Chromatic by Shane Griffin

April 21, 2018 by Arseny Vesnin in Digital Decade, Digital Art, USA, Art, Motioncollector, 2018

San Francisco based artist Shane Griffin released experimental art-film exploring the beauty in diffraction grating by passing light through in defective glass. The film was a part of contribution for TED 2018 conference as well as long-term project "Chromatic". We were lucky to exhibit one piece from it at our annual digital art exhibition "Digital Decade 5"

@grif

Digital Decade 5: Cyberia, 2017

Shane Griffin was invited to participate in our annual digital art collaboration and exhibition in London. He was selected by curator to represent "Cyberia: The Unknown Territories Shaped by the Digital Enthos" theme alongside other 35 artists. Most of aluminum prints from exhibition are available for pick up at affordable price in London.

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Latest from Digital Decade

Human Unlimited - Digital Decade NFT Drop

Grégoire A. Meyer for Digital Decade SE, 2020

Macro by Ruslan Khasanov

April 19, 2018 by Arseny Vesnin in Digital Art, Photography, Portfolios, Russia, 2018

Russian artist Ruslan Khasanov shared his ink works he has collected for the last few years

Turning Imagination Into Reality

April 16, 2018 by Arseny Vesnin in Advertising, Agencies, Digital Art, Motioncollector, USA, 2018

4 years in a row Nike Sportwear teams up with talented ManvsMachine to craft a global campaign for Air Max Day. This year's approach takes cues from modern editorial design and hosts an extensive number of assets — from live action, 3D, typographical design, right the way through to cel animation

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Dániel Taylor

April 16, 2018 by Arseny Vesnin in Digital Decade, Digital Art, Hungary, Portfolios, 2018

Hungarian graphic designer Dániel Taylor (resident of Digital Decade 5) playfully merges double exposure with collages and illustration. His designs take you on a trip through time and space, into the depths of forests and the realms of our galaxy in search of natural beauty.

@mrtaylordani

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FIELD - Hidden Layer

April 10, 2018 by Arseny Vesnin in Art, Digital Art, Motioncollector, United Kingdom, 2018

In a new experimental short film, FIELD explore how human identity could change as a result of artificial intelligence.

"Hidden Layer looks at the way neural networks augment our identities and change the way we think and behave. With AI increasing its influence on the decisions we make and the information we digest, how will algorithmic structures infiltrate and influence human concepts of self? What happens to AI - augmented humans if the structures they rely on collapse?

Often described in terms of what it can do for us, a neural network is complex, self-evolving and dynamic. It is also capable of decision-making autonomously, without human intervention. As such, artificial intelligence algorithms can be understood both as a way to analyse today’s complex world and as beings distinct from human influence.

The name Hidden Layer comes from a term used in the development of artificial neural networks. The Hidden Layer is neither seen nor understood by humans; it is the part of the network in which the main computation driving the network is done. Hidden Layer is part of FIELD’s broader series of works titled Second Nature, which examines Machine Learning as an entity."

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FIELD
London based digital art studio FIELD work at the intersection of art, technology and design, and explore “colour, life, and infinity though new technology and a research-led approach - creating high-tech experiences with a human touch”. FIELD create expressive and dynamic artworks for digital platforms, including audiovisual installations, digital artefacts, and interactive films. FIELD are known for their unique approach to aesthetics, blending the latest digital technologies with nature and human subjects. FIELD’s body of work takes many different shapes, from apps to installations. Their work Energy Flow is an app experience weaving animated story lines into audiovisual pieces that change endlessly and is different for each viewer.

It was listed among the best apps from The Guardian Technology blog. For Deutsche Bank, FIELD collaborated with Universal Everything to create a large-scale installation using a 12-metre wide screen with atmospheric cityscapes, hand-drawn scenes, patterns and landscape animations that were generated in realtime that made every iteration unique. The studio collaborates with cultural institutions and global brands on commissioned artworks and generative design solutions, including Nike, Deutsche Bank, HP, Nokia, GE, and AOL. Their work has been exhibited at cultural institutions and galleries internationally, including at La Gaîté Lyrique, Paris; The China Museum for Digital Art, Beijing; and The British Library, London. FIELD has also been included in festival programs at Ars Electronica and onedotzero.

