M&S Christmas TV Ad 2017
"We can now reveal our Christmas advert - the tale of true Christmas spirit - with our favourite Paddington Bear", M&S, London 2017
"We can now reveal our Christmas advert - the tale of true Christmas spirit - with our favourite Paddington Bear", M&S, London 2017
Austrian duo Mynth—consisting of Salzburg-based twins Giovanna and Mario Fartacek—shot the video for their new track in the surreal landscape of La Muralla Roja, Spain; a sprawling postmodern landscape of pink and blue.
Directed & edited by Rupert Höller cinematography & color grading by Adrian Bidron
Russian director Surmina Regina made an underwater campaign for Sasha Unisex temporary tattoos featuring famous Instagram divine Alberta
London-based FutureDeluxe were approached by Wacom & Iris London to create a self-initiated art film with an open brief. The result is a surreal and experimental art piece combining woman and bird to tell a beautiful visual story within an imaginary world of intricate colour and detail – Plume.
Directed by Susi Sie "Wild Valley" has all scenes filmed with RED Dragon and 100mm macro lens.
Ahead of the launch of Maxim Zhestkov’s first digital edition on Sedition, Elements, this October 2017, they interviewed the visual and motion graphic artist from his studio in Russia to discuss his surreal animations, his approach to his own work and its subsequent reception.
Elements is an experimental video work by Maxim Zhestkov, which explores nature, physics, art and love through digitally animated ‘particles’ or ‘elements’. More than two billion particles, governed by tensions and forces influenced by those occurring in nature were used to replicate the motion of collective behaviour. As well as patterns of motion, the particles tell stories and evince emotional responses.
The film is a trial by the artist to explore the idea that everything around us and inside us is made from simple elements or blocks, which can be arranged in complex relationships and become compound structures. It demonstrates that there is a relationship between the tiny and individual, and the enormous and multiple. The ideas the work explores brings together emotions, behaviours, thought processes, relationships, life, planets and the universe.
Second, in a row, this month OFFF on Tour festival, now baked in 6th time in Mexico brings us amazing Official Titles created by the famous Framestore (guys behind dystopian environments in the new Blade Runner)
Sharon Lock, Head of Design Studio and Creative Director, of the work: "Creating the OFFF CDMX titles has been such an incredible and challenging experience for us all, and I'd like to thank Hector Ayuso for the opportunity to be part of such an iconic event. I'm really humbled that a complete indulgence of everything I love has been pulled together into a single piece of work by such a talented team of artists.
The team has learnt so much in such a short space of time, and it is testament to their dedication and commitment, working above and beyond in their own time, that we've managed to create such a beautiful sequence. I'm honoured that it has been for OFFF, whose creative integrity we've all admired for years."
Concept and Direction: Sharon Lock
Design Director: Stephen Goalby
Lead Design and Edit: Steven Kelly
Art Direction and Design: Dan Herlihy
Designers:
Philip Rambowski
Yukari Schrickel
Louise Walker
Nikola Yordanov
Fire dress modelling: Alice Roseberry-Haynes
Houdini FX: Deniz Cinar
Colourist: Steffan Perry
Audio: Jon Dix (jondix.tumblr.com/)
Our friend "Anna Radchenko and Edgar Dubrovskiy team up to bring to life this sombre yet vibrant film. Encompassing rhythm and beauty, the scene is set around Jessica Louise transformed by the smooth makeup of Yulia Yurchenko. Haunting and unforgettable, the poetic composition is round off with comely muted styles by Hiroshi Goto and Dior under the supervision ofCamille Marchand." via Shön!
‘лазер (laser)’ sees Russian dancer Maria Kochetkova navigate a world of floating light, dancing through lasers with emotive and precise choreography.
In a previous collaboration with director Tarik Abdel-Gawad (vimeo.com/96030980), Kochetkova danced within inches of a robotic camera precisely choreographed to capture her every move. In this film, Kochetkova navigates a world of floating light in a unique improvisation between dancer and environment.
It took 3 years for artist Yannick Jacquet to create Élytre, a forty metres long generative work on display at the foot of the the Alexandre III bridge in Paris. The piece was commissioned as a permanent design feature for Le Flow, a floating building moored along the new pedestrian area on the banks of the Seine.
Yannick Jacquet drew inspiration from the dark mass of the barge between the sky and the river to fine-tune his response to the immediate surroundings, calling on the instability and permanence of the flowing water, the infinitely nuanced shifts of light, and the interplay of transparencies between its large plate-glass windows and the glass dome of the Grand Palais just across the water. Drawing on the barge’s organic, cocoon-like architecture, he came up with a highly sensitive, reactive work in the form of an installation that reverses the overall structural inertia of the barge’s four hundred tons of steel, as if echoing Reyner Banham’s principle of regenerative architecture. The installation is linked up to a battery of sensors so that it varies according to the time of year, season, atmospheric pressure, wind speed, temperature, and so on. It is in a constant state of flux, permanently subject to imperceptible shifts.
As OFFF "On Tour" Festival made his first successful step in the hot spot of creative scene - London, one of the best motion design studio FutureDeluxe took care of OFFF London Official Titles
Digital artist Denis Sartakov does a lot of CG art on his own and for commercial needs and recently he caught our attention with the motion graphic interpretation of human heart alive.
“Our aim was to explore the hazy origins of an idea, and the trials and tribulations that one must endure to find out what’s on the other side. We were expecting to make a process film. In a case of life imitating art, we instead ended up making a pink-fringed tale of polka dots.”
Ultimately Polka’s journey has very little to do with the pattern that vexes her, she must push past her own narrow world views and envision another world altogether. Or as the Lorax puts it, “It's not about what it is, it’s about what it can become”.
