3rd Wave of Inspiration
Since 2003
French artist David Mesguich has been pushing the boundaries between street art and fine art by creating monumental geometric sculptures that he puts within urban settings. For his most recent project, the artist created a ten meters high sculpture called ‘Lucie’ representing a little girl drawing a sun in the sky that has been installed in Poznan, Poland.
"After dusk in the high desert, as the sky quickly darkens, a lone hiker stumbles across a window into another world. As the man approaches the portal, he is met with his own reflection and we suddenly sink into the ReflectionVOID."
"In the VOID, scattered portals reflect star patterns against deep black skies. The stars sing to us, but the relentless nature of the high desert reminds us of our mortality. The razor sharp cactus blades and the cold jagged rock formations threaten our fragile bodies. The portals allow us a deeper perspective, they show us the Universe as we reach into our souls for cosmic significance. As we sink deeper into the unknown, we’re met with a tall human-like figure, a mysterious desert dweller with a purpose and a message."
A Page Films / Cinematic Syndicate Production
Produced by Lance Page and Jesse Andrew Clark
pagefilms.com
cinematicsyndicate.com
Original Music by Lorn
lorn.bandcamp.com/
Phygital - a new word in describing real world materia crawling into the digital existence and vice versa. This is the best way to describe what Anny Wang and Tim Söderström do on a daily basis by creating an unexpected digital experiences through materiality and technology taken from the real world. "For example, one series, Treasures amalgamates objects which you know are created on screen, but each element uses an analogue perspective. Marble and stone materials, or even a giant wobbly creature-like ball, appear so realistically that initially you think the image is a highly stylised still life shoot."
"Surreal and hyper-realistic, these seemingly contradictory traits have become the signature aesthetic of Xooang Choi‘s sculptures. His approach of incorporating anatomically correct human features – which have all been crafted with excruciating attention to detail – onto his nightmarish creations make each sculpture that much more harrowing. From the head of a Great Dane sewn onto the neck of a life-sized man to a pair of wings formed by disembodied hands, the South Korean artist seems to know no bounds in deforming and contorting familiar human bodies and body parts into deeply disturbing works of art. But through invoking discomfort, Choi’s goal is to draw attention to important societal issues such as human rights, discrimination, and isolation. Scroll down and see more of Choi’s haunting sculptures below."
Six People - Six different situations. One oscillograph records their reactions. What makes their heart beating faster?
Directed by Jean-Paul Frenay
Client : Germanos / OTE Group
Agency : Ogilvy & Mather
Production : Central Athens Film Productions
Director : Jean-Paul Frenay
Melbourne-based agency Mass Current creates eye catchy solutions for events and brands. Worth to mention that their neon basketball ring for Stussy went viral last year
Working under REILLY name a London-based, Scottish-born graphic designer and art director who for several years now, has been toying cheerily with the logos which we see day in, day out – reworking them with fashion’s greatest mainstays. Given the current proliferation of fake news and high-low collaborations, Reilly saw the fascination with his playful subversion of fashion branding as an opportunity to take things even further, and continued sharing his tongue-in-cheek combinations with the world.
Beside "Fakenews" project REILLY has enormous graphic design portfolio worth to visit now
St. Petersburg-based Yaroslav Misonzhnikov has designed a clever way to turn those simple sockets into minimalist chandeliers. Palka, which is ‘stick’ in Russian, is a wooden system that becomes a support bracket to hold two, three, or five of those corded sockets in place to form a pendant chandelier.
"Palka" project was first shown as a system for sconces at the Stockholm Furniture Fair in 2016 but now it has been developed as a system for pendant lamps. Many people buy lamps with ceramic sockets, but then they face certain limitations during the process of installing.
Using the same module and the corresponding adapter, you can independently create a two-, three- and five-lamp pendant lamp. To fix a wire a special design has been developed: the holes for the wire are made at an angle, which allows you to bend the wire and fix it in the desired position.
The project is produced under the own brand of designer «Misonzhnikov». This constructor is available in two types of wood: oak and mahogany. Wires and bulbs are bought separately.
