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The Artrium project was born a year ago. The brain child of team Atrium and team Gumball 3000, it brought together 11 renowned names from the global street art scene. For the first time in their careers' Shepard Fairey, Felipe Pantone, Tristan Eaton, Ben Eine, PichiAvo, Okuda San Miguel, Pokras Lampas, Faith47, WK Interact, Faust, Haculla were challenged to create on the façade of the same building.

Artrium - The Beginning

May 23, 2019 by Arseny Vesnin in 2019, Art, Street Art, Motioncollector

Artrium is a new space born in Moscow a year ago and you may remember calligraphy artist Pokras Lampas doing his work inside pedestrian passage last year. This year team @ArtriumMoscow went further and invited world leading street artists to create legend murals from the walls of the building.

Felipe Pantone

11 Artists are: Shepard Fairey (@obeygiant), Felipe Pantone (@felipepantone), Tristan Eaton (@tristaneaton), Ben Eine (@einesigns), @PichiAvo, Okuda San Miguel (@okudart), Pokras Lampas (@pokraslampas), @Faith47, @WKInteract, Faust, Haculla.

Ben Eine

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Okuda San Miguel

May 23, 2019 /Arseny Vesnin
MAY
2019, Art, Street Art, Motioncollector
A human fascination. Carpets as landscapes, and landscapes as carpets. A Traum Inc production directed by Thomas Traum for Tarkett / Desso with Vandejong. Creative Direction - Nina Couvert (Vandejong), Thomas Traum (TRAUM INC) Agency - Vandejong Client - Tarkett, Desso Director - Thomas Traum Producer - Carla Kaempfer (TRAUM INC) Animation - TRAUM INC (Safwaan Motara, Anatolii Belikov, Wael Chams) Editor - Nikolaj Belzer (OKAY STUDIO) Colourist - Ludovic Rousseaux (OKAY STUDIO) Director of Photography - Ruaraid Achilleos-Sarll 1st AC - Hector Quintero Drone Operator - Alexander Pejovic Casting - TRAUM INC Original Score & Sound Design - Lafawndah Directors Cut music - Gage "flash pattern"

Desso - Human Fascination (Directors Cut)

May 22, 2019 by Arseny Vesnin in 2019, Advertising, Agencies, Motioncollector, United Kingdom
“In every walk with nature, one receives far more than one seeks”
— John Muir, 1877

Carpet as landscapes, and landscapes as carpets. A new film for DESSO directed by Thomas Traum as part of their “HUMAN FASCINATION” campaign. Four types of carpets were matched to four landscapes with four characters exploring these landscapes. Additionally, CG artefacts provide a visual link between both worlds, the carpets and the landscapes.

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@traum.inc
May 22, 2019 /Arseny Vesnin
MAY, British
2019, Advertising, Agencies, Motioncollector, United Kingdom

Nike Series by Christian Tyroller

May 16, 2019 by Arseny Vesnin in 2019, Advertising, Digital Art, Motioncollector

Talented CG artist Christian Tyroller and art director at Aixspinoza together with the team delivered motion visuals for Nike’s latest campaigns: Mercurial & Phantom

Break it. Slice, shatter and dice it. Do it with speed and precision. Just do it. All for Nike Global Football. Credits: Client: Nike Inc. Global Football Creative Director: Christian Tyroller Producer: Julian Fischer, Thorsten Timm 3D: Dobromir Dynakov, Lukas Eberle, Hannes Gerl, Jens Kindler, Lars Korb, Bobby M., Adam Priester, Bettina Vöröss, Nick Zieroff Music & Sound effects: Michael Fakesch, designingsounds
Break it. Slice, shatter and dice it. Do it with speed and precision. Just do it. All for Nike Global Football. Credits: Client: Nike Inc. Global Football Creative Director: Christian Tyroller Producer: Julian Fischer, Thorsten Timm 3D: Dobromir Dynakov, Lukas Eberle, Hannes Gerl, Jens Kindler, Lars Korb, Bobby M., Adam Priester, Bettina Vöröss, Nick Zieroff Music & Sound effects: Michael Fakesch, designingsounds
Break it. Slice, shatter and dice it. Do it with speed and precision. Just do it. All for Nike Global Football. Credits: Client: Nike Inc. Global Football Creative Director: Christian Tyroller Producer: Julian Fischer, Thorsten Timm 3D: Dobromir Dynakov, Lukas Eberle, Hannes Gerl, Jens Kindler, Lars Korb, Bobby M., Adam Priester, Bettina Vöröss, Nick Zieroff Music & Sound effects: Michael Fakesch, designingsounds
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@aixsponza
May 16, 2019 /Arseny Vesnin
MAY
2019, Advertising, Digital Art, Motioncollector
In a parallel universe our infrastructure and power grid has collapsed. All lines of communication have broken down. In the absence of influence, organic life has started to evolve. This film is meditation on the creative path and how we as creatives often need to go through hardship and discomfort in order to evolve and grow. Credits: Direction / Design / Animation: Chris Bjerre Music / Sound Design:  Echoic Audio  Check out more about the process. https://www.behance.net/gallery/79219627/OFFF-2019-MAIN-TITLES Listen to the soundtrack here https://soundcloud.com/echoicaudio/sets/offf-barcelona-components https://chrisb.tv https://www.instagram.com/chris_bjerre http://echoicaudio.com https://www.instagram.com/echoic_audio

OFFF Barcelona 2019 Main Titles

May 09, 2019 by Arseny Vesnin in 2019, Motioncollector, OFFF

Chris Bjerre was invited by OFFF Festival to create official Main Titles for 2019 head event went in Barcelona last month

In a parallel universe our infrastructure and power grid has collapsed. All lines of communication have broken down. In the absence of influence, organic life has started to evolve.

