. Snark.art’s OG.Art platform, launched in 2022, is a space not only for carefully curated collections of generative, dynamic NFT art, but for new approaches to creative collaboration. OG.Art invites groundbreaking artists to develop projects based on dynamic NFT technology and community interaction. This technology allows artworks to respond to online and in-person events, enabling collectors to interact with and develop NFT projects in new ways.
Danil Krivoruchko is a Ukrainian-born, New York-based multidisciplinary digital artist and art director whose clients include names like Apple, Nike, Intel, and Boeing. Krivoruchko’s work has won a variety of festival awards. He was nominated for a 2022 Emmy Award for Outstanding Main Title Design as part of the creative team for the television series Foundation. He is also the creator of the renowned One Thousand Ksoids NFT collection and co-creator of the OG:Crystals project. Krivoruchko is actively involved in the creation and production of the first several upcoming collections at OG.Art.
Pace Verso is Pace Gallery’s hub for web3 projects, launched in 2021 under the leadership of Pace President and CEO Marc Glimcher. Pace Verso works closely with artists within and beyond the gallery’s program to incubate, develop, and realize their web3 projects, operating an NFT platform on the Ethereum blockchain at www.pacegallery.com/paceverso.
In addition to releasing independent projects, Pace Verso frequently collaborates with leading web3 platforms to share artists’ work with wide audiences. In 2022, Pace Verso established a multifaceted partnership with Art Blocks, the leading generative art platform, encompassing boundary-pushing generative NFT releases by Pace’s artists as well as crypto-native artists, exhibitions, and community programming. In its first year, Pace Verso—which reflects the gallery’s longtime and ongoing support of innovative artists who have cultivated advanced studio practices engaged with boundary-pushing technologies—has presented NFT projects by Jeff Koons, Zhang Huan, Glenn Kaino, DRIFT, Lucas Samaras, and other artists. Pace Verso has also grown a robust following on its dedicated Discord server, directly engaging web3 communities through discussions with artists and leaders in the crypto space.
Making portraits with impressive colours, environments and finishes, combining pictorial and digital techniques is one of the specialties of Alex de Marcos, an illustrator from Madrid who has been gaining more and more space in the Spanish art scene. His works are found in all areas of illustration, from children's books, through Kurt Cobain's biography and stickers for Instagram, to advertising for Coca-Cola, Nike, Bombay, among other renowned brands.
These days Alex joined NFT Art movement and his 1/1 works are available on Foundation platform
Roads Not Taken offers an exciting glimpse into the alternate selves of the creatives luminaries who continue to pave the way forward, being the fuel for your imagination.
Showcases a collection of perspectives and artworks from around the world that translate our "today" into timeless essays and visual inspiration for you lovers and creative sexy beasts.
With true artists like Joshua Davis, Brendan Dawes, Six N. Five, Boldtron, Joëlle Snaith, Baugasm, Vasava, Jana Styblova, Pawel Nolbert and many others, we will get encouraged to take the road less traveled to watch all the differences that it will make.
Designcollector (Arseny Vesnin) was humbled to co-curate “Roads Not Taken” by brining two promising NFT artists Jana Stýblová and Pawel Nolbert to the group show organised by OFFF Festival.
First registered users on https://ouche.art/ and followers of @Ouche_art Twitter will get an airdrop design by VASAVA Studio
Russian digital artist Elena Arkhipova creates artworks inspired by internet surrealism and minor everyday situations . “Surrealism helps me convey my deepest emotions and feelings through an image,” - says artist
Prominent artist Krista Kim is bringing Continuum art installation to cities worldwide to spread the movement of wellness, healing and humanity in the age of the Metaverse. Together with Times Square Alliance and YMU Arts they reinvented famous billboards to run Continuum through February each night starting 11:57PM.
“Krista Kim’s Continuum is a soothing visual meditation presented on a monumental scale. Synchronized across 90 electronic billboards, a slowly shifting gradient of color washes over Times Square, creating a moment of calm amidst one of the most visually kinetic places in the world.”
Meticulously designed isometric panorama of Istanbul is a debut NFT project of artist Tarık Tolunay. With a great attention to details and in a playful manner he creates colourful homages to the beautiful cross point of two continents. He interprets the historical and cultural richness of Istanbul and transfers it to the visual world. The asymmetrical structure of the city turns into extremely complex and entertaining compositions.
Biochemistry researcher, freestyle dancer (candidate to Olympics US 2024, yuk!) and artist - Vitruvian man - Grant Riven Yun is a vocal supporter of NFT Art movement. As a digital artists Grant specialises in realistic, yet minimal landscapes, evoking the 20th century American Regionalism movement with a 21st century spin.
“Intentionally Wes Anderson” if you want to summarise Vaughn Meadows body of work. Or maybe you will hear Salinger’s lines while watching his mellow-coloured, pastoral photography. And if I was you I’d defo visit artist’s links and even purchase few works as NFTs
Indonesian artist Yusman Ali shares beautiful skills in creating mindful characters
Pete Halvorsen is a photographer living and working in Manhattan Beach, California. His work combines fine art, travel, and commercial photography.
Long time illustrator and digital artist Egor Golopolosov (Russia) shares his skills as a colourful NFT art drops
London based digital artist Steven Dennant is focused on creating hyper-realistic drawings with a hint of surrealism. Everything you see is created by pencil no matter the medium
We evolve technology. Technology evolves us.
Technogenica is a short movie animation where humanoids, technology and uncontaminated nature collaborate in a performative and theatrical act.
Technology and digital media are becoming more and more woven into the fabric of everyday life and we are evolving alongside; and the process is mutualistic.
The title Technogenica comes from ‘Technogenesis’, a thesis by Bernard Stiegler and N. Katherine Hayles clinically defined as a process of “adaptation, the fit between organisms and their environments (humans and technologies) undergoing coordinated transformations.”
Humans have always been interconnected with their environment and co-evolved with it. This process is common in nature, examples are coral and coral reefs, birds and bird’s nests, plants and oxygen. We’re part of nature, and so is everything we make and use. Likewise, technology is part of nature.
In the last 500 years, technology has always been an essential tool in connecting and shaping the future. To reinforce the dialogue between past and future, the artist has designed a hybrid scenography combining contemporary theatre elements and robotics with ancient ruins inspired by the Unesco site of Palmyra.
The artist created light and photography of the piece by studying the work of visionary painters from the past such as Vermeer, Jan van Eyck, Robert Campin and even Tiziano, Antonello da Messina.
Lo Schiavo created the vocals of the song with a virtual female vocalist modelled on the voice of a real professional soprano singer. This is one of the first examples created with this technology and the computer-generated vocals reinforce the symbiotic human-technology relationship.
For the last scene, the artist has acquired an Intracytoplasmic sperm injection video shot by a camera from a microscope lens (In Vitro Fertilization). IVF is the most effective form of assisted reproductive technology to date.
The original orchestral music was composed by Arnaud Hug, an international award-winning music composer that creates music for films, theatre shows and advertisements. He has worked for Netflix, Nike, Adidas, BMW and many more.
Inspired by art history and significant artworks Shir Pakman recreates cult pieces in their own way