This film is about what we could do right to balance this beautiful planet we share. Of course, we know that we impact the climate. However, even with the vast amounts of information available to us it is difficult to determine the ‘right’ thing to do. Climate issues are complex and overwhelming because the ‘right’ course of action in one place can be the ‘wrong’ action in another. But regardless of the complexities, one factor consistently causes damage to our environment: the consumption of large amounts of a single product. This consumption pattern is destructive despite how harmless the consumed material might be in small quantities. I began exploring climate issues as a design student over 15 years ago. Those years of research and development opened my eyes to notions of biodiversity and sustainability. It is my hope that this film communicates the importance of diverse and innovative practices while challenging the more commonly held beliefs of singular grand gestures of reduction. That ultimately, it is through our little actions that we make together that lead to profound impacts to our planet. And it is through the understanding of our own actions that we will attain balance. Thank you so much to all involved. I have a lot of gratitude for the time, talent and the energy you all put into this film. Director / dop : Gwenael Lewis Writer: Gagun Chinna + Gwenael Lewis Producer: Robert Sutherland Narrated by: Conor Graham Music: Transatlantic film orchestra Special thanks to: Marie-Laure Guillaume Oscar Lewis Rich & Kiko Jose Luis Garcia Chloe Babcook Ray Natraoro and his team Jennifer Lewis Abigail Lewis Tobias Lewis William Lewis Nelly Lewis Simon Hupfel Tilo and Louca Simon Nicholas Hayter Sarah Hay, Jack, Oliver and fam Jeremy Santucci Geoff Hunt Terry Mcwhirter Kirstyn Konig Niko Pavlo Stephanie Van Dyck Vince Dickson Sean and Kerry Washington Araujo Carige Filho George and Rita Plawski Cristina Belmonte

How to Balance the Planet

February 17, 2020 by Arseny Vesnin in 2020, Lifestyle, Motioncollector

This film is about what we could do right to balance this beautiful planet we share.

Gwenael Lewis began exploring climate issues as a design student over 15 years ago. Those years of research and development opened her eyes to notions of biodiversity and sustainability.

“I hope that this film communicates the importance of diverse and innovative practices while challenging the more commonly held beliefs of singular grand gestures of reduction”

— Gwenael Lewis

Credits:
Director / dop : Gwenael Lewis
Writer: Gagun Chinna + Gwenael Lewis
Producer: Robert Sutherland
Narrated by: Conor Graham
Music: Transatlantic film orchestra

Check out the official The French Dispatch Trailer starring Timothée Chalamet! Let us know what you think in the comments below. ► Sign up for a Fandango Fan...

The French Dispatch trailer by Wes Anderson

February 13, 2020 by Arseny Vesnin in 2020, Motioncollector

Wes Anderson‘s new film The French Dispatch, “brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th century French city.”

Featuring lots of his regulars such as Bill Murray, Owen Wilson, Adrien Brody, Tilda Swinton, and Frances McDormand and some new leading cast members like Benicio del Toro will play an imprisoned artist and French actress Léa Seydoux is his prison guard and muse; Timothée Chalamet and Lyna Khoudri are student revolutionaries.

P.s. Here is yours truly with Carl Sprague (Concept Artist of the movie and Art Director of Wes Anderson) in 2015

The compilation of projects by Aggressive / BUCK / CHRLX / Loop / Los York / Method / Psyop I`ve been a part of in recent years. Thanks for having me! I am available for freelance at danil@myshli.com Edit: Viktoriya Yakubova Music: Clark “Winter Linn”, Courtesy of Warp Records

Myshli Reel 2020

February 12, 2020 by Arseny Vesnin in 2020, Advertising, Digital Art, Motioncollector, USA

Mighty talented motion designer Danil Krivoruchko shares his latest reel featuring his work for projects by Aggressive / BUCK / CHRLX / Loop / Los York / Method / Psyop