WRITER & DIRECTOR: Daniel Castro at Sky Pie Studio
GRAPHIC DESIGN : Kelsy Stromski at Refinery 43
DIRECTOR OF PHOTOGRAPHY : Evan Jake Cohen
ORIGINAL SCORE: Joel Pickard
SET DESIGNER: Espen Oydvin
ASSISTANT DIRECTOR: Boris Ebzeev
ART DEPARTMENT: Katherine Yaksich
"The Gift Hotel" is a series of short animations made by Six N Five Studio for Massimo Dutti latest campaign
Elements, an experimental art film by Maxim Zhestkov, follows more than two billion black and white spheres through a series of experiments within several enclosed spaces. Throughout the film the particles swarm through different white rooms, each labeled with subtle wall text that broadly defines the physics of each animation such as flow, diffusion, and pressure. Set to a score of hauntingly hollow tones, Elements is intended to express laws of nature and mathematics, visually representing the composition of particles found in each of us.
“The film is a trial to explore the idea that everything around us and inside us is made from simple elements or blocks which can be arranged in complex relationships and become compound structures. We could project this idea into emotions, behaviours, thought processes, relationships, life, planets and the universe.”
Jean Jullien has illustrated Imagine, the first picture book set to John Lennon’s original lyrics. The book has a foreword by Yoko Ono Lennon and was created in collaboration with Amnesty International to “inspire a new generation to imagine a world at peace”. It will be published on 21 September to coincide with the UN’s International Day of Peace.
Sedition and Designcollector are delighted to announce the winners of the Digital Decade open call for video artworks.
During July 2017, artists working with the moving image submitted their responses to the theme ‘Cyberia’ to an open call co-ordinated by Sedition and DesignCollector Network.
85 artworks were submitted by artists whose work responds to the geopolitical, environmental and social changes which are taking place, and will take place, as a result of the increasing influence of digital practices worldwide.
Five artworks were chosen for exhibition in Digital Decade 5 organised by DesignCollector Network, which takes place from 25-27 August. Digital Decade 5 will combine works from a range of media including print, video and VR to look to the digital future.
Markos R. Kay is a digital artist, director and lecturer with a focus on art and science. He is best known for his video art experiment aDiatomea (2008), exhibited at Ernst Haeckel's Phyletic Museum, and for the generative short The Flow (2011), which can be seen in an episode of the TV series, Breaking Bad. His art and design practice ranges from screen-based media to projection and print. Kay’s work can be described as a series of experiments using generative methods which explore and abstract the complex worlds of molecular biology and particle physics.
Created as a series of virtual experiments, Quantum Fluctuations shows the complexity and transient nature of the quantum world, which is impossible to observe directly.
Joëlle (b. 1982) is a South African designer and visual artist whose work is focused on exploring the connection between sound and form. Her creative process is led by experimentation and emotion and she considers her output a reflection of her environment and state of mind.
Her works range from music videos and generative graphics to live real-time visuals and are constructed of computer generated imagery and audio responsive elements that result in moving images largely sculpted by sound.
Turmoil explores themes of fragility and desolation. A longing for a world untouched and unbroken.
Yoshi Sodeoka is an artist from Yokohama, Japan, who’s lived in New York for more than two decades. Sodeoka’s neo-psychedelic work with video, GIFs and print simultaneously inhabits the world of fine art, music (he’s collaborated with bands like Psychic TV, Tame Impala, Yeasayer, Beck, The Presets), publications (creating art prints for New York Times, Wired Magazine, San Francisco Magazine, Entertainment Weekly), and advertising (developing projects with brands like Apple, Samsung and Nike). Sodeoka’s work has been shown all over the world, from Centre Pompidou, Tate Britain, Museum of Modern Art, Deitch Projects, La Gaîté lyrique, Channel 4 Random Acts UK, Baltimore Museum of Art, OneDotZero, Sonar Festival, Transmediale, Whitney Museum of America's Art Artport. His artworks are in the permanent collections of Museum of the Moving Image as well as the San Francisco Museum of Modern Art. Sodeoka’s experimental video art collective, Undervolt & Co, was founded in 2013.
When Hell Freezes Over is a time-based realization of the print triptych and consists of composited elements which capture the cycles of nature. The seasons are rendered as emojis as the work flits between Bosch’s famous painting and digital culture at its most recognizable and ubiquitous. When Hell Freezes Over is both a humorous mash-up and reflective comparison of Bosch’s iconography and Emojis, the virtual sign/symbols of the present century.
Overlap's Nearfield appears as a moving piece of audiovisual abstraction rendered in a palette of mostly whites, occasionally interrupted by nuances of new colours which add a subtle warmth to an otherwise icy ambience. As the visuals unfold, Overlap’s polyphonic soundtrack produces a series of alien vibrations, evocative oscillating disruptions which carry the shifting shadows across the screen. As hypnotic as they are haunting, Nearfield creates a view into an isolated and entirely abstract world in which detail appears to have been replaced by impenetrability and ambiguity. As with other works from the Glide collection, Nearfield appears to delve into our psyche, relating experienced dreams to realised abstractions.
We a happy to announce that leading interactive artist MARPI is joining our own exhibition Digital Decade in London to showcase his latest installation "Mass Migration Builder". If you happen to be in London during 25 - 27 August don't hesitate to pop in to Ugly Duck venue and experience the "Cyberia"
Interactive installation based on Mass Migrations using HTC VIve controllers and no headset. Multiplayer digital mecha graffiti - originally presented at Next Art Night in Los Angeles.
“One day I woke up and I saw everything in perspective...”
Director Fernando Livschitz has a lot of fun creating this awesome hyper (sur)realistic video