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3rd Wave of Inspiration

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Monument - Paradise Projection

January 16, 2020 by Arseny Vesnin in 2020, Digital Art, Motioncollector, South Korea, Agencies

WOOT Creative realised an epic project mapping on the wall of club Chroma on Paradise City island near Seoul dubbed as the biggest club in the world

@wootcreative
January 16, 2020 /Arseny Vesnin
JAN
2020, Digital Art, Motioncollector, South Korea, Agencies

Pitch Studios

January 10, 2020 by Arseny Vesnin in 2020, Agencies, Advertising, Australia, Digital Art, Graphic Design

A future-focused studio Pitch from Australia focuses on creating stories and experiences for brands, agencies and cultural institutions. Their recent works include special AR lenses for Snapchat Spectacles , collaboration with post-internet artist and Gucci creator John Yuyi and other clients ready for digital transformations

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@pitch_studios
January 10, 2020 /Arseny Vesnin
JAN
2020, Agencies, Advertising, Australia, Digital Art, Graphic Design

Filip Custic

January 08, 2020 by Arseny Vesnin in 2020, Digital Art, Portfolios, Spain

Digital artist Filip Custic (we mentioned in Top Instagram Post-Identity selection) transforms the human body in surrealist 3D sculptures and digital art that exist in different dimensions of time and sense. “Spirituality, religion, relationships and sexuality are all explored through a lens preoccupied with fragmentation, pataphysics, optical balance effects and technological art.”

A ningún hombre (Cap.11: Poder) - Rosalía

“It’s a style that has seen the artist collaborate in numerous projects with names including Louboutin, Palomo Spain, Camper, Garage Magazine, and singer Rosalía for her latest album El mal querer. “

@filipcustic1
January 08, 2020 /Arseny Vesnin
JAN
2020, Digital Art, Portfolios, Spain
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The Drawing Rubber

January 06, 2020 by Arseny Vesnin in 2020, Digital Art, France, Portfolios

French digital artist Dan Maurin works under The Drawing Rubber moniker and creates “sublime, majestic mutants, filled with grace and wisdom, seem to suddenly appear from some distant past or future. “

“These reincarnated virtual models challenge, by their attitude and defiant stare, our understanding of reality. Goddesses, princes and zoomorphic creatures make up a portrait gallery at once beautiful and intriguing, peopled with beings shaped from some mythical, cosmic substance.These apparitions born of the union of Humankind, of Nature and of the Universe, invite us to share, as if in a time capsule, in a journey across the ages, perhaps to discover a totally different reality. “

@drawingrubber
January 06, 2020 /Arseny Vesnin
JAN
2020, Digital Art, France, Portfolios

Testing The Limits Of Reality With The New Tesla Cybertruck

January 05, 2020 by Arseny Vesnin in 2020, Digital Art, Cars

@IGNANT has challenged the boundaries of reality to bring an impossible and creative vision to life. Marrying the futuristic and bold design concept of the new Tesla ‘Cybertruck’ with CGI’s innovative qualities and the raw beauty of Brutalist architecture, this editorial is an example of the power of design, technology, and the imaginations of architecture—a shift away from conventionality towards compelling digital creations and creative storytelling.

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Creative Director: @aesthetnik ⁣
3D Designer: @manuelprcarvalho⁣
Production: @ignantproduction ⁣
Words: @devidgualandris

@ignantproduction
January 05, 2020 /Arseny Vesnin
JAN
2020, Digital Art, Cars
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Cattytay

January 02, 2020 by Arseny Vesnin in 2020, Digital Art, Fashion, United Kingdom, Portfolios

“Cattytay is the artist creating digital fashion bootlegs” states Dazed 100 project. Digital artist and creator of womxn and non-binary people platform @DIGI.GXL - Catherine Taylor, drops digitalised bootlegs of looks by Vetements, Gucci, and Off-White on their Instagram @cattytay

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A post shared by CATTYTAY (@cattytay) on Apr 9, 2018 at 10:10am PDT

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A post shared by CATTYTAY (@cattytay) on Jan 18, 2017 at 8:43am PST

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A post shared by CATTYTAY (@cattytay) on May 9, 2018 at 8:01am PDT

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@cattytay
January 02, 2020 /Arseny Vesnin
JAN, British
2020, Digital Art, Fashion, United Kingdom, Portfolios

Fil Ryabchikov

December 31, 2019 by Arseny Vesnin in 2019, Digital Art, Illustration, Portfolios, Russia

Fill Ryabchikov is a self-taught illustrator and graphic designer based in Saint-Petersburg represented by @hplus_creative and known for collaboration with our @Digital.Decade platform. His works combine bright colors and neon light effects with strong retro-futuristic aesthetics. 