This film is meditation on the creative path and how we as creatives often need to go through hardship and discomfort in order to evolve and grow.

Sound Track: Echoic Audio 

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@chris_bjerre
@offfest
May 09, 2019 /Arseny Vesnin
MAY
2019, Motioncollector, OFFF
FITC Toronto is a globally recognized industry event showcasing the best the world has to offer in design, digital development, media and innovation in creative technologies – it’s three days and nights of presentations, parties, installations and performances that unite and transform the industry. Opening titles for FITC Toronto https://fitc.ca/event/to19/ Created by Mike Winkelmann https://www.beeple-crap.com/ Directed by Beeple Music by Joyryde - "IM GONE" 3D artists: David Ariew Charles Deck Jon Hutton Luis Miranda Christopher Rutledge Stylow Beeple 2D artists: Sam Burton Sofie Lee Pleasecallmechamp Deekay Kwon Seongjin Yoon Costumes: Jenpoe Stanky Dee Special Thanks: Shawn Pucknell, FITC gang!!!, Aunt Marlene, Eyedesyn

FITC Toronto 2019 Titles

May 08, 2019 by Arseny Vesnin in 2019, Canada, Motioncollector, Portfolios

@FITC Toronto is a globally recognized industry event showcasing the best the world has to offer in design, digital development, media and innovation in creative technologies – it’s three days and nights of presentations, parties, installations and performances that unite and transform the industry. Here is their 2019 Titles directed by Mike Winkelmann best known as @Beeple_Crap (and you may remember him as an indirect collaborator at our @Digital.Decade show) with a team of dozen talented 3D and 2D artists. And this all heavily reminds me 1985 Dire Straits first 3D music video lol :)

May 08, 2019 /Arseny Vesnin
MAY
2019, Canada, Motioncollector, Portfolios
Supernova is an experimental 4K art film directed and designed by Maxim Zhestkov. Everything around and inside us was conceived in a huge explosion of a star billions of years ago… and, probably, recycled from other matrices myriad times. In this eternal carousel of matter, particles gather, form complicated structures and then burst into all directions fusing atoms together and producing new elements and points of view, new colours and patterns of perception. Explosions could be perceived as a destructive force and the process of tearing previously formed matter apart and, therefore, could have negative connotations; however, fundamentally, only the process of breaking familiar structures and rearranging them into new, more sophisticated shapes could kindle new meanings and ideas and be the main creative force forming the future. In the art film, we made computer simulations with millions of particles to explore the behaviour and the beauty of the creative force of destruction. The art film was initiated as the title sequence for FITC 2019 / Amsterdam and produced by www.Zhestkov.Studio. Design, Direction: Maxim Zhestkov Sound: Maxim Zhestkov Executive Producer: Igor Sordokhonov Technical Director: Artur Gadzhiev

Supernova - Art film by Maxim Zhestkov

May 07, 2019 by Arseny Vesnin in 2019, Digital Art, Motioncollector, Russia, Portfolios

Supernova is an experimental 4K art film directed and designed by Maxim Zhestkov and made in Zhestkov.Studio

“Everything around and inside us was conceived in a huge explosion of a star billions of years ago… and, probably, recycled from other matrices myriad times. In this eternal carousel of matter, particles gather, form complicated structures and then burst into all directions fusing atoms together and producing new elements and points of view, new colours and patterns of perception. “

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“Explosions could be perceived as a destructive force and the process of tearing previously formed matter apart and, therefore, could have negative connotations; however, fundamentally, only the process of breaking familiar structures and rearranging them into new, more sophisticated shapes could kindle new meanings and ideas and be the main creative force forming the future.”

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The art film was initiated as the title sequence for @FITC 2019 / Amsterdam. 

@zhestkov
May 07, 2019 /Arseny Vesnin
MAY, Russian, Zhestkov Maxim
2019, Digital Art, Motioncollector, Russia, Portfolios
For Land O’Lakes’ SxSW “The Copernicus Project”, we immersed viewers on all sides with visuals & sounds, crafting a thrilling ride through the biodiversity of our food systems. Client: Land O’Lakes Production & VFX: Aggressive/Loop Creative Directors: Alex Topaller, Alex Mikhaylov, Daniel Shapiro, Art Director: Alex Mikhaylov CG Supervisor: Max Chelyadnikov Producer: Alexander Aab 3D Artists: Artemy Perevertin, Vitaliy Babich, Daniil Rybkin 2D Artist: Vladimir Tomin Production Manager: Won Cha Sound Design & Music: Smider

The Copernicus Project

May 06, 2019 by Arseny Vesnin in Russia, 2019, USA, Digital Art, Advertising, Motioncollector