@myshli

I created this opening titles for the Jaume Balagueró´s new film "Muse", a thriller based on the novel " La Dama número 13 " by José Carlos Somoza. The Dante´s Divide comedy has an strong presence on the "Muse" film since the main character, Samuel, has an special link with literature. The opening titles are based on one of the Divine comedy´s infernos: The fate of suicides. Since the suicides have “denied the God-given sanctity of their bodies on earth,” they are deemed unfit for human form. The soul grows into an anguished and gnarled tree. The placement of the soul is haphazard and disordered - “anywhere that fortune tosses it” - analogous to how the Suicides treated their bodies. The opening titles are a representation of this tate of suicides´s inferno, the human anatomy is the main character of the piece. Melted bodies forming abstract forms mixing and forming trees, nature elements and surrealist creatures inhabit this fiction. Direction - Fernando Domínguez Cózar Music - Arnau Bataller Producers - Yukio Montilla, Fiona Vidal, Emília Fort, from "O" abcdefghijklmn-pqrstuvwxyz.com Design, Animation, liquid simulation, lighting setup, render, comp & postproduction - Fernando Domínguez Cózar. 3D scanning - Leonstudio: Javier León Carrillo, Juan Carlos López Alba Modeling & texturing - Fernando Domínguez Cózar & León studio: Esaú Pérez Guerrero, Javier Jaén Cavaín, FX - Fernando Domínguez Cózar & Leónstudio: Manuel Martín Márquez. Models - Marta Rosendo Crespo Juan Ignacio Sirviente González Sara Fornell Chumilla Cecilia Gatica López Francisco López Rodríguez Carmen Barrena Coello Santiago Belizón Seguí

Motion works by Fernando Dominguez

February 07, 2020 by Arseny Vesnin in Spain, Portfolios, Motioncollector

Motion artist Fernando Dominguez Cózar shows his epic skills in producing jaw-dropping titles and openers for various TV shows

Direction : Fernando Domínguez Cózar www.fernandominguez.com Production: apaches entertainment For this project i was contacted by the spanish film director Kike Maíllo to create the main opening titles for his second film "Toro". Toro is an action thriller that takes place during 48 frantic hours.Two brothers meet again after five years. They embark on a journey by a violent Andalusia, mythical, rugged and wild. A journey in which old wounds appear and in which the brothers are forced to reconcile himself to save their lifes. The opening titles are a journey through the landscapes where the movie takes place. Inside a dreamlike atmosphere we discover the characteres and information that will be revealed in the film. The landscapes are working not only as evironments or dead natures but as characters too.

@fernando_dominguez_cozar

Random Things by Marc Urtasun

January 23, 2020 by Arseny Vesnin in 2020, Advertising, Digital Art, Graphic Design, Portfolios, Spain, Motioncollector

Digital artist from Barcelona, Marc Urtasun, shares his epic skills in creating amazing visuals for personal and commercial use. Sometimes he goes beyond 3D and creates small printed sculptures

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A post shared by Marc Urtasun (@marc.urtasun) on Jun 5, 2016 at 4:39pm PDT

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A post shared by Marc Urtasun (@marc.urtasun) on Mar 20, 2016 at 2:37pm PDT

@marc.urtasun

Éramos Seis (Globo) Director: Leonardo Fleuri and Luciana Jordão Art Direction: Paulo Visgueiro Executive Producer: Luciana Jordão Producer: Laura Costa 2D Lead: Paulo Visgueiro Concept Art: Artur Rocha, Felipe Coutinho, Paulo Visgueiro and Renato Sideris 3D Lead: Leonardo Fleuri 3D Artists: Flavio Novi, Gabriel Cruz, Guilherme Maia, Gus Schinner, João Victor Ferreira, Paulo Visgueiro and Pedro Jatobá Composition: Gabriel Cruz, Leonardo Fleuri and Luciana Jordão Client: Globo Direção de Criação: Sergio Valente, Mariana Sá Direção Geral: Alexandre Romano Criação e Direção de Arte: Alexandre Romano, Julia Rocha, Roberto Stein Produção Executiva: Orlando Martins Coordenação de Criação: Valerycka Rizzo Logo Design: Julia Rocha Atendimento: Carla Sá, Suzana Prista, Letícia Eboli, Paula Machado Trilha original: Victor Pozas e Rafael Langoni Smith

