LA-based filmmaker David Lewandowski has released Time for Sushi, a five-minute short “inspired by an obsessive passion for nonsense”. The film is part of an ongoing series of David’s, in which he uses floppy, nude, CGI bodies to galavant around different cities.
NEBULA is an interstellar cloud of dust, hydrogen, helium and other ionised gases. Looking at one of these is like, at the same time, watching to the future and the past, due too the light velocity and the distance between us and them.
Leonardoworx made a design research about this concept, and "we are made of stardust" manifesto. It's an ordered disorder guided by abstract shapes with nebulas textures in a first step.
"In the second one I painted my imaginary textures (inspired always by real nebulas). Looking at universe is so inspiring and it shows how little we are in space and time dimensions," - says Leonardo
Paris-based photographer and art director of Courreges Parfums, Andrei Proko, creates small but impressive loops for in-house campaigns
Our friends at Pictoplasma shares their latest
With several trillion photos now in circulation, what do all the endless selfies, profane profile pics, and pathetic Face Swaps really say about our identities?
Pictoplasma challenges young, emerging artists AGED 18-24 to truly express their personality with a self-portrait that lets their real character shine.
Japanese artist Kota Yamaji shares his latest graphic experiments worth to visit and adore
Digital art of Aykut Aydogdu has been on our radars since last year. But little did we mentioned his obsession with Space or Planets that he puts eventually in every fifth of his works. Planets of Love that what we call the small selection of his works below
From sensory overload to sensory deprivation, "Huit phases de l’illumination" (Palais de Tokyo, Pairs, 2015) is a collaborative mixed-reality audio-visual experiment created by artist Aramique. Eight physical installations function as a conduit into eight infinite virtual realities. Using abstractions of time, space, sound, colour, form, depth and speed to manipulate the audience's sense of self and connection to the to the present moment we create a forced enlightenment that disconnects the audience from their physical bodies and lets them be one with the virtual universe.
Created by Seoul based duo Kimchi and Chips, The Light Barrier Third Edition is the latest and largest in the series of works by the studio to create volumetric drawings in the air using hundreds of calibrated video projections.
The installations present a semi-material mode of existence, materialising objects from light. The third edition continues to exploit the confusion and non-conformities at the boundary between materials and non-materials, reality and illusion, and existence and absence. The viewer is presented with a surreal vision that advances the human instinct of duration and space. The name refers to the light barrier in relativistic physics, which separates things that are material from things that are light, and since 1983 has been used to specify the exact meaning of the metric system of spatial measure.
Read more about creation process on the Creative Applications
The new Audi A5 Coupé premiere became the world’s first automobile launch event employing real-time motion tracking technology. The car’s advantages were presented in an innovative show “Artificial Intelligence vs YOU’ — the result of a creative collaboration between the event’s general producer, DEPARTÁMENT New & Wow Marketing agency, SILA SVETA studio and Interactive Lab.
The creative concept “AI vs YOU” was the main theme of the event and the reference point for the script of the show where real-time motion tracking technology was used. Acting as the author and the main character of its own presentation, the car effortlessly controlled the 3D mapping scenario by driving around the projected area. Special sensors were attached to the car to detect its precise location in the 500 sq.m space and to connect it to the live synchronisation and rendering system creating impressive video content and controlling light fixtures in real time.
More than 400 guests watched the show from the stand designed to secure a specific viewing angle. At the show’s culmination point each of them was surprised by a phone call telling them a short phrase “But You Can” in the voice of Artificial Intelligence.
General Producer & Creative Agency — DEPARTÁMENT NEW&WOW Marketing
Creative & Technology concept — DEPARTÁMENT x SILA SVETA x Interactive Lab
Video content and special effects — SILA SVETA
Interactive show, tracking system — Interactive Lab
We have been following the digital art of Peter Tarka since his first major steps, now he is doing a lot of new shiny CG things and currently sums up his latest works on Behance
Photographer Flora Borsi explores the human identity and the relations between animals and people in her new series "Animeyed" where she "replaced" her right eye with animal's chosen
It’s been almost four centuries since the world lost the talent of one its most influential classical painters, Rembrandt van Rijn. That's clear world will never see another new piece from him even there were numerous hoax and fakes done during the last century. But what happens when tech minds step in the game? Having Microsoft and ING at their back, researchers, curators and developers from Museum Het Rembrandthuis, TU Delft and Mauritshuis created an AI that has generated a "new" Rembrandt painting by gathering and using data from all of his art legacy.
Visit the website to understand the project
Tribeca 2017 Storyscapes awarded team of Marshmallow Laser Feast are behind "Treehugger: Wawona" - the VR Experience that is centred on nature's cathedral, the giant Sequoia from the famous Sequoia National Park (California, USA). Wawona is the (local Native American) Miwok’s word for ‘hoot of an owl’, imitating the sound of the Northern Spotted Owl - believed to be the tree’s spiritual guardian.
“The project we chose exemplifies the highest standards of artistry and inventiveness. It explores the potential for new visual forms and investigates unique modes of storytelling that allow us to tap into aspects the world and our lived experience that are intuitively known but seldom articulated. Through its use of poetic abstraction, embodiment, and the viewer’s own imagination and interpretation, we are able to unlock new ways of understanding and experiencing the world around us. We’ve selected this piece because we hope it will inspire others to start creating in ways that take risks and use the limitations of technology to revamp story and experience”
Participants are invited to don a VR headset, place their heads into the tree’s knot and be transported into the Sequoia’s secret inner world. The longer you hug the tree, the deeper you drift into ‘treetime’: a hidden dimension that lies just beyond the limit of our senses. Audiences embark on a journey of abstract visualisation, following a single drop of water as it traverses from root to canopy in these enormous living structures.
Digital artist Luke Choice is obsessed with blocking colours and CG shapes he renders and mix to deliver awesome illustrations
"Technicolor nebula swirl like cyclones across a sub-atomic realm. An endless stream of geometries sequence through the stratification of an atmospheric order that signals life. This is the primordial inception of a new world, in a preternatural cosmos."
Digital artist Omar Ail interprets Picasso paintings as a sleek modern digital sculptures
Senior concept artist at Lyon-based Arkane Studios - Sergey Kolesov shares his latest awesome works done for Dishonored2 computer game
Art director and virtual reality artist Boldtron runs a self initiated agency FANTASARAXIA (previously) in the middle of sunny Barcelona doing a lot of collaborations with famous Spanish agencies like the latest with Serial Cut we reviewed last year. His latest commission was created for local brand Miranda for Lydia in collaboration with Somos Usted agency, revealing a fashion line as like as it imagined on sale in totally virtual world.
Phygital - a new word in describing real world materia crawling into the digital existence and vice versa. This is the best way to describe what Anny Wang and Tim Söderström do on a daily basis by creating an unexpected digital experiences through materiality and technology taken from the real world. "For example, one series, Treasures amalgamates objects which you know are created on screen, but each element uses an analogue perspective. Marble and stone materials, or even a giant wobbly creature-like ball, appear so realistically that initially you think the image is a highly stylised still life shoot."
Six People - Six different situations. One oscillograph records their reactions. What makes their heart beating faster?
Directed by Jean-Paul Frenay
Client : Germanos / OTE Group
Agency : Ogilvy & Mather
Production : Central Athens Film Productions
Director : Jean-Paul Frenay
