Levent Aydin for The Tattooed Poster

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Some of you might have seen the collaboration work "The Tattooed Poster" of Mathias Nösel, Steffen Baumgartl, Alexander Nagel, Levent Aydin for Munich based The Chaos Crew tattoo studio. We got a chance to speak with illustrator Levent Aydin whose artworks and sketches were among all other tattooed on a real skin poster.

DC: What is the idea behind The Tattooed Poster and how you get involved?

Levent: The Idea was to assemble important events of 2011 into one oversize tattoo to show the skills of the bavarian tattoo artists of Chaos Crew Studio. The special was that the project was tattooed on real calfskin to achieve the highest grade of realism and authenticity. Mathias Nösel, the Junior Art Director of Serviceplan saw some of my works on behance and asked me to illustrate for their new project.

DC: What was the biggest challenge in your part of work? Levent: I think my biggest challenge in my part of work was to illustrate the motives that I had to do in a way that everybody can recognize it in just a few seconds. Therefore I chose typical attributes of the particular motives like peter falk as columbo with his typical musing pose.

DC: How long did it take you and the whole team to complete it? Levent: The whole project began in december and ended in may. I had about 8 days to illustrate all the motives that I had to do. I enjoyed to work for such an outstanding project and I am looking forward to hopefully start the next one soon.

http://www.behance.net/gallery/The-Tattooed-Poster-Illustrations-of-Levent-Aydin/3804949

http://vimeo.com/41013416

Emergence by Susi Sie

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Cologne based visual artist Susi Sie released her latest motion film "Emergence" and we had a chance to speak with her about it

DC: What is the main plot and idea of "Emergence"?

Susie: Primarily this film (like my other films "BLACK" and "FLOAT") started as an experiment with liquids. At the beginning I had totally no idea which images I would get and which story I wanted to tell, so everything developed time after time. I like the conclusion of less being more, so I´m always looking for a way to tell stories in an abstract way, giving the observer the opportunity to interpret my films in his own way.

DC: What was the hardest challenge in the project you get through?

Susie: I think the hardest challenge in this project was to keep my motivation on a high level, even after months of failing and testing and filming and editing everything again and again until I was satisfied with the final result. Sometimes I forget, that making art, which I regard as my passion, is attached with a lot of really, really hard work. Good work takes time to develop, and interestingly, the final result is always something which you couldn´t have imaged at the beginning.

DC: How long did it take you to complete the video?

It took me about 9 months to complete this film... In the first steps, I made a lot of experiments with the black fluid, mixed with water and soap and tested many lenses to find out the best way to film the fluid. It also took me a while to develop a story behind these images. I think it´s important not to totally focus on a certain idea, to give the project the opportunity to develop itself in unexpected directions.

http://vimeo.com/43156247

Alba Prat

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Alba Prat is a Spanish Fashion Designer from Barcelona who studies fashion design at Berlin University of Arts. Prat's final year project is making a lot of good noise in the fashion industry. Inspired by the first Tron film of 1982, she kept the futurist concept, androgynous aspect and straight silhouettes in her design pieces with the touch of the avant-garde glamour and under the futuristic shapes and laser-cuts.

The materials used are wool, leather, cotton and neoprene (a material that becomes our second skin and protects us when we are in the deep waters of the ocean).

The project "Synthetic Oceans" was created to be the final project of Prat's graduation year in Fashion at the German school University of Künste in Berlin. This represents the transition that the aquatic world experiences mixed with the result of the industrialization era.

It's a project focus in the hundreds of tons of plastic that are dumped in the middle of ocean every year creating serious and complicated situations for the living species that live in there and the need of adaptation that they have to don't be killed or die.

The collection "Synthetic Oceans is a ‘cold and dark atmosphere where the beauty of the mutations and the defense mechanisms that its inhabitants embrace is to be seen’.

We can see in the fashion pieces the resembling of the cubist movement, the clean line features and shapes in garments combined with chunky wedge boots with the use of grey, black and silver as a colour palette.

"Through different techniques I have created cube patterns on the surface of some of the materials. Giving the designs a technical yet minimalist character."

[button size=big link=http://albaprat.com/ target=blank]Alba Prat[/button]

The Pencil Sharpener Ventilator

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We love the nonsense and hence the sense of an object demonstrated by Mathias Nösel, a young art director from Germany. Together with friends they gave a new life to old grandpa's fan and breathe a new function of a pencil sharpener in it. Simple, clean and fun idea makes our day.

[button size=big link=http://www.behance.net/gallery/The-Pencil-Sharpener-Ventilator/2242202 target=blank]Mathias on Behance[/button]

Old Black by DAT DAT DAT

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Studio DAT DAT DAT was founded by Andreas N. Fischer in 2008, after his graduation from the Berlin University of the Arts. Old Black is Egyprixx´ remake of the song of the same title by the drone doom band Earth. The graphic elements are a mixture of 3d-renderings and flat 2d textures aligned in space.

[button size=big link=http://datdatd.at]DAT DAT DAT[/button]

EAT! Design with Food!

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The “most delicious” design publication of 2012 celebrates design and art for, and from, what is edible. “EAT!” serves week by week inspiration in the form of delicious designs to whet your appetite; with 54 designers, artists and architects illuminating visual trends and special designs from the area of food, drink and nutrition.

The design calendar documents the exciting results of creative work which, in turn, influences food culture. Be it product, graphics or interior design, an architectural project or fine art. This collection of pieces tells us about contemporary projects and provides plenty of inspiration and ideas; with all sorts of culinary art installations and happenings, smart products, special food photography, brand design and graphics to do with food culture.

[button size=big link=http://www.eiga.de target=blank]EIGA[/button]

[button size=big link=http://www.flickr.com/photos/41645249@N08/sets/72157627609626497 target=blank]Set on Flickr[/button]

Valentin Fischer

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German illustrator and artist Valentin Fischer

http://www.valentinfischer.com/