For Land O’Lakes “The Copernicus Project” at SxSW 2019, Aggressive collaborated with Loop Agency to create an immersive installation surrounding viewers with visuals and sound, crafting a thrilling ride through the biodiversity of world’s food system

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Client: Land O’Lakes
Production & VFX: Aggressive/Loop

Creative Directors: Alex Topaller, Alex Mikhaylov, Daniel Shapiro, 
Art Director: Alex Mikhaylov
CG Supervisor: Max Chelyadnikov
Producer: Alexander Aab
3D Artists: Artemy Perevertin, Vitaliy Babich, Daniil Rybkin
2D Artist: Vladimir Tomin @tomin.works
Production Manager: Won Cha
Sound Design & Music: Smider

@loop_moscow
May 06, 2019 /Arseny Vesnin
American, MAY, Tomin Vladimir, Russian
Russia, 2019, USA, Digital Art, Advertising, Motioncollector
Mill+ Director Ilya Abulkhanov opened Offf Barcelona 2019 with the debut of his sci-fi short film ‘ARXIV’. ARXIV (pronounced ‘archive’) is an immersive sci-fi family drama is set in two time frames: the deep future, that is left with no future, and the near future, that will bring about the eventual dystopian collapse of society. Protagonist Lew Aron survives both time frames and is set to discover a potential outlet to confront his innermost desire, or what’s left of it. Directed by Ilya Abulkhanov Screenplay by R. John Lewis Based on Characters Developed by Ilya Abulkhanov Director of Photography Sean Bagley Edited by Andy McGraw Produced by Gabriel Blanco and Elizabeth Newman Executive Producers Zu Al-Kadiri Phil Crowe Stephen Venning Ian Bearce Enca Kaul Rani Melendez Cast: Lew Michael Curylo Kelly Britt Harris Doctor K. Gregory Niebel May Vienna Weaver Colleague Elijah Howard Doorman Jon Harris Secretary Lucy Boryer Anchor Azize Erim Girl Reading Book Linda Aleman Patient Erick Medal Diner Patron Ruth Banks Mataya Diner Patron Willard Riley Diner Patron Michael A. Rubio Co-Worker Hiwot Yimer Co-Worker Canaan Dewey Co-Worker Victoria Johnson Welder Giovanni Della Pace Casting by Danielle Eskinazi Production Designer Evi Ellias Costume Designer Agga B. Raya Original Music By Jesse Solomon Clark Sound Design & Mix by Beacon Street Studios First Assistant Director Miles Johnstone Edited by Andy McGraw / Cartel Assistant Scott Beatty Producer Greer Bratschie Executive Producer Lauren Bleiweiss Associate Producer James Morse Skyler Wahl Production Coordinator Matt Fulton 2nd Assistant Director Rochely Zapata Production Assistant Production Sound Mixer Ellie Bootorich Offline Sound Mix Cyrus Shahmir Art Department Leila Ryndak Property Master Giovanni Della Pace Leadman Shelby Strong Set Dresser Prerna Chawla Buyer Angel Herrera Shopper Make-up by Victoria Payne Camera 1st Assistant Camera Nick Cutway 2nd Assistant Camera / Loader Rob Reaves Key Grip & Gaffer Lev Abrahamian G&E Driver Sam Le Bas G/E Swing Aram Martirosyan and Conor Long Visual Effects by The Mill Creative Director Ilya Abulkhanov VFX Supervisor / Project Lead Lee Nelson Art Director Sidney Tan Lead Motion Designer Woosung Kang Technical Director / 2D Lead Justin Sucara 2nd Technical Director Greg Park Motion Design Artists Taehoon Park Kyle Moore Jan Sladecko Sasha Vinogradova Maxim Goudin Greg Park Anastasia Skrebneva Post Producer Moira Mahoney Post Production Coordinator Matthew Fulton VFX Supervisor / Creative Lead James Allen CG Supervisor Manjunath Shivaprasad 2D Supervisor Rakesh Venugopalan Asset Supervisor Anish Mohan Line Producer R Anuraj Production Coordinators Noan John Vinod Nathan Niamehr Mimi Milligan Fx:
Biswajit Tarafdar 3D Artists:
Kartik Arora
Asis Kumar Mahakhud
Sivasubramanian
Sudakshina Sridharan
Vittal Kuntla
Abdul Rehman
Amit Patil
Asit Midya
Kalidas Patil
 2D Artists Roman Yavorsky Franz Kol Lenz Kol KaiChun Tsai Evan Langley Stephen Paragone Rob Winfield Tim Robbins Gavin Marler Jeff Langlois Alex Candlish Patrick Dirks Lisa Kim Ahmed El-Azma Roger Cerqua Badrinath Chinimilli
P.K. Sajith
Prasanna Bhatt
Ramanjaneyulu Thota
Shivam Shukla
Vinod Gopinathan Matte Painting Bill Lu Bijo Joy
Jobin Jacob
Netra Mankar
Priyanka Telang Modeling Joel Kittle Tracking Michael Lori Elizabeth Hammer Danny Garcia Rotoscoping & Tracking TRACE Colorist Adam Scott Color Assistant Logan Highlen Color Senior Producer Liza Kerlin Color Coordinator Jessica Amburgey Mural Paintings by Sidney Tan Yi-Jen Liu Hyoyeon Lee Design Support Eunhae Yoo Casting Department Danielle Eskinazi / Casting CCDA Casting Assistant Katie O’Connor Costume Design Assistant Madeline Northway Title Design by Ilya Abulkhanov
Woosung Kang Taehoon Park Lee Nelson 
Special Thanks Robin Shenfield Dee Allen Chris Harlowe Dan Roberts Chris Knight Glyn Tebbutt Film Processing by FotoKem Cameras Provided by Keslow Cameras and Robot Heart Co. Shot on Arriflex Cameras and Kodak Film Film Scanning by Technicolor Grip and Electric Equipment Provided by G&J Grip