Filling the memory voids

April 09, 2018 by Arseny Vesnin in Digital Art, Motioncollector, Russia, 2018

Russian motion artist Danil Rusanov shares his project "Filling the memory voids" made few years ago

Perception is one’s personal opinion. Any image invites the audience to ponder, offering at least several ways of perception. The image is forming an idea using sensitive and logical tools. The idea is being formed when a spectator gives the image a permit to do this. An image is always spots, dots and lines. A spectator builds up the inner nexus and images while just seeing the spots paly on the screen. The brain transforms flat form into something having a volume, parts are merged into the whole. The question is what a spectator sees – a genuine true image or the personal perception of it, formed on a basis of one’s experience and the knowledge of the world. What if it will contain the minimum specification, if it’s gonna be a digital noise, a random combination of 0 and 1? What if the absence of information is a message itself? A sign for one’s brain to think up, to invent the necessary information. The lack of information inside of a given context is a self-sustained image, giving an impulse to a further chain of thoughts. I invite a spectator to dive inside of himself, when he lets the screen be almost blank and sets his imagination free. All the logical thinking is off and the opportunity to observe is on.

@danil_rusanov

Do You Trust This Computer?

April 06, 2018 by Arseny Vesnin in Digital Art, Motioncollector, 2018

"Science fiction has long anticipated the rise of machine intelligence. Today, a new generation of self-learning computers has begun to reshape every aspect of our lives. Incomprehensible amounts of data are being created, interpreted, and fed back to us in a tsunami of apps, personal assistants, smart devices, and targeted advertisements. Virtually every industry on earth is experiencing this transformation, from job automation, to medical diagnostics, even military operations. Do You Trust This Computer? explores the promises and perils of our new era. Will A.I. usher in an age of unprecedented potential, or prove to be our final invention?"

Directed by Chris Paine

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The imagined modernist world of 3D artist Alexis Christodoulou

April 05, 2018 by Arseny Vesnin in Digital Art, Architecture, Instagram, Portfolios, 2018

"Alexis Christodoulou wasn’t always an artist, though his dreamy 3D renders of imagined modernist interiors belies his brief tenure as one. A former copywriter at an advertising agency, Christodoulou began experimenting with the 3D modelling program SketchUp during a particularly frustrating spell of screenwriting. Five years on, the Cape Town-based artist offers simply this on his Instagram profile: ‘No photographs. Just renders.’"

Learn More on Wallpaper*

@teaaalexis

Another Earth by Slava Semeniuta

April 03, 2018 by Arseny Vesnin in Digital Art, Portfolios, Photography, Russia, 2018

Russian digital artist Slava Semeniuta shares his latest photography manipulations in a project called "Another Earth"

@thisset

Ruslan Khasanov for Linda Farrow

March 30, 2018 by Arseny Vesnin in Advertising, Digital Art, Motioncollector, Russia, 2018

Forever gold portrays the essence of signature Linda Farrow lenses and opulent yellow gold-plated titanium. Filmed by artist Ruslan Khasanov, discover mesmerizing scenes visualising the unworldly origin of gold.

“I had the pleasure of working on this project for a British eyewear brand called Linda Farrow.
The concept was simply «gold» as this is their iconic colour palette. This project was a real creative challenge for me. Shooting six pairs of mirror luxury sunglasses in a 30-liter aquarium... and deadline was one month. It was a completely new and exciting experience, full of experiments”

Beyond the Limits by teamLab

March 28, 2018 by Arseny Vesnin in Digital Art, Japan, France, Motioncollector, 2018, Art

The Japanese design firm teamLab has announced a 2,000 square meter exhibition at La Villette, Paris. It plans on forming a vast space allowing visitors to interact with a digital world through their own bodies. Named “”Au-Delà des Limites” or “Beyond the Limits,” the showcase blurs the lines of reality and creates multiple installations representing different realms. Visitors will be able to walk through virtual waterfalls and natural wonders.

The presentation will be available from May 4 to September 4, launching right before Japonismes 2018, a cultural event marking the 160th anniversary of diplomatic relations between Japan and France.

teamLab (f. 2001, Tokyo, by Toshiyuki Inoko) is an interdisciplinary group of ultra-technologists whose collaborative practice seeks to navigate the confluence of art, technology, design and the natural world. Rooted in the tradition of ancient Japanese Art and contemporary forms of anime, teamLab operates from a distinctly Japanese sense of spatial recognition, investigating human behavior in the information era and proposing innovative models for societal development

@teamlab_news

Motion Art of Peter Tomaszewicz

March 23, 2018 by Arseny Vesnin in Digital Art, Motioncollector, Portfolios, United Kingdom, 2018

Peter Tomaszewicz is a talented digital artist and motion graphics designer based in London. Check his latest works below, you won't be dissapointed

@petertomaszewicz

Weird Type AR Application

March 20, 2018 by Arseny Vesnin in Digital Art, Mobile Applications, Typography, 2018

Zach Lieberman and Molmol Kuo’s AR app Weird Type lets you paint with type in space.

Zach is an American artist and computer programmer whose daily sketches with code have earned him an impressive following on social media. Together with his partner Molmol they have released Weird Type – an iOS AR app that lets you draw with typography in 3D space.