“Éramos Seis” Opening Title

January 21, 2020 by Arseny Vesnin in 2020, Advertising, Agencies, Motioncollector, Brazil

Beautifully executed title animation directed by Leonardo Fleuri and Luciana Jordão with production by Koi Factory

@koifactory

“I am” project by Radugadesign studio became the part of "Motion response selection" for PAUSE fest 2020. “New Odyssey” is a theme of this year and it starts an adventurous journey into the new decade for which we are required to welcome new values and virtues. In our project we rely on the hypothesis simulation. If the hypothesis is true, in the future we will be able to become "creators" of the virtual world that will turn into "real" for its new inhabitants. Our world may not be the main in the universe but the part of the multiverse, just an experiment of some overdeveloped civilization. We observe that a person’s place is increasingly determined by how the digital space perceives us. The world is gradually entering the era of artificial intelligence, immersed in "neural networks". We're learning to create more and more realistic copies of reality. We're not only knowing ourselves through impulses that we catch, but also this helps us to construct ways of interacting with each other. We pass them on to our surrounding reality. We're generating and launching new impulses that affect the world around us. Our “New Odyssey’’ is essentially a journey – a journey in search of answers: “What is reality?”, “Who am I?”, “What am I doing here?” and even “Am I here?”, “Am I?” // Creative director: Ivan Nefedkin Producer: Dina Safina Screenwriter: Anna Kramar Production team: Alexander Abramov, Egor Andrianov, Elen Elkiev, Sergey Voronov, Sergey Nikitin, Slava Rybin, Maksim Grebenschikov, Sergey Gorokhov Models: Ilya Lim, Jancy Bazego, Vasilisa Sokolova, Anya Mikhailova, Anastasiia Tskhai, Alexey Vorobyev Style: Olga Bobrova Style assistant: Lina Bulygo Make up: Alena Trusova Sound: Alexander Zaripov Voices: Allie, Bella, Ellen, Kristine, Michell, Fred, Jimmy, Kelvin, Matt, Nick DOP: Andrey Kashurin Gaffer: Alexander Garan Full project: https://bit.ly/30plsDt

I am - Pause Fest 2020 by Radugadesign

January 20, 2020 by Arseny Vesnin in 2020, Digital Art, Portfolios, Motioncollector, Russia

«l am» project by Radugadesign studio became the part of «Motion response selection» for Pause Fest 2020.

@radugadesign

2018.8 상화 프로젝션 맵핑 콘텐츠 프로젝트에 우트크리에이티브가 2편의 영상으로 참여했습니다. 풀 버전은 파라다이스 크로마클럽에서 확인하실 수 있습니다. 2편중 MONUMENT영상입니다. 감사합니다. Client - Sanghwa Designed by WOOT Creative. Director - Sungwoo Park Artwork - Sungwoo Park Motion - Sungwoo Park, Jihoon Park , Hyobin Park Sound - 274custom 임정윤 Lim Jung Yoon

Monument - Paradise Projection

January 16, 2020 by Arseny Vesnin in 2020, Digital Art, Motioncollector, South Korea, Agencies

WOOT Creative realised an epic project mapping on the wall of club Chroma on Paradise City island near Seoul dubbed as the biggest club in the world

@wootcreative

Subscribe and 🔔 to OFFICIAL BBC YouTube 👉 https://bit.ly/2IXqEIn Stream original BBC programmes FIRST on BBC iPlayer 👉 https://bbc.in/2J18jYJ As Big Ben strikes midnight we bring in the New Year live from Embankment with London's famous fireworks, one of the most spectacular firework displays to be seen anywhere in the world.