OFFF 2019 Open Film

May 03, 2019 by Arseny Vesnin in 2019, OFFF, Motioncollector

Our second encounter with OFFF Festival was in 2009 where Prologue then lead by Ilya Abulkhanov presented event’s Main Titles in a sci-fi post-soviet “Kin-dza-dza” way. Little did we know that 10 years later, now Mill+ director, Ilya, will be invited to present 15-minutes “ARXIV”, a post human drama and indeed a continuation of original 2009 short movie.

ARXIV is an immersive sci-fi family drama is set in two time frames: the deep future, that is left with no future, and the near future, that will bring about the eventual dystopian collapse of society. Protagonist Lew Aron survives both time frames and is set to discover a potential outlet to confront his innermost desire, or what’s left of it.

Now in its 19th year, OFFF is regarded as one of the world’s most influential creativity festivals. OFFF consists of three-days of conferences, workshops, activities, and performances. It takes place in Barcelona annually, before appearing around the world as ‘OFFF on Tour’ with the next happens in Moscow

@millchannel
@offfest
May 03, 2019 /Arseny Vesnin
MAY
2019, OFFF, Motioncollector
As a part of new season campaign for London Symphony Orchestra, we created a film driven by motion capture of Sir Simon Rattle. Expressing the enormous power and complexity of the orchestra and tracing it back to a single seed. Music: Nimrod' from Elgar’s Variations on an Original Theme, ‘Enigma’, conducted by Sir Simon Rattle. Created by: http://alexasirbu.com/ http://lukasvojir.com/ Agency: https://www.superunion.com/

London Symphony Orchestra - Roots and Origins

April 25, 2019 by Arseny Vesnin in 2019, Digital Art, Motioncollector, Portfolios, United Kingdom

As a part of new season campaign for London Symphony Orchestra, duo Alexa Sirbu and Lukas Vojir created a film driven by motion capture of Sir Simon Rattle. Expressing the enormous power and complexity of the orchestra and tracing it back to a single seed.

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@alexa_sirbu
@lukasvojir
April 25, 2019 /Arseny Vesnin
APR
2019, Digital Art, Motioncollector, Portfolios, United Kingdom
In a surreal future, humanity has been transformed beyond any and all recognition by the echo chambers of social media. Shot entirely on iPhone 7 in the Montréal underground, FILTRATE is an exploration of digital connectivity and physical isolation. BEHIND THE SCENES: https://vimeo.com/325916864/8d380f2e65 World Premiere // 2018 Fantasia Film Festival US Premiere // 2019 Slamdance Film Festival Gallery Exhibition // Centre Never Apart - Montreal, QC WWW.FILTRATE.FILM —- Dans un futur surréel, les chambres d’écho de nos réseaux sociaux actuels divisent l’humanité en espèces disparates. Enfouis sous terre parmi un univers vaste et déserté, cinq personnages tentent de se connecter. Tourné entièrement sur iPhone 7 dans le métro Montréalais, FILTRATE est une exploration de la connectivité numérique et de l’isolation physique.

Filtrate

April 22, 2019 by Arseny Vesnin in 2019, Motioncollector

A new short film titled FILTRATE imagines a future completely saturated with technology, where post-human figures interact using rune-like symbols on immersive social media platforms. The film, directed by Mishka Kornai, was created in the public spaces of Montréal’s underground Metro transit system.