A post shared by zach lieberman (@zach.lieberman) on Mar 12, 2018 at 2:12pm PDT

Available here, the application enables users to input type and choose from a variety of scenes that manipulate that type in different ways.

Weird Type App

Malavida: Melting Digital Art

March 19, 2018 by Arseny Vesnin in Digital Art, Illustration, Portfolios, France, 2018

Alycia Rainaud is a French graphic designer and digital artist. Originally influenced and passioned about publishing and hybrid books, she started working more than one year ago as a digital artist also known by the name of Malavida, mostly experimenting with new technologies, digital painting, programming, and visual effects.

On Ello

@maalavidaa

Art of Photography by Flora Borsi

March 14, 2018 by Arseny Vesnin in Digital Art, Photography, Portfolios, Hungary, 2018

It's not a first time we review the ultra talented art photographer Flora Borsi but it worth to explore her recent artworks she created in the past year

@floraborsiofficial

*No. 1005 v. 25, digital algorithm painting, 2015*

Krista Kim for Lanvin RTW Fall 2018

March 14, 2018 by Arseny Vesnin in Digital Art, Fashion, Portfolios, USA, France, 2018

We have been following the self-initiated movement "Techism" started by New York based artist Krista Kim since the beginning. She currently exhibits in galleries and at art fairs globally in New York, Paris, Miami, Basel and Brussels, and is writing a book on the "Techism" that she hopes to have published next year. Recently she was approached by Lanvin creative director Olivier Lapidus to produce a collection based on her vivid digital artworks.

*Look 22 from* *Lanvin's FW18-19 ready-to-wear collection at* *Paris Fashion Week*

"Her digital images of LED lights informed the color palette of the clothes, which ranged from bold block colors to gradient effects on satiny coats and shimmering evening gowns. The latter were made from a specially developed silk Neoprene that conferred both structure and lightness." via WWD

*No. 671 v. 2, digital algorithm painting on Pleximuseum, Digital: 2015, Pleximuseum: 2016*

Apart from this fashion debut Krista "works with teams of up to six technicians in the most advanced specialised Pleximuseum labs in New York City and Paris. To reproduce the effect of a LED screen, production is high cost and high risk, as some pieces have to go through three or four runs to achieve the desired level of perfection and quality. It took her two years of experimentation and research into the latest technology to find the labs that could accurately recreate the vibrancy and luminosity of the colors in her artworks from the screen to the large format on Pleximuseum she required, as they had never before used pigments to the same level as she had been using and certain colors cannot be produced. She is the only artist who uses this particular kind of technology in these materials, style and scale. Requiring from six months to a year to complete just one piece, sometimes up to two years, and two months for production, prices of her artworks range from €38,000 to €85,000" via Forbes

*No. 1 v. 19, digital algorithm painting, Pleximuseum: 2017*

Krista Kim's 8x8 light and sound video installation with music composed by Tenille Bentley

Nike Epic React

March 12, 2018 by Arseny Vesnin in Argentina, Advertising, Digital Art, Motioncollector, Portfolios, 2018

Our friend and Digital Decade 5 artist Santi Zoraidez was approached by Nike Global Running to create their latest campaign featuring Epic React Flyknit

Directed by Santi Zoraidez
Art Direction & Design: Santi Zoraidez
Lead Animation: Facu Labo
Additional Animation: Edward Chiu / Diego Diapolo / Javier Bianchi
Client: Nike Global Running

@szoraidez

Ethereal photo manipulations by Elena Vizerskaya

March 12, 2018 by Arseny Vesnin in Digital Art, Photography, Portfolios, Ukraine, 2018

Elena Vizerskaya aka KaSSandrA is a talented photographer and digital artist currently based in Kyiv, Ukraine. Elena focuses on digital manipulations, she creates enigmatic universes teeming details with surgical precision

@vizerskaya_official

Volumes - Art film by Maxim Zhestkov

March 02, 2018 by Arseny Vesnin in Motioncollector, Digital Art, Russia, Portfolios, 2018

Designcollector is happy to announce a new long waited work of Russian motion artist Maxim Zhestkov. Welcome his short movie, and as he said before, his first in a colour, - "VOLUMES" that is available today for instant collecting on Sedition Art

Volumes is a Full CG art film by Maxim Zhestkov exploring the juxtaposition of emotions with the laws of nature. Billions of colourful particles dance, play and communicate with each other in an eternal hypnotic ballet governed by the invisible wind of fate.

@zhestkov

Concept Art by Zeen Chin

February 26, 2018 by Arseny Vesnin in Digital Art, Malaysia, Portfolios, 2018

Can't help ourselves by fixing our eyes on digital paintings from Zeen Chin, whose ideas seem to blossom in an unwieldly fashion, and whose muted color palettes and anime-esque content create a beautiful dissonance that still remains painterly.

@zeenchin