Photos by Mitya Ganopolsky
Art direction: Agafiia Galitskaya
Croatian artist Marina Mika has developed a personal style in traditional hand-drawn art with a b/w ink approach with a slight clingy to contemporary fashion. Her works correlates with the "Beardsley's" art-nouveau lineart previously praised by Kaethe Butcher and Maria Menshikova
"Electronic music composer, producer, drummer and photographer Neil Kryszak believes that all art forms can communicate beautiful aesthetic values, as long as they are visually or audibly pleasing."
"After moving to Los Angeles, he began focusing on photography, inspired by the new surroundings and lifestyle. His pictures are characterized by surreal and exotic aesthetics, showing reflections of multicolored lights saturating the streets, architecture and the distant scenery, all fading into black. Led by intuition and trust, the instantaneous creative release and the ability to provoke through a frozen moment attracted Neil to photography. Especially the night time is very meditative to the artist. When it’s calm, there is a lot to imagine and to work with creatively, intrigued by adventure and mystery. Characterized by experimental and psychedelic art styles, the pictures also feature a 70s, 80s and 90s nostalgia.", text by Sarah Press
Cristina Burns is a photographer and a mixed media artist. Her work is characterised by juxtaposition, where opposing elements such as candies, toys, and flowers are fused to anatomical parts and insects, often blurring the extremely thin lines between fantasy and reality, purity and sin, life and death.
This multiplicity of elements are meticulously arranged to create her surrealistic compositions, then she photographs the assemblage, digitally enhance and prints in a limited number of copies, the resulting print is the only record of the artist's process.
For over half a century, the American artist James Turrell has worked directly with light and space to create artworks that engage viewers with the limits and wonder of human perception. Turrell, an avid pilot who has logged over twelve thousand hours flying, considers the sky as his studio, material and canvas. New Yorker critic Calvin Tompkins writes, “His work is not about light, or a record of light; it is light — the physical presence of light made manifest in sensory form.”
“My work is more about your seeing than it is about my seeing, although it is a product of my seeing. I’m also interested in the sense of presence of space; that is space where you feel a presence, almost an entity — that physical feeling and power that space can give.”
Roden Crater, located in the Painted Desert region of Northern Arizona, is an unprecedented large-scale artwork created within a volcanic cinder cone by light and space artist James Turrell. Representing the culmination of the artist’s lifelong research in the field of human visual and psychological perception, Roden Crater is a controlled environment for the experiencing and contemplation of light.
“When I first met Fram Kitagawa, he asked me to make a “meditation house” for the Echigo-Tsumari region. He gave me a book written by Junichiro Tanizaki “In Praise of Shadows.” The condition he gave me was that the house must be raised over 2.7m above the ground because of snow covering in winter. After reading “In Praise of Shadows”, I decided to create a house in the traditional architectural manner of this region. I wished to realize the “ world of shadows we are losing,” as Tanizaki wrote, as a space where one can experience living in light, by relating light inside to light outside.”
Read a review of House of Light on Elizabeth Mueller blog, photograph by Yulia Skogoreva
Turrell creates a similar experience of “Ganzfeld”: a German word to describe the phenomenon of the total loss of depth perception as in the experience of a white-out.
Human After All, a collaboration between artists Jan Kriwol and Markos R. Kay, juxtaposes CGI recreations of the human circulatory system with images of urban landscapes
For the series, Kriwol collaborated with London-based digital artist Markos Kay. “I described my vision to few CGI artists and all of them gave up,” he says. “When I described my idea to Markos he said ‘okay’ straight away. He then developed the technique for creating our guy and proposed his form and texture.”
Elise is an artist engaged with the shape and form of objects in space. Her sculptures are a giddying mix of surface, mass and volume, situated precariously on the verge of physical impossibility. Pushing materials to the edge of realism, she interrogates notions of materiality, duration and process. Her sculptural language borrows from the industrial and the vernacular. Simultaneously tangible and metaphysical, the compositions project across space, unfurling anthropomorphically upwards, or pushing outwards in repeated gestures of automated reproduction.