“If people retreat into smaller and more idiosyncratic groups, what will the evolutionary trajectory of our society look like? As social groups diverge further and further over the course of generations, when does humanity cease to be just one species?”
WATCH THE FILM: https://vimeo.com/328695563 WATCH THE PROCESS: "A Movement Underground In Eight Parts" by Anna Maria Trudel https://vimeo.com/325578170 ————- The project took over two years to complete, with 43 days of guerilla shooting in the active metro system of Montreal, six months of costume building, and over a year of post production. The film was captured entirely on iPhone 7 using only a wheelchair, a monopod, and a handheld stabilizer. What began as just a short film evolved into something much larger, combining guerrilla filmmaking, performance art, original costume, still photography, and urban exploration. While living in Montreal, director Mishka Kornai, costume designer Odette Mattha, and cinematographer Luke Orlando chose the city’s metro system as the central inspiration for a collaborative project. Each station, designed by a different architect, possesses its own distinct aesthetic, forming a network that is simultaneously interconnected and starkly differentiated like the internet today. Enlisting a team of local dancers, filmmakers, and artists, they created a surreal post-human future and the imaginative beings who populate it. ————— Ce projet a été complété à l’intérieur de 2 ans comprenant 43 jours de tournage guérilla dans le circuit actif du métro de la Ville de Montréal, 6 mois de fabrication de costumes et plus d’un an de post-production. Les équipements utilisés lors de la captation du film sur iPhone 7 furent une chaise-roulante, un monopode et un stabilisateur à main. Ce qu’initialement avait pour but d’être un court métrage se transforma rapidement en projet plus élaboré, combinant plusieurs médiums tels que la réalisation guérilla, l’art de la performance, costumes originaux, photographie et exploration urbaine. Lors de leur séjour à Montréal, Mishka Kornai, réalisateur, Odette Mattha, costumière, et Luke Orlando, cinématographe, ont choisi le métro comme point central d’inspiration pour monter un projet collaboratif. Chaque station dessiné par un architecte différent possède son esthétique distinct, créant un réseau qui paraît à la fois interrelié et totalement disparate tel que nous connaissons l’internet aujourd’hui. Engageant créativement une équipe de danseurs locaux, de cinématographes et artistes, ils ont créé un futur post-humain surréel ainsi que les êtres qui le peupleraient.
@theia.studio
April 22, 2019 /Arseny Vesnin
APR
2019, Motioncollector

Kokosmos by Anna Radchenko

April 12, 2019 by Arseny Vesnin in 2019, Motioncollector, Russia, Portfolios
 
 

Kokosmos is a purely visual, experimental piece inspired by space and our fascination with the unknown. A surreal fantasy, aimed to extend our perception of reality by letting us wonder over the existence of a higher being and our connection with her.

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Shot in Moscow by the award-winning director and photographer Anna Radchenko, Kokosmos is a tribute to Russia’s infatuation with space.

Somewhere between a fashion film, a music piece and an experimental video, Kokosmos embraces reality and extends it through magical realism by visually answering the question: what if? The video is Radchenko’s first piece combining CGI with real footage, a direction that she is looking to explore with her future productions.

Kokosmos is a collaboration with model Yana Dobroliubova, recognised for her striking and ethereal looks which break away from traditional beauty standards. Inspired by Dobroliubova’s unearthly aesthetic, as well as Japanese manga artist Shintaro Kago, Radchenko expresses our constant need to explore and search by focusing on the concept of the all-seeing eye.

The music and sound was custom made specifically for this piece. Collaborating with creative music and sound design duo Playhead, they worked with the London-based singer songwriter Alyusha Chagrin to create an otherworldly-sounding language to fit the scenario.

Similarly, the choice of clothing and make-up is also meant to fit with post-soviet space theme; Radchenko brings in elements of folklore by specifically selecting Russian fashion designers and sticking to a neon color palette featuring bright shades of green and purple.

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““Growing up in post soviet Russia I’d be constantly dreaming about space, the unknown and what was out there, almost like an unknown entity we were trying to reach out to. With Kokosmos I wanted to express exactly that: my vision of what space and this god-like presence would look and feel like”
— Anna Radchenko
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@anna_radchenko
April 12, 2019 /Arseny Vesnin
Russian, British, Radchenko Anna, APR
2019, Motioncollector, Russia, Portfolios
1UProduction presents: "1UP - Bangkok Ghost Tower x Modeselektor - One United Power" The 1UP Crew is hitting the famous Bangkok Ghost Tower for the third time. In 2011 it was painted for the first time, but it got buffed 3 years later. The Crew had to come back to paint it a second time.

1UP - Bangkok Ghost Tower ╳ Modeselektor - One United Power

March 25, 2019 by Arseny Vesnin in 2019, Street Art, Motioncollector

The new guerrilla graffiti work of world famous 1UP street art group becomes an unofficial music video for Modeselektor “One United Power”. The 1UP (@up_crew_official) Crew hit the famous Bangkok Ghost Tower for the third time. In 2011 it was painted for the first time, but it got buffed 3 years later. The Crew had to come back to paint it a second time. 2017 it got buffed again and the crew booked new tickets to Bangkok in 2019

@modeselektor_berlin
March 25, 2019 /Arseny Vesnin
MAR
2019, Street Art, Motioncollector
A story of weight within us. Directed by – Sava Zivkovic Written by – Sava Zivkovic, Milan Nikolic, Nebojsa jez Art Direction / Concept Design – Milan Nikolic Character Artist – Antonio Esparza Asset Artist – Mihailo Radosevic Rigging – Borna Berc / Bunker VFX Motion Capture / Character Animation – Take One Motion Capture Performance by – Nebojsa Jez Environments / Rendering / Compositing – Sava Zivkovic Sound Design – Echoic Original Score by – Iz Svemira Process - https://vimeo.com/322068848 Complete project on Behance - https://www.behance.net/gallery/77238965/FREIGHT? Tools: 3ds Max, Redshift, Substance Painter, Zbrush, 3D Coat, Adobe Suite

FREIGHT

March 20, 2019 by Arseny Vesnin in 2019, Digital Art, Motioncollector, Serbia

A story of weight within us

Director Sava Zivkovic - “FREIGHT started out as a pitch for a client project. We were tasked with creating a short film that could demonstrate the capabilities of an upcoming real-time ray tracing technology. There were no creative limitations, everything regarding the story or the art direction was left to us, which at time seemed like a dream project finally coming to fruition.