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@filianstudio
December 31, 2019 /Arseny Vesnin
DEC, Russian
2019, Digital Art, Illustration, Portfolios, Russia

Abstract floaty 3D by Batuhan Gürsel

December 09, 2019 by Arseny Vesnin in 2019, Digital Art, Canada, Portfolios

Toronto-based 3D illusionist Batuhan Gürsel creates simple but eye-catching renders featuring abstract floaty objects

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@batugursel
December 09, 2019 /Arseny Vesnin
DEC
2019, Digital Art, Canada, Portfolios

Mineral by Davy Evans

December 04, 2019 by Arseny Vesnin in 2019, Digital Art, Portfolios, United Kingdom

“Mineral” is a new photographic exploration of environmental issues, researched by digital artist Davy Evans. Plastic pollution is a huge threat the climate, and finds its way into every corner of our environment. The iridescent colour pallet has been created in-camera to represent the high oil content used in today's plastic production, which in turn drives the demand for oil.

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@davyevans
December 04, 2019 /Arseny Vesnin
DEC, British
2019, Digital Art, Portfolios, United Kingdom

Thomas Vanz for Max Cooper: Let There Be

November 27, 2019 by Arseny Vesnin in 2019, Digital Art, Germany, Motioncollector

Motion artist Thomas Vanz just release his latest collaboration with Max Cooper for his new track “Let There Be”

““For “Let there Be”, Max asked me to think about the two key words “infinite” and “birth of humanity”. Everything came naturally to this process I was working on, involving two types of liquids blending in forever, progressively. I choose to represent the light of Kabbalah that Max once told me about, blending a very luminous and pearly white with a very dark black. Once I had a satisfying shot, I added with Max a variety of neolithic paintings and illustrations spreading out from the center where the lights were coming from.”
— Thomas Vanz
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“I wanted to start the project with the earliest visual example of the infinite I could find reference to - the bright white light of Kabbalah. The magician of liquid systems, Thomas Vanz told me he had a new secret recipe which could deliver what I needed, so I set about scoring to this idea based around what I know of Thomas’ work. The whole project functioned in this way, starting with my written descriptions of each chapter, then finding a visual artist to carry out that side of things, while in parallel I scored the music to the imagined final result. At some point down the line the first visual and musical sketches arrived and things could be refined at each end to marry the music and visual together seamlessly.

The music for this chapter needed something with a feeling of grandeur and space, mysteriousness and mysticism. It all came down to some really sparse drawn out chords and plenty of different layers of saturation with pedals (plenty of Metasonix F1, Moogerfooger overdrive, Industrialelctric RM1N, Fairfield Circuitry Meet Maude, WMD Geiger Counter), with smatterings of more distorted hits running through a heavy (Big Sky) plate reverb to punctuate the scale even more.

Visually, we complemented Thomas’ growing light animation with ancient cave painting imagery in order to tie the visual abstraction to the human story, and the birth of our yearning for the infinite.

For the live show I use two layers of screens to first show the structure hovering in front of stage, then to slowly reveal the rear backlit screen and my position between them, as a means of slowly adding a 3-dimensional depth effect as the music and visual peaks.”
— Max Cooper
@thomas_vanz
@maxcoopermax
November 27, 2019 /Arseny Vesnin
NOV
2019, Digital Art, Germany, Motioncollector

Destroying Rainbow Books by Ruslan Khasanov

November 27, 2019 by Arseny Vesnin in 2019, Digital Art, Motioncollector, Russia

The most titled graphic artist of Designcollector - Ruslan Khasanov is totally unstoppable when it comes to experiment with colour, forms and textures. “Destroying Rainbow Books” video is a continuation of Ruslan’s experiments with old-school Compact Disc - or simply Disctortion.

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@ruskhasanov
November 27, 2019 /Arseny Vesnin
NOV, Russian, Khasanov Ruslan
2019, Digital Art, Motioncollector, Russia

Digital Antique by Kontorn Boonyanate

November 19, 2019 by Arseny Vesnin in 2019, Digital Art, Portfolios, Thailand

Once we call a “Digital Art”, an art itself, it automatically drops “time” as a measure of its actual value. After it is created and approved by art mediums, it gains appreciation and reactivates the new meanings during the life. Here is 5 years old project from Bangkok, Thailand, CG artist Kontorn Boonyanate that reflects on antique beauty canons using modern digital interpretations.