London Fireworks 2020

January 01, 2020 by Arseny Vesnin in 2020, United Kingdom, Motioncollector

As a small tradition we share the most beautiful New Year Countdown Firework that’s taking place in London every year.

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A post shared by 🇬🇧 London📍UK📍Europe 🇪🇺 England (@tmnikonian) on Dec 31, 2019 at 4:17pm PST

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A post shared by 🇬🇧 London📍UK📍Europe 🇪🇺 England (@tmnikonian) on Dec 31, 2019 at 9:28am PST

Prepare to blast off with 2-D, Noodle, Russel and Murdoc as they set off on their mission to bring G-Shock creator Mr Ibe’s newest line of watches to the galaxy. Gorillaz have gone intergalactic in this partnership with watch brand G-Shock. A collaborative production between Feed Me Light and Blinkink, directors BRVTVS create a gritty, graphic world that imparts a funky new edge to creative director Jamie Hewlett’s beloved characters. With a unique approach to infusing 2D and 3D animation techniques with illustration and photography, BRVTVS lend their individual aesthetic to the most iconic virtual band in history. __________________________________________ CREDITS: Director: BRVTVS Creative Director: Jamie Hewlett Production Company: Blinkink & Feed Me Light Animation Creative Studio: Feed Me Light Blinkink Executive Producer: Bart Yates Blinkink Producer: Georgina Fillmore Feed Me Light Executive Producer: Kiri Haggart Feed Me Light Producers: Jenny Wells, Michael Parks Feed Me Light Creative Director: Denis Bodart Music: Gorillaz music taken from the album ‘The Now Now’ Gorillaz are managed by Eleven Management Mixing: Remi Kabaka, Sébastien Iglesias Sound FX: Felt Music BRVTVS: Thibaud Clergue - Aurélien Duhayon Sébastien Iglesias - Camille Perrin Concept Design: Sébastien Iglesias, Aurélien Duhayon, Thibaud Clergue, Camille Perrin Environment Design: Sébastien Iglesias, Aurélien Duhayon Storyboard: Sébastien Iglesias, Aurélien Duhayon 2D/3D Animatic: Thibaud Clergue, Aurélien Duhayon, Elena Felici Lead CG: Olivier Pirard 3D Modeling: Felipe Hansen, Florent Rousseau, Simon Duclos, Jérémi Boutelet, Olivier Pirard, Thibaud Clergue Shading/Texturing: Sébastien Iglesias, Camille Perrin, Florent Rousseau, Sophie Blayrat, Olivier Pirard, Simon Duclos, Thomas Batlle Lighting/Rendering: Olivier Pirard, Jérémi Boutelet, Denis Bodart, Camille Perrin Animators: Aurélien Duhayon, Thibaud Clergue, Sébastien Iglesias, William Lorton, Elena Felici Rigging: Ludovic Habas, Simon Duclos Compositors: Denis Bouyer, Jérémi Boutelet, Sébastien Iglesias, Camille Perrin Special thanks to Simon Duclos and Elena Felici.

Gorillaz x G-SHOCK - Mission M101

December 28, 2019 by Arseny Vesnin in 2019, Advertising, United Kingdom, Motioncollector

A collaborative production between Feed Me Light and Blinkink, directors BRVTVS create a gritty, graphic world that imparts a funky new edge to creative director Jamie Hewlett’s beloved characters. With a unique approach to infusing 2D and 3D animation techniques with illustration and photography, BRVTVS lend their individual aesthetic to the most iconic virtual band in history.

@feedmelight

The Frames

December 17, 2019 by Arseny Vesnin in 2019, Motioncollector, Russia

Everyday we exist in the boundaries : work, family, dreams or free time that we have to live for our life. Are there any "Frames" and can we break through?