We’ve assembled the core team of longtime friends and collaborators, Milan NIkolic, Nebojsa Jez and myself, and developed the pitch for the project, consisting of the script, character concept art and a detailed previz, as well as some keyframe renders. A pretty strong start for any project. Unfortunately due to many variables the client couldn’t proceed with the project, which left us with a completely developed idea, one that we felt really strongly about, but without  client funding to produce it.”

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Read Full Case Study

@Sava.Zivkovic
March 20, 2019 /Arseny Vesnin
MAR
2019, Digital Art, Motioncollector, Serbia

EDITION Hotels ╳ Sila Sveta ╳ Times Square

March 19, 2019 by Arseny Vesnin in 2019, Advertising, Agencies, Digital Art, Motioncollector, Lifestyle, USA
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Robotic art projects and 3-D billboard installations by Sila Sveta are attracting New Yorkers to Times Square

Sila Sveta was commissioned by legendary hotelier and Studio 54 co-founder, Ian Schrager, to create artworks for the massive jumbotron facade of the new Times Square EDITION hotel in New York City. The CGI artworks that the studio produced for the launch of the Times Square EDITION screened for public view seven times an hour from March 11th to April 1st, 2019.

“Times Square is contemporarily known as the one-stop destination for tourists and the one spot New Yorkers avoid with more vigor than jury duty. Legendary Studio 54 founder and luxury hotelier Ian Schrager (@ianschrager), however, is seducing New Yorkers back to the area with the commissioning of two public-facing art projects located on the Jumbotron billboard on the corner of 47th and Broadway in celebration of the opening of The Times Square EDITION (@timessquareedition) “

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View full case on Behance
 
“We wanted to bring something unforgettable to Times Square and create an iconic moment to mark the opening of The Times Square EDITION. The activations will be unique visual experiences that the public can take part in to celebrate this momentous occasion.”
— Ian Schrager
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A post shared by SILA SVETA (@silasveta) on Mar 18, 2019 at 11:43am PDT

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“The new billboard project features a glowing display of urban media art that fuses classic depictions of art and nature with modern technology. Schrager is collaborating with Sila Sveta, the New York-based multimedia design studio that has produced installations for the MET Gala, to bring back the sophisticated glitz and high romance that Times Square was once known for in the 1940s and 50s. What is now blocks of fast food chains and naked cowboys was once a destination for New Yorkers themselves, lined with nightclubs where one could spin to the sounds of Doo-Wop at the start of the evening then end it with a nightcap accompanied by Frank Sinatra.”

Text by Document Journal (@documentjournal)

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“Billboards are an important medium in contemporary public art. We want to augment the architectural environment with these new site specific works for the neighborhood”
— Paulina Zakh, Sila Sveta
@silasveta
March 19, 2019 /Arseny Vesnin /Source
MAR, Russian, Silasveta
2019, Advertising, Agencies, Digital Art, Motioncollector, Lifestyle, USA

Watch Now

Unacceptable Behavior

March 12, 2019 by Arseny Vesnin in 2019, France, Motioncollector, Portfolios

Presenting a film inspired by thoughts from actress - Destiny Nolen (@miss_destiny_nolen). Directed by Clément Oberto, Unacceptable Behavior is a light poem about youth and loneliness. It is narrated by Georgia Feroce and guided by a subtle and sensitive score, composed by John Tejada (@johntejadaofficial). Clément Oberto created a film which follows a woman on the edge, someone who feels too much, a fragile and strong soul, always on the verge between bursting into tears or into generous and beautiful smiles.

“Our heroine wanders through the sublime landscapes of the American West. More than a portrait, this is a generation testimony, solar and vibrant. The story of young adults ultra-connected and yet still alone, victims of their hypersensitivity, trying to find harmony in this delicate balance between remains of childhood and promises of adulthood.”
— Clément Oberto

Clément Oberto is French director and producer living in Los Angeles. His work revolves mostly around the feminine figure in music videos, commercials and Art films.

@clement_oberto
March 12, 2019 /Arseny Vesnin
MAR
2019, France, Motioncollector, Portfolios
A Lexus short film for the launch of the new ES F Sport, gives us a window into Chris Staples' creative mind. Former Harlem Globetrotter and widely considered to be one of the greatest dunkers in the world, Chris tells us how he turns inspiration into gravity-defying dunks. Client: Lexus Agency: Golin / Zooppa Creative Director: Jordan Shelton Agency Producer: Dylan Wise Production Company: Downtown Reel EP: Jeff Murray Producer: Robert Chainey DP: Alejandro A. Wilkins Gaffer: Nick Kane Phantom Tech: Shawn Sanders AC: Jordan Reyes Production Designer: Joey Celano Prop Master: Aly Eckmann Driver: Mike Whelan + POST PRODUCTION + Post: OLIO Creative Post Producer: Natalie Westerfield Colorist: Marshall Plante Sound + Music: MelodyGun Sound Supervisor: Hamed Hokamzadeh Music Composer: Grant Cornish   SFX Editor: Sean Evans Sound Designer / Mixer: Thomas Ouziel 

The Art of the Dunk

February 18, 2019 by Arseny Vesnin in Advertising, 2019, USA, Motioncollector

Director Michael Medoway defies gravity with former Harlem Globetrotter, Chris Staples (@everybody_hatechriss) in this visually arresting film for @Lexus.

