Monument - Paradise Projection
WOOT Creative realised an epic project mapping on the wall of club Chroma on Paradise City island near Seoul dubbed as the biggest club in the world
WOOT Creative realised an epic project mapping on the wall of club Chroma on Paradise City island near Seoul dubbed as the biggest club in the world
A future-focused studio Pitch from Australia focuses on creating stories and experiences for brands, agencies and cultural institutions. Their recent works include special AR lenses for Snapchat Spectacles , collaboration with post-internet artist and Gucci creator John Yuyi and other clients ready for digital transformations
Digital artist Filip Custic (we mentioned in Top Instagram Post-Identity selection) transforms the human body in surrealist 3D sculptures and digital art that exist in different dimensions of time and sense. “Spirituality, religion, relationships and sexuality are all explored through a lens preoccupied with fragmentation, pataphysics, optical balance effects and technological art.”
A ningún hombre (Cap.11: Poder) - Rosalía
“It’s a style that has seen the artist collaborate in numerous projects with names including Louboutin, Palomo Spain, Camper, Garage Magazine, and singer Rosalía for her latest album El mal querer. “
French digital artist Dan Maurin works under The Drawing Rubber moniker and creates “sublime, majestic mutants, filled with grace and wisdom, seem to suddenly appear from some distant past or future. “
“These reincarnated virtual models challenge, by their attitude and defiant stare, our understanding of reality. Goddesses, princes and zoomorphic creatures make up a portrait gallery at once beautiful and intriguing, peopled with beings shaped from some mythical, cosmic substance.These apparitions born of the union of Humankind, of Nature and of the Universe, invite us to share, as if in a time capsule, in a journey across the ages, perhaps to discover a totally different reality. “
@IGNANT has challenged the boundaries of reality to bring an impossible and creative vision to life. Marrying the futuristic and bold design concept of the new Tesla ‘Cybertruck’ with CGI’s innovative qualities and the raw beauty of Brutalist architecture, this editorial is an example of the power of design, technology, and the imaginations of architecture—a shift away from conventionality towards compelling digital creations and creative storytelling.
Creative Director: @aesthetnik
3D Designer: @manuelprcarvalho
Production: @ignantproduction
Words: @devidgualandris
Fill Ryabchikov is a self-taught illustrator and graphic designer based in Saint-Petersburg represented by @hplus_creative and known for collaboration with our @Digital.Decade platform. His works combine bright colors and neon light effects with strong retro-futuristic aesthetics.
Toronto-based 3D illusionist Batuhan Gürsel creates simple but eye-catching renders featuring abstract floaty objects
“Mineral” is a new photographic exploration of environmental issues, researched by digital artist Davy Evans. Plastic pollution is a huge threat the climate, and finds its way into every corner of our environment. The iridescent colour pallet has been created in-camera to represent the high oil content used in today's plastic production, which in turn drives the demand for oil.
““For “Let there Be”, Max asked me to think about the two key words “infinite” and “birth of humanity”. Everything came naturally to this process I was working on, involving two types of liquids blending in forever, progressively. I choose to represent the light of Kabbalah that Max once told me about, blending a very luminous and pearly white with a very dark black. Once I had a satisfying shot, I added with Max a variety of neolithic paintings and illustrations spreading out from the center where the lights were coming from.”
“I wanted to start the project with the earliest visual example of the infinite I could find reference to - the bright white light of Kabbalah. The magician of liquid systems, Thomas Vanz told me he had a new secret recipe which could deliver what I needed, so I set about scoring to this idea based around what I know of Thomas’ work. The whole project functioned in this way, starting with my written descriptions of each chapter, then finding a visual artist to carry out that side of things, while in parallel I scored the music to the imagined final result. At some point down the line the first visual and musical sketches arrived and things could be refined at each end to marry the music and visual together seamlessly.
The music for this chapter needed something with a feeling of grandeur and space, mysteriousness and mysticism. It all came down to some really sparse drawn out chords and plenty of different layers of saturation with pedals (plenty of Metasonix F1, Moogerfooger overdrive, Industrialelctric RM1N, Fairfield Circuitry Meet Maude, WMD Geiger Counter), with smatterings of more distorted hits running through a heavy (Big Sky) plate reverb to punctuate the scale even more.
Visually, we complemented Thomas’ growing light animation with ancient cave painting imagery in order to tie the visual abstraction to the human story, and the birth of our yearning for the infinite.
For the live show I use two layers of screens to first show the structure hovering in front of stage, then to slowly reveal the rear backlit screen and my position between them, as a means of slowly adding a 3-dimensional depth effect as the music and visual peaks.”
The most titled graphic artist of Designcollector - Ruslan Khasanov is totally unstoppable when it comes to experiment with colour, forms and textures. “Destroying Rainbow Books” video is a continuation of Ruslan’s experiments with old-school Compact Disc - or simply Disctortion.
Once we call a “Digital Art”, an art itself, it automatically drops “time” as a measure of its actual value. After it is created and approved by art mediums, it gains appreciation and reactivates the new meanings during the life. Here is 5 years old project from Bangkok, Thailand, CG artist Kontorn Boonyanate that reflects on antique beauty canons using modern digital interpretations.
“A Mach unit characterizes flight speed compared to the speed of sound. We use the Mach unit to characterize our graphics.”
Each year OFFF raises bar in creativity. Each year they release tons of endorphins in different locations around the world. This time the destination was Kyiv, Ukraine and with some epic talks and amazing team behind the festival they delivered an amazing visual experience created by Eugene Pylinsky (@pylik) & Eugene Lekh (@e_lekh)
“This is a bright and colourful typography captured with camera. These images are looks like computer graphics, some kind of experiment with gradients. But the whole point is that this is a photo, there is not a drop of any paint here only the phenomenon of interference. I formed letters with gel on the surface of the CD and illuminated it with a lamp.”
Hidden is a triptych video installation created by DBLG that merges the world of fashion, music and visual art. Inspired by the debut couture collection of fashion designer Vincent Lapp, who won Nick Knight’s SHOWStudio Fashion Film Award, explores the connection between form and elemental forces, taking the viewer on an arresting visual journey.
To mark the start of London Fashion week 2019 the film has been designed to be shown simultaneously across three huge portrait screens immersing the audience in coloured light and surround sound.
Music for the film is composed by experimental choral trio Blood Moon Project. Approaching the film in chapters they interpreted each of the garments graphic language as instrumentation blending synths, salvaged church organs and percussion.
Digital artist from Bulgaria, George Stoyanov has recently introduced us his latest 3D illustrations series of random stacked objects & forms.
His work is focused on CGI, 3D illustration and design. He’s using various colors, forms and conceptions to achieve more intensive emotions, closeness and sense of detail. Constantly aiming at improving his skills and developing a style of his own.
Chinese digital artist UV-Zhu shares his 3D anthropomorphism skills
“I was inspired to create this project by an old, scratched CD with 90s music, which just lay on the street and shimmered with all the colors of the rainbow under the sun. On a deformed surface, textures formed that bizarrely changed colors.
“For this project I took various types of CD and DVD disks and destroyed them: I burned disks, froze, tore up, dipped into various chemicals, bent them. It was amazing to see how all disks react differently to the same actions and form different textures.“