Director/Concept - Lado Kvataniya
Starring - Sergei Polunin
Music Composer - Kirill Richter

@ladokvataniya

In a colorful and nostalgic generational coming of age story created for Ciclope Festival, Le Cube pays homage to the kids that grew up to shape our current artistic and creative worlds. www.lecube.tv

Ciclope Festival Titles by Le Cube

December 12, 2019 by Arseny Vesnin in Argentina, Motioncollector, Agencies, 2019

In a colorful and nostalgic generational coming of age story created for Ciclope Festival, Le Cube pays homage to the kids that grew up to shape our current artistic and creative worlds.

@lecube.tv

Paper-craft Honda advert by Noelia Lozano

December 06, 2019 by Arseny Vesnin in 2019, Advertising, Agencies, Craft, Spain, Motioncollector

HONDA commissioned Noelia’s Lozano studio to create some papercrafts animated sets for their Summer Special campaign. “All based on the first time doing something with your Honda Car, in this case we had the task to focus on the new Honda Civic shiny red car. So all the compositions and stories move around this baby hero.” - shares Noelia on Behance

HONDA commisioned us to create some papercrafts animated sets for their Summer Special campaign. All based on the first time doing something with your Honda Car, in this case we had the task to focus on the new Honda Civic shiny red car. So all the compositions and stories move around this baby hero. FIRST DRIVEWAY SELFIE FIRST SUNSET JOYRIDE FIRST KARAOKE SESSION SWEET RIDE THAT NEW HONDA FEELING FIRST SUNSET JOYRIDE - GIPHY STICKER VERSION FIRST KARAOKE SESSION - GIPHY STICKER VERSION

@noe_design

Stream/download 'Yearning for the Infinite': https://ffm.to/yearningfortheinfinite Thomas Vanz: "For "Let there Be", Max asked me to think about the two key words "infinite" and "birth of humanity". Everything came naturally to this process I was working on, involving two types of liquids blending in forever, progressively. I choose to represent the light of Kabbalah that Max once told me about, blending a very luminous and pearly white with a very dark black. Once I had a satisfying shot, I added with Max a variety of neolithic paintings and illustrations spreading out from the center where the lights were coming from. The final result represents an infinite light spraying all over darkness, as the birth of reason and mankind." Follow Thomas on Instagram: https://www.instagram.com/thomas_vanz/ Max Cooper: "I wanted to start the project with the earliest visual example of the infinite I could find reference to - the bright white light of Kabbalah. The magician of liquid systems, Thomas Vanz told me he had a new secret recipe which could deliver what I needed, so I set about scoring to this idea based around what I know of Thomas’ work. The whole project functioned in this way, starting with my written descriptions of each chapter, then finding a visual artist to carry out that side of things, while in parallel I scored the music to the imagined final result. At some point down the line the first visual and musical sketches arrived and things could be refined at each end to marry the music and visual together seamlessly. The music for this chapter needed something with a feeling of grandeur and space, mysteriousness and mysticism. It all came down to some really sparse drawn out chords and plenty of different layers of saturation with pedals (plenty of Metasonix F1, Moogerfooger overdrive, Industrialelctric RM1N, Fairfield Circuitry Meet Maude, WMD Geiger Counter), with smatterings of more distorted hits running through a heavy (Big Sky) plate reverb to punctuate the scale even more. Visually, we complemented Thomas’ growing light animation with ancient cave painting imagery in order to tie the visual abstraction to the human story, and the birth of our yearning for the infinite. For the live show I use two layers of screens to first show the structure hovering in front of stage, then to slowly reveal the rear backlit screen and my position between them, as a means of slowly adding a 3-dimensional depth effect as the music and visual peaks." Follow Max Cooper: https://www.facebook.com/maxcoopermax/ https://www.instagram.com/maxcoopermax/ https://maxcooper.net/

Thomas Vanz for Max Cooper: Let There Be

November 27, 2019 by Arseny Vesnin in 2019, Digital Art, Germany, Motioncollector

Motion artist Thomas Vanz just release his latest collaboration with Max Cooper for his new track “Let There Be”

““For “Let there Be”, Max asked me to think about the two key words “infinite” and “birth of humanity”. Everything came naturally to this process I was working on, involving two types of liquids blending in forever, progressively. I choose to represent the light of Kabbalah that Max once told me about, blending a very luminous and pearly white with a very dark black. Once I had a satisfying shot, I added with Max a variety of neolithic paintings and illustrations spreading out from the center where the lights were coming from.”

