Elisabetta Benassi
Italian artist Elisabetta Benassi’s solo show, ‘The Sovereign Individual’ at Galerie Jousse Entreprise (@galeriejousseentreprise) in Paris (last year) presented a selection of the artist’s recent works, including two installations specially devised for the gallery space.
Elisabetta Benassi (Rome, 1966) is an Italian artist. In her work she critically observes the cultural, political and artistic legacy of modernity, as well as broader, often controversial political and cultural themes of our time. Using diverse media – installation, photography, video – she thus emotionally engages and questions the viewer while tracing troubled and contested timelines. From the background of her pieces emerges a questioning of contemporary identity and of the conditions of the present. Her work has been shown at several venues worldwide, including the Venice Biennale.
Guda Koster
Guda Koster is a Dutch artist who creates living sculptures and performances, which the photographs are the results of. Koster’s works are created in parallels of time, space and textile. In her works Koster uses fabrics, colours and patterns that underline the codes and meanings our clothing conveys
Sun Ying Art
Chinese artist 孙 影 (Sun Ying) shares her latest artworks on Behance
Nazar Bilyk Sculpture
Sculptor Nazar Bilyk creates negative-space artworks leaving the viewer recreate the original shape while viewing it
Emotionalia by Irina Kruglova
Russian artist Irina Kruglova spent her summer at Mas els Igols art residence training her abstract expressionism muscles with new series afterwards called "Emotionalia"
Otoniel Borda Garzon
“Colombian artist Otoniel Borda Garzon manipulates outdated volumes of maps, reference texts, and newspapers to form abstract sculptures. The multi-part artworks juxtapose the paper pages, carved into topographical shapes that allude to cliffs and mountains, with geometric wooden trusses and smooth, water-like glass channels.“ via @colossal
Kara Walker's Fons Americanus
Fons Americanus is a 13-metre tall working fountain inspired by the Victoria Memorial in front of Buckingham Palace, London. Created by artist Kara Walker for the 2019 Hyundai Commission, it is one of the most ambitious installations in Tate Modern's Turbine Hall to date.
Rather than a celebration of the British Empire, Walker’s fountain explores the interconnected histories of Africa, America and Europe. She uses water as a key theme, referring to the transatlantic slave trade and the ambitions, fates and tragedies of people from these three continents. Fantasy, fact and fiction meet at an epic scale.
Based in New York, Kara Walker is acclaimed for her candid explorations of race, sexuality and violence. She is best known for her use of black cut-paper silhouetted figures, referencing the history of slavery and the antebellum South in the US through provocative and elaborate installations.
Fons Americanus is on display at Tate Modern until 5 April 2020. You can explore the artwork in more detail on @tate
Rodrigo Chapa
Rodrigo Chapa is a Mexican artist who has been working with photography for the past decade. “In his series “Ausentes” (Absents), he makes reference to abstract expressionism by composing images with color field backgrounds and a dancer as the subject. He captures the movement and improvisation of the dancers, in which the record of the physical manifestation of the subject becomes the work of art.” via @trendland
Nima Tayebia
Italian artist Nima Tayebia creates dystopian portraits of someone who has lost a memory or was vanished from a timeline. Using chiaroscuro techniques inspired by Black Period of Goya and mixed with later El Greco these artworks won’t leave you for free. Scary but intriguing …
David Umemoto
Canadian artist David Umemoto creates Escher-esque concrete miniature pieces that evoke temporary buildings or monuments standing on far-away lands.
“The images conveyed in the mind by these works are numerous. They refer to the archaic and the ephemeral, despite the solidity and the modernity of the medium. Appearing before our eyes are pre-Columbian rock dwellings, god statues from the Andes or Easter Island, steles deteriorated by rain, remnants of modern cities having survived a cataclysm, fragments of Babylonian cities, colonial settlements brought down to their foundations, cenotaphs abandoned in the jungle…”
David Moreno
Spanish artist David Moreno “draws” sculpture using steel rods creating "digital slit-scan” effect for his wall mounted “Floating Favelas” series
Lars Fisk
Since 1995, Lars-Erik Fisk has reimagined familiar and common-place objects into spheres, which he considers a "basic form… that we can all understand, but is at the same time the least likely form for these subjects to assume.”
Transforming objects in this way engenders a fascination with the mundane and elevates otherwise unnoticed details of one’s everyday surroundings to works of art that demand attention.
Made primarily by hand in the artist’s Brooklyn studio, each circle is designed to engage ordinary elements from parking lots, subway tiles, car parts and pencil stubs. The eclectic material palette uses the components of these architectural and urban facets – namely steel, glass and asphalt – and turn them into perfect spheres; transforming the simple theory into a potent array of sculptures.
Wooden Distortion by Paul Kaptein
Working predominantly in sculpture and drawing, Paul Kaptein’s practice is informed by notions of Pneuma and Sunyata in exploring the fluid space between form and emptiness. Motivated by the energies that exist beneath the surface of things, his work is activated through glitches, warps, spaces, gaps, holes and fissures.
Exploring the body as the interface between quantum, relative, technological, spiritual, material, psychic and conscious states, my work collapses distinctions of internal and external binaries and linear temporalities to explore notions of identity and boundaries of self.
Alexander Suvorov Art
Russian designer Alexander Suvorov trains his creative muscles by creating competitive hyper realistic art featuring gentlemen vehicles
Apparatuses for (Extra)Ordinary Acts
Apparatuses for (Extra)Ordinary Acts (artist Charitini Gkritzali) is a sequence of depictions of the complex relationship between humans, objects and surrounding spaces. They attempt to illustrate this relationship’s present form, designate the way it is currently experienced, analyse it, and reflect over it in a descriptive or connotative manner. In this context, several factors and concepts deeply familiar to humans appear anaemic, unsound or expired: time, senses, individuality, conscience. The succession of apparatuses is cyclic. It exceeds progression and graduality, evoking doubt over its representational robustness. Ultimately, Apparatuses for (Extra)Ordinary Acts lead to the reformulation not only of human’s relationship with objects and surroundings, but with the very notion of realness and representation’s utopic nature.
Delicatessen on 6th by Lucy Sparrow
Lucy Sparrow strikes again. After her successful show of felted and knitted grocery store “8’ Till Late” that sold out in a few days she’s back with a new pop-up shop “Delicatessen on 6th” with a lot of felted and knitted fresh food, seafood and other veggies we adore so much! Head to Rockefeller Center, NYC to grab your piece of art for the affordable price. The project is the biggest activation to date in Art Production Fund’s “Art in Focus” public art series.
Opened through October 20, 2019
Illustrative Art of Samuel Rodriguez
The San Jose based artist Samuel Rodriguez benefits from the mix of street art background and classic art education and has done some amazing illustrative art so far. He is mostly focusing in two types of portraiture which he refers to as, ‘Topographical Portraiture’ and ‘Type Faces’. The Topographical Portraits Rodriguez creates, are made by stylizing a portrait with topographical lines and shapes, in a similar manner to those found through images on geographic maps.
The Immigrant by Michael Murphy
The Immigrant - is a 3D halftone sculpture by Brooklyn-based artist Michael Murphy. When you view the 2,300 wood balls from forty feet away you see an image of Murphy’s partner Natasha Vladimirova. The work calls attention to the positive contributions immigrants make to our communities. Natasha is an immigrant and it is with her help that this piece was made possible. This tribute is intended to introduce positivity to a negative and overly politicized conversation.