Michael Medoway is an American director and photographer. His work fluctuates between slice-of-life, documentary-style realism to polished, cinematic narrative. He has collaborated with major brands including Lexus, Foot Locker, Visa, Asics and Toyota to bring stories to the screen that resonate with the brand’s community.

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@michael_medoway
February 18, 2019 /Arseny Vesnin
FEB
Advertising, 2019, USA, Motioncollector
For more information go to: https://www.behance.net/gallery/74713167/IMAT Name: material exploration Year: 2018 Client: imat-uve Concept & Art Direction: Vincent Schwenk & Vitaly Grossmann Design: Vincent Schwenk, Vitaly Grossmann, Superdesigners Animation: Vincent Schwenk, Vitaly Grossmann, Superdesigners, Moritz Schwind Music/Sound: Jürgen Branz

IMAT

February 13, 2019 by Arseny Vesnin in Advertising, Digital Art, 2019, Canada, Motioncollector, Portfolios, Russia

A collaborative work lead by art director Vitaly Grossmann together with Superdesigners from Moscow, CG artist Moritz Schwin, Vincent Schwenk and music producer Jürgen Branz, made for trade show in Germany IMAT-uve

“Imat-uve approached us to create a playful material world for a trade show in Germany. Imat’s design department is not only in charge for creating and designing textures, it’s also scanning it for a broader purpose in-house. As we love to work with textures and always challenge us to find the right balance between reality and abstraction, we were more than happy to develop shapes, spaces and colours where the textures become alive. Nearly every texture was scanned and provided by Imat’s design department.”
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@vitalygrossmann
@superdesigners.co
February 13, 2019 /Arseny Vesnin /Source
FEB
Advertising, Digital Art, 2019, Canada, Motioncollector, Portfolios, Russia
’A New Hope' is a challenging metaphor for everyone affected by the tech age that still considers some developments today as normal in our culture, traditions and society. We are not programmed well enough to foresee what the exponential technology can do to our society. How much are we going to pay for all bad decisions that we are making today? ‘A New Hope’ digs deep into our worst nightmares and what could happen if we loose control over those exponential tech advances. This video depicts how popularity mixed with power can easily transform our society into unpleasant and dangerous place. We have a high hope that our collective consciousness will drive us to a much brighter, safer, happier, inclusive and prosperous place. Credits: Directed by Loop Creative Directors: Alex Mikhaylov, Max Chelyadnikov Art Director: Alex Mikhaylov CG Supervisor: Max Chelyadnikov Concept Artists: Daniel Hahn, Dmitriy Rabochiy, Evgeniy Kashin, Evgeny Park, Heavy Unit, Daniel Solovev, Dmitry Tsmokh, Maxim Romantsov Modelling, Texturing Artists: E.D. Satan, Dmitriy Paukov, Valentine Sorokin, Roman Senko, Filipp Gorbachev, Pavel Burylov, Valerii Sendetskyi Animators: Dmitriy Paukov, Sergey Nezhentsev, Artemy Perevertin Rendering Artists: Max Chelyadnikov, Filipp Gorbachev 2D Artists: Denis Khramov, Eugene Pylinsky Compositing: Max Chelyadnikov Soundtrack: Zelig Sound

Pause Fest 2019 - A New Hope

February 05, 2019 by Arseny Vesnin in Agencies, Advertising, Digital Art, Motioncollector, Russia, Australia, Events, 2019

A collaboration between Russian post-production studio LOOP and number of talented artists resulted as a motion reel for the Pause Fest 2019 starting this days in Melbourne.

’A New Hope' is a challenging metaphor for everyone affected by the tech age that still considers some developments today as normal in our culture, traditions and society. We are not programmed well enough to foresee what the exponential technology can do to our society. How much are we going to pay for all bad decisions that we are making today? ‘A New Hope’ digs deep into our worst nightmares and what could happen if we loose control over those exponential tech advances. This video depicts how popularity mixed with power can easily transform our society into unpleasant and dangerous place. We have a high hope that our collective consciousness will drive us to a much brighter, safer, happier, inclusive and prosperous place.