— Thomas Vanz

“I wanted to start the project with the earliest visual example of the infinite I could find reference to - the bright white light of Kabbalah. The magician of liquid systems, Thomas Vanz told me he had a new secret recipe which could deliver what I needed, so I set about scoring to this idea based around what I know of Thomas’ work. The whole project functioned in this way, starting with my written descriptions of each chapter, then finding a visual artist to carry out that side of things, while in parallel I scored the music to the imagined final result. At some point down the line the first visual and musical sketches arrived and things could be refined at each end to marry the music and visual together seamlessly.

The music for this chapter needed something with a feeling of grandeur and space, mysteriousness and mysticism. It all came down to some really sparse drawn out chords and plenty of different layers of saturation with pedals (plenty of Metasonix F1, Moogerfooger overdrive, Industrialelctric RM1N, Fairfield Circuitry Meet Maude, WMD Geiger Counter), with smatterings of more distorted hits running through a heavy (Big Sky) plate reverb to punctuate the scale even more.

Visually, we complemented Thomas’ growing light animation with ancient cave painting imagery in order to tie the visual abstraction to the human story, and the birth of our yearning for the infinite.

For the live show I use two layers of screens to first show the structure hovering in front of stage, then to slowly reveal the rear backlit screen and my position between them, as a means of slowly adding a 3-dimensional depth effect as the music and visual peaks.”

— Max Cooper

@thomas_vanz

@maxcoopermax

Destroying Rainbow Books by Ruslan Khasanov

November 27, 2019 by Arseny Vesnin in 2019, Digital Art, Motioncollector, Russia

The most titled graphic artist of Designcollector - Ruslan Khasanov is totally unstoppable when it comes to experiment with colour, forms and textures. “Destroying Rainbow Books” video is a continuation of Ruslan’s experiments with old-school Compact Disc - or simply Disctortion.

@ruskhasanov

www.newgold.tv / info@newgold.tv Annecy International Film Festival 2015 - Official Selection / Arizona Film Festival 2015 - Official Selection / CIFF 2015 - Royal Reel Award - 2015 / River Film Festival 2015 - Official Selection / SPARK Animation 2015 - Official Selection / Animac Lleida - 2016 Official Selection / Mecal 2016 Official Selection Music+Sound Awards 2016: Best Original Composition: Short Film Score - Composer: Simon Smith + Sasha Agranov Making-of: https://vimeo.com/138529831 Trailer: https://vimeo.com/117678482 The Guardian The Guardian is a free interpretation of the parable "Before the Law" from Kafka's book "The Trial". A peasant after traveling the world arrives in front of a gate, controlled by a fearsome Guardian. The peasant tries to pass through but the Guardian denies him entrance. Peasant and Guardian are the same character, the peasant, like each one of us, in front of his own fear; the guardian, something shapeless, that surround and control him. the Door/Gate the possibilities we encounter during our life. Credits: Production: Alessandro Novelli Direction: Alessandro Novelli Animation: Alessandro Novelli Victor Perez Andrea Gendusa Illustration and Design: Alessandro Novelli Karolina Pospischil Andrea Gendusa 3D: Victor Perez - Character Animator, 3D Modeling Alessandro Novelli - 3D modeling, 3D animation Gabriele Maiocco - 3D heads modeling and Zbrush artist http://www.gabrielemaiocco.com/ Andrea Gendusa - 3D modeling, 3D animation Original Music: Simon Smith http://www.bcnsound.com Sasha Agranov http://selvademar.com Voice Over: Luis De Velasco Musicians: Sasha Agranov http://selvademar.com Music Recording and Mixing: Eric Nagel - at BCNSound - BCN - http://www.bcnsound.com Voice Over recording: Juan José Rodriguez - at Abuela Records - MX Mastering: Yves Roussel Many thanks to: Leandra Boj http://cargocollective.com/leandraboj Rafael Mayani http://www.rafaelmayani.com/ Xavier Sanchez http://xave.es and Karolina Pospischil https://vimeo.com/thepospischil for their posters. Special Thanks to: Simon, Sasha and BCNsound (http://www.bcnsound.com) , Laura Sans Gassó, Ana Isabella Byrne Bellorín, Mariana Perfeito, Luis De Velasco