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@dongkont
November 19, 2019 /Arseny Vesnin
NOV
2019, Digital Art, Portfolios, Thailand

MACH Studio

November 18, 2019 by Arseny Vesnin in 2019, Advertising, Agencies, Digital Art, Graphic Design, Spain, Motioncollector

Mach is a new art direction studio based in Madrid driven by art, technology and VFX. They aim to create a craft at its finest.

“A Mach unit characterizes flight speed compared to the speed of sound. We use the Mach unit to characterize our graphics.”
— MACH
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@mach.studio
November 18, 2019 /Arseny Vesnin
NOV
2019, Advertising, Agencies, Digital Art, Graphic Design, Spain, Motioncollector

OFFF Kyiv 2019 Titles

November 14, 2019 by Arseny Vesnin in 2019, Digital Art, Motioncollector, OFFF, Ukraine

Each year OFFF raises bar in creativity. Each year they release tons of endorphins in different locations around the world. This time the destination was Kyiv, Ukraine and with some epic talks and amazing team behind the festival they delivered an amazing visual experience created by Eugene Pylinsky (@pylik) & Eugene Lekh (@e_lekh)

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November 14, 2019 /Arseny Vesnin
NOV
2019, Digital Art, Motioncollector, OFFF, Ukraine

Marmalade Type by Ruslan Khasanov

November 11, 2019 by Arseny Vesnin in 2019, Digital Art, Portfolios, Photography, Russia
“This is a bright and colourful typography captured with camera. These images are looks like computer graphics, some kind of experiment with gradients. But the whole point is that this is a photo, there is not a drop of any paint here only the phenomenon of interference. I formed letters with gel on the surface of the CD and illuminated it with a lamp.”
— Ruslan Khasanov
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@ruskhasanov
November 11, 2019 /Arseny Vesnin
Khasanov Ruslan, Russian, NOV
2019, Digital Art, Portfolios, Photography, Russia

Hidden

November 01, 2019 by Arseny Vesnin in 2019, Digital Art, Fashion, Motioncollector

Hidden is a triptych video installation created by DBLG that merges the world of fashion, music and visual art. Inspired by the debut couture collection of fashion designer Vincent Lapp, who won Nick Knight’s SHOWStudio Fashion Film Award, explores the connection between form and elemental forces, taking the viewer on an arresting visual journey.

To mark the start of London Fashion week 2019 the film has been designed to be shown simultaneously across three huge portrait screens immersing the audience in coloured light and surround sound.

Music for the film is composed by experimental choral trio Blood Moon Project. Approaching the film in chapters they interpreted each of the garments graphic language as instrumentation blending synths, salvaged church organs and percussion.

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@dblg_ldn
November 01, 2019 /Arseny Vesnin
NOV, British
2019, Digital Art, Fashion, Motioncollector

Exit by George Stoyanov

October 31, 2019 by Arseny Vesnin in 2019, Bulgaria, Digital Art, Portfolios

Digital artist from Bulgaria, George Stoyanov has recently introduced us his latest 3D illustrations series of random stacked objects & forms. 

His work is focused on CGI, 3D illustration and design. He’s using various colors, forms and conceptions to achieve more intensive emotions, closeness and sense of detail. Constantly aiming at improving his skills and developing a style of his own.

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@georgestoyanov
October 31, 2019 /Arseny Vesnin
OCT
2019, Bulgaria, Digital Art, Portfolios

UV-Zhu Digital Anthropomorphism

October 29, 2019 by Arseny Vesnin in 2019, China, Digital Art, Portfolios

Chinese digital artist UV-Zhu shares his 3D anthropomorphism skills

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October 29, 2019 /Arseny Vesnin
OCT
2019, China, Digital Art, Portfolios

Disctortion by Ruslan Khassanov

October 25, 2019 by Arseny Vesnin in 2019, Digital Art, Russia, Portfolios

“I was inspired to create this project by an old, scratched CD with 90s music, which just lay on the street and shimmered with all the colors of the rainbow under the sun. On a deformed surface, textures formed that bizarrely changed colors.

“For this project I took various types of CD and DVD disks and destroyed them: I burned disks, froze, tore up, dipped into various chemicals, bent them. It was amazing to see how all disks react differently to the same actions and form different textures.“

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@ruskhasanov
October 25, 2019 /Arseny Vesnin
Russian, Khasanov Ruslan, OCT
2019, Digital Art, Russia, Portfolios

Tom Vitale

October 09, 2019 by Arseny Vesnin in 2019, Digital Art, Graphic Design, France

French digital artist and graphic designer Tom Vitale shares his latest character studies

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@1600miai
October 09, 2019 /Arseny Vesnin
OCT
2019, Digital Art, Graphic Design, France
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