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Credits:

Directed by Loop

Creative Directors: Alex Mikhaylov, Max Chelyadnikov
Art Director: Alex Mikhaylov
CG Supervisor: Max Chelyadnikov
Concept Artists: Daniel Hahn, Dmitriy Rabochiy, Evgeniy Kashin, Evgeny Park, Heavy Unit, Daniel Solovev, Dmitry Tsmokh, Maxim Romantsov
Modelling, Texturing Artists: E.D. Satan, Dmitriy Paukov, Valentine Sorokin, Roman Senko, Filipp Gorbachev, Pavel Burylov, Valerii Sendetskyi
Animators: Dmitriy Paukov, Sergey Nezhentsev, Artemy Perevertin
Rendering Artists: Max Chelyadnikov, Filipp Gorbachev
2D Artists: Denis Khramov, Eugene Pylinsky
Compositing: Max Chelyadnikov

Soundtrack: Zelig Sound

@loop_moscow
February 05, 2019 /Arseny Vesnin
Russian, FEB
Agencies, Advertising, Digital Art, Motioncollector, Russia, Australia, Events, 2019
Written and Directed by Lado Kvataniya Cinematography by Andrey Krauzov Composer | Niko Cartosio Starring | Masha Lobanova, Luba Sharabarina, Vladimir Voronov, Alexander Guriev, Roman Babenko, Andrey Khrukin, Gosha Bergal, Nerius Mankus, Masha Abramova, Emiliya Gubaudulina, Mark Ustinov, Polina Ainutdinova, Zlata Magdich, Sonya & Serafima Umrilovi, Lera Koreneva, Milana Tsvetkova, Kira & Eva Tsaturyan Producers | Ilya Stewart, Murad Osmann, Ilya Dzhincharadze Executive Producer | Olga Mitina Production Designer | Dmitriy Onishenko 1st AD | Katya Laposhina Producer Assistant | Masha Sitar Casting | Margo Sayapina 1AC | Alex Budarin 2AC | Sergey Ivanov Set Decorator | Denis Nikolaenko Costume designer | Anna Kudevich, Boris Kukolkin Hair and Make-up Artist | Igor Boyko Edit | Vlad Yakunin Location managers | Vladimir Kravchenko, Alexander Pisarev, Vanya Shuraev - Gorsky Color | Jamie O'Bradovich, Artem Leonov Property Master | Roman Ovsyannikov Gaffer | Pavel Brukh Production Manager | Mikhail Goglov Unit Production Manager | Dmitriy Dimchevskiy Production Assistants | Egor Larichkin, Vladimir Krotov, Alex Shumlyanskiy, Filatov Evgeniy, Vlad Khorozov, Alex Zvontsov Dolly Grip | Vasiliy Chesnokov Steadicam | Valera Sharapov Crane Operator | Igor Yashin SFX Supervisor | Evgeniy Sorokin SFX Set key | Maxim Sorokin Backstage operator | Evgeniy Seliverstov Stunt coordinator | Oleg Chamodurov Stunts | Viktor Serduk, Sergey Morin, Sher Dzhuraev, Rodion Klochkov, Vladimir Lukianchikov, Alex Minaev, Dmitriy Galkin, Yakov Efimov, Elena Borisova VFX Producers CGF | Daria Speranskaya VFX Producer Carbon Core | Ilya Rutkovsky On-set Supervisor | Denis Gordeev Special Thanks | Alina Rossiyskaya, Suzanna Noruzi, SPORT KB, Nodar Dzhincharadze, Artem Efimov, Dima Ketov Hype Film /// RUSSIA

Christmas on the Moon

January 25, 2019 by Arseny Vesnin in Russia, Portfolios, Motioncollector, 2019

“Alice, 12 year-old girl, is homeless and works as a courier. One day she receives a request  - to deliver a big teddy bear to the boss of a criminal gang. Along the way, unexpectedly, the teddy bear comes alive and becomes Alice's only friend. She decides to cancel the delivery and keep a teddy bear. What she doesn’t  suspect is that it is stuffed with cocaine and now she is being hunted.”

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@ladokvataniya

Written and Directed by Lado Kvataniya
Cinematography by Andrey Krauzov
Starring: Masha Lobanova, Vladimir Voronov
Composer: Niko Cartosio
Producers: Ilya Stewart, Murad Osmann, Ilya Dzhincharadze
Executive Producer: Olga Mitina
Production Designer: Dmitriy Onishenko
Edit: Vlad Yakunin
Casting: Margo Sayapina
Colour: Jamie O'Bradovich, Artem Leonov
Hype Production /// RUSSIA

January 25, 2019 /Arseny Vesnin
Russian, JAN
Russia, Portfolios, Motioncollector, 2019
Multimedia stage content created by Sila Sveta at the invitation of creative director Willo Perron for Aubrey and The Three Amigos Tour co-headlined by no other than Drake and Migos. We pulled out numerous visual and technological stops in an effort to make the tour "unique, so you can't see it anywhere." Drake was able to walk on an elevated stage adorned with thousands of tiny lights among other outrageous things like a gigantic scorpion, solar system, molten lava, and a yellow Ferrari. Add on the LED screens and BlackTrax technology that have the ability to track his every move and fans were in for the experience of a lifetime.

Sila Sveta for Drake's "Scorpion" Tour

January 25, 2019 by Arseny Vesnin in Russia, USA, Agencies, Motioncollector, 2019

Back in to 2018, it was the most challenging year for the world leading visual effect and stage design studio Sila Sveta, based in Moscow. Through a set of life changing events and creative director Willo Perron they landed with a project for Drake’s tour “Scorpion” - a huge challenge led to 15.6Tb of material and a panic half year of work to release 7 consecutive shows in NYC.

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Read interview with the team (English; Russian)

@silasveta
January 25, 2019 /Arseny Vesnin
Russian, Silasveta, JAN
Russia, USA, Agencies, Motioncollector, 2019
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