The Guardian

November 26, 2019 by Arseny Vesnin in 2019, Portfolios, Motioncollector, United Kingdom

The Guardian is a free interpretation of the parable "Before the Law" from Kafka's book "The Trial". A peasant after traveling the world arrives in front of a gate, controlled by a fearsome Guardian. The peasant tries to pass through but the Guardian denies him entrance. Peasant and Guardian are the same character, the peasant, like each one of us, in front of his own fear; the guardian, something shapeless, that surround and control him. The Door/Gate the possibilities we encounter during our life.

Directed by Alessandro Novelli

@alessandro_dettori_novelli

The sky took a long time to paint. Directors: Zhang + Knight Producer: Luke Tierney Production Company: FRIEND DOP: Carl Nilsson B2Y Producer: Alexander Kenanov Service Company: B2Y Productions B2Y Line Producer: Ivan Ivanov-Kebapa Production Manager: Kristin Arakchieva Production Coordinator: Daniel Vasev Production Accountant: Diana Petrova 1 AD: Mihajlo Kocev Production Designer: Lora Venkova Art Director: Kris Lekov Art Department Coordinator: Anna Hadzhieva Props Master: Zdravko Vasilev Props Master Assistant: Vasil Ivanov Buyer: Georgi Georgiev Construction manager: Zamfir Zamfirov Carpenter: Georgi Lazarov Carpenter: Tanislav Lazarov Carpenter: Emanuil Asenov Carpenter: Toni Tomov Carpenter:Ivan Kirov Carpenter: Dian Angelov Carpenter: Stefan Mavrodiev Carpenter: Boyan Georgiev Set Dresser: Luybomir Harizanov Assistant Set Dresser: Andrey Vasilev Lead Painter / Graffiti: Atanas Levakov Lead Painter / Graffiti: Yoan Tsenkov Painter: Todor Raykov Painter: Vasko Vasilev Painter: Toni Kanchev Choreographer: Simon Donnellon Choreographer: Lydia Buckler 1st AC: Mihail Kotev 2nd AC: Ludmil Donchev Steadicam Operator: Nikolay Kerezov Video Control: Simeon Chengelski Loader: Borislav Zlatanov Downloader: Bogomil Georgiev BTS: Angela Stephenson Stylist Taff Williamson Costumer: Mariya Petrova Hair & Make Up: Gergana Batanova Gaffer: Peter Kostov Electrician: Kirirl Bakalov Electrician: Viktor Hristov Key Grip: Vihar Nikolov Grip: Todor Todorov Key PA: Teodor Luckanov PA: Stoqn Rusev PA: Ivelin Ilchev Driver: Dimitar Simeonov Driver: Daniel Balcev Craft Service: RAGAZZI / Stefan Dundakov Editor: Ellie Johnson @ Tenthree Edit Producer: Julian Marshall Colourist: Daniel De Vue @ A52 Colour EP: Thatcher Peterson Colour Producer: Jenny Bright VFX: Analog Studios VFX EP: Mike Merron VFX Producer: Rose Nicholson VFX Lead/Lead 2D: Fabio Zaveti 2D Artist: Giuseppina Cataldo

EDEN Projector by Zhang+Knight

November 25, 2019 by Arseny Vesnin in 2019, Motioncollector, Portfolios

Beautiful visual project full of art references directed by Zhang+Knight for @iameden

Zhang wanted to be a classical oil painter and Knight wanted to be an opera singer. Now they make beautiful films.