The 14th Factory is a monumental, multiple-media, socially engaged art and documentary experience conceived by the Hong Kong-based British artist Simon Birch. Taking over three acres of an empty industrial warehouse and lot on the outskirts of downtown Los Angeles, the location has been transformed into a factory where Birch and his 20 creative collaborators work and manufacture their art, creating an ever-changing immersive environment of 14 interlinked spaces comprised of video, installation, sculpture, paintings and performance.
Presented by Hong-Kong based British artist Simon Birch, the installation features an exact replica of a room from the legendary Stanley Kubrick film 2001: A Space Odyssey, a room where 300 pitchforks are hanging from the ceiling above the guests, a room with pieces of a Ferrari that the team crashed and filmed themselves, and a bunch of incredible video installations.
In entering The 14th Factory, the visitor is transformed into a central player in a collaboratively fabricated adventure that engages and unfolds, uniting individuals to the creative process and to each other. The exhibition challenges the current political climate by celebrating creative diversity and unity and to overcome obstacles and challenges as a global society.
British‐born, working class, of Armenian ancestry, Simon Birch dropped out of school early on and worked a variety of jobs, from rave party organizer and rock climbing entrepreneur in Britain and Australia, to construction worker, bouncer and DJ to support his emerging painting habit in Hong Kong. Through these years, he met and worked with a range of artists, filmmakers, designers, musicians, skaters, entrepreneurs, and adventurers, forming a wide‐reaching but close‐knit group of friends and collaborators across cultures and disciplines around the world. The 14th Factory emerged from these connections.
Over the last few years, Birch has ventured into film and installation work culminating in some particularly notable large‐scale projects: Azhanti High Lightning (2007, Nanyang Academy of Fine Arts, Singapore), This Brutal House (April 2008, 10 Chancery Lane Gallery and Annex, Chai Wan) and the 20,000sq ft multimedia installation ‘HOPE & GLORY: A Conceptual Circus’ (April 2010, ArtisTree, TaiKoo Place, Hong Kong). These large multimedia projects included film, paintings, installation, sculpture, and performance housed in specifically configured spaces. Birch’s work has been featured and reviewed in many international publications, including Artforum, The Guardian, The International Herald Tribune, Time Out and the New York Times.
The 14th Factory Foundation is an independent, 501(c)(3) non‐profit global artist collective whose mission is to create large‐scale contemporary art experiences that act as vehicles for social impact.
“I got an idea to publish an extraordinary photobook. A photobook where the content is in accord with its design. A poetic photo series about relationships, which is moulded into a unique book and a special edition, where the book is set in a thin concrete slipcase. ”
Take a look at the gallery above and then head over to IndieGoGo to learn more about the concrete photobook. Only 50 units will be made available for supporters.
Gabor Kasza Photography from the book
Made by artist Juliette Clovis (previously) at La Manufacture La Seynie - the oldest Limoges porcelain manufacture of France, Easter eggs are currently exhibited at Mondapart gallery in France.
It all began 14 years ago. And we are still grow our flesh and bones with you sharing the best projects everyday on our vast network feeding the eyes of merely 200K of creative people.
Some unsorted moments from our history of collaborations
Aristarkh Chernyshev, "Loading" (To be on display at the Digital Decade 5, London)
The Digital Decade annual collaborative event started in 2013 as a celebration of 10 Years of Designcollector. Now we are working hard to announce the start of its 5th edition to run this Spring as online digital art competition and then become an exhibition in London, aprox in August. The exhibition will feature Phygital and VR installations from well-known artists we welcome on board. If you feel you are doing the art research in our upcoming theme "What's Next? Cyberia - the Unknown Territories of Digital Ethnos" trends please subscribe to the newsletter of the event, we will send official announcement this month:
Russia-born, New York-based artist Dima Rebus creates arresting watercolours with visuals that blend surrealism and modernised labeling. Recent works move between quiet scenes and crowd-filled cacophonies, packed with contemporary commentary. He was last featured in HiFructose Magazine
Toronto-based painter Charles Bierk creates hyper realistic portraits of modern youth and explore the visual sense of gestures