Directors: Zhang + Knight
Producer: Luke Tierney
Production Company: @friend_london

@zhang_knight

Faith in yourself and MOVE MOUNTAINS. The way to the top is long and arduous. Most give up early, others are forced to retreat later. Only the best hold out to the end and overcome all obstacles. The cineastic homage to the power of will shows in a spectacular way how the exceptional athlete fights his weaker self, defies all injuries and adversities and fights until he finally arrives at his destination: at the start of the most demanding downhills in the world. Written & Directed by Fabian Weber Cinematography by Jan Mettler Executive Producer: Fabian Weber Producer: Philippa von Wittgenstein Text: Andy Lusti Editor: Oliver Don Music: Pablo Nouvelle Colorist: Nicke Jacobsson Sound Design: Denis Elmagic Voices: German Wahnsinn CineFlex: SamCam Drone/Tero: Birdview Pictures SteadyCam: Martin Schaeppi Gaffers: Roman Brändli, Marc Lubosch 1st AC: Benjamin Fernando, Emmanuel Suys 2nd AC: Noman Tarrar, Christina Welter Lighting Technician: Erich Hartmann, Nico Cavegn SFX: Volker Lörig, Thomas Zolliker Motion Design: Christian Felber Assistents: Randy Loser, Simon Denzler, Carlo Esposito, Liam Erlach Many thanks to: Air Zermatt, JumpIn, Sportausbildungszentrum Mülimatt, Gemeinde Brugg, Ausbildungszentrum Riedikon, Elite Alpin Lodge mit Sybille und Pesche Meyer Anthamatten, Andreas Evers & Team, Jeannie Kehrer, Martin Nussbaumer, Michael Johnson, Miriam & Ella Weber, Felix Schlatter, Oliver Eberle, Sofia Misgena Making Of Pictures and all information about the project can be found under: www.movemountains.movie A Fabian Weber Film AG Production

Move Mountains

November 21, 2019 by Arseny Vesnin in 2019, Motioncollector

Faith in yourself and MOVE MOUNTAINS

The way to the top is long and arduous. Most give up early, others are forced to retreat later. Only the best hold out to the end and overcome all obstacles.

The cineastic homage to the power of will shows in a spectacular way how the exceptional athlete fights his weaker self, defies all injuries and adversities and fights until he finally arrives at his destination: at the start of the most demanding downhills in the world.

Written & Directed by Fabian Weber
Cinematography by Jan Mettler

movemountains.movie

@fabianweber

First reel after 2 years.

MACH Studio

November 18, 2019 by Arseny Vesnin in 2019, Advertising, Agencies, Digital Art, Graphic Design, Spain, Motioncollector

Mach is a new art direction studio based in Madrid driven by art, technology and VFX. They aim to create a craft at its finest.

“A Mach unit characterizes flight speed compared to the speed of sound. We use the Mach unit to characterize our graphics.”

— MACH

Films we created for all the brands of Viacom.

@mach.studio

OFFF is proud to present our very first special edition of OFFF Kyiv in Ukraine! With an inspiring line-up, Ukrainian artists Eugene Pylinsky & Eugene Lekh were able to create this out-of-this-world piece to present each OFFF speaker. Enjoy the journey to OFFF in this beautiful film! Designers Eugene Pylinsky & Eugene Lekh: https://instagram.com/pylik https://instagram.com/e_lekh Music by Wavewalkrs https://instagram.com/wavewalkrs Calligraphy by: Vikatata https://instagram.com/vikatata

OFFF Kyiv 2019 Titles

November 14, 2019 by Arseny Vesnin in 2019, Digital Art, Motioncollector, OFFF, Ukraine

Each year OFFF raises bar in creativity. Each year they release tons of endorphins in different locations around the world. This time the destination was Kyiv, Ukraine and with some epic talks and amazing team behind the festival they delivered an amazing visual experience created by Eugene Pylinsky (@pylik) & Eugene Lekh (@e_lekh)