Artworks by Antonio Mora

"Spain-based artist Antonio Mora describes his artwork as "cocktails," amalgams of images found on blogs, databases, and magazines, fused seamlessly into the types of imagery that could only come from a serious lucid dreamer. Whether it's a forest melting into a woman's face, or someone's hair exploding into a slash of water, the dreamy portraits are tough to get out of your head." via

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Photography by @MalDeMar

Mauricio de la Garza Clariond is a young architect from Mexico travelling a lot between Americas and Europe. His Instagram portraying the daily life of modern nomad with an artistic twist, highly recommend to follow him on @maldemar. Also please check interview with Mauricio on Yatzer

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Symphony Lamp

Russian duo Anna Strupinskaya and Alexey Ivashkevich have presented at the Milan Design Week 2014 (alongside with other Russian project IZBA) their work: “Symphony”, a hanging lamp made ​​of silicone. The concept of chandelier explores the relationship between light and sound waves and their similarities. With colored ribbons intertwined, this chandelier provides a unique lighting. annastrupinskaya-6

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The Brooklyn Bridge in Letterpress by Cameron Moll

Once, I was happy to listen Cameron Moll live during @Media06 conference in London - talented typographer and one of the font web standards pioneer. Later last year he successfully funded a kickstarter project following his hobby of recreating famous architectural locations in type. Thus was about The Brooklyn Bridge, re-imagined as if constructed entirely with type. Upon the beautiful project itself Cameron shares the details on how Kickstarter project went for him. brooklynbridge-cameron-moll-1

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http://vimeo.com/76697805

IZBA: Russian designers exploring traditional culture of living

Izba is a curated project presenting 8 independent Russian designers. Earlier this April the group debuted with curated projects during Milan design week in Ventura Lambrate district. The idea of the project was to research and rethink old Russian traditions. Quoting IZBA's press-release below:

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"The project takes its name after a typically Russian dwelling, izba. It was a home for the most of people living on the territory of modern Russia since ancient times and up to the beginning of 20th century. Rapid urbanization made national features of living less distinct. However, in rural areas you can find izba even today. Its basic principles of construction and interior remain unchanged through the centuries. Fascinated by this fact, designers explored in details living in izba. Archetypes of typical items found in izba became a starting point for creating contemporary design products. Far away from nostalgic remakes, these products rethink historical heritage in the terms of living today. Thanks to universal language of design, they are objects with worldwide appeal, yet with a distinct Russian character.

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Project curator Tatiana Kudryavtseva gathered notable product designers from Saint-Petersburg and Moscow. They are young, but already have an experience of participating in international design exhibitions, are winners of prestigious contests, their projects were published in Russian and international press. They are: product designers Aleksey Galkin, Alexnder Kanygin, Katerina Kopytina, Maxim Maximov, Yaroslav Misonzhnikov, Maxim Scherbakov, Anna Druzhinina at Fedor Toy; textile designer Sveta Gerasimova. Anna Kulachek, graphic designer currently working on the identity of Polytechnic Museum of Moscow, became a part of the team and designed project identity, referring to construction principles of izba house. IZBA is the first big-scale curated project dedicated to Russian design.

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Not only the objects, but also the stand of the project exhibition in Milan referred to ideas of traditional dwelling. Stand layout was build according to the main principles of space organization in izba, huge table and benches that used to gather a big family became a display for smaller objects and were welcoming visitors to sit down and have some rest after the long walks they took through all the venues of the Milan show."

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Red Corner

Traditionally, red is the color associated with beauty in Russian culture. Red corner, the corner you see immediately when you enter the room, is the most important and honorary place in a traditional Russian dwelling. It is the place for icons, praying and the most important things in the house. Nowadays red corner has lost its initial meaning. Maxim Maximov made his aim to understand what is important for people today. Red Corner shelf provides a perfect management for a corner space. What is the most important thing for you?

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Katerina Kopytina

Svetets Svetets is a holder for luchina, a burning wooden sliver. Together they were lighting the dwelling in Russian villages up to the beginning of the 20th century. Svetets by Katerina Kopytina is a base for pendant light, transforming it into a floor lamp.

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Alexander Kanygin

Beard This object and accessory is inspired by one of the symbols of patriarchal Russia. Wearing beards was obligatory for all men in Russia up to the end of the 17th century. A fine presumed in the legal codex of the 11th century for the damage of another man’s beard was only three times less than a fine for a murder. In the end of the 17th century Peter the Great, who pursued Western style of living, announced wearing beards illegal in towns. In the 19th century beards came back with the ideas of Slavophiles. Many famous Russian philosophers and writers chose to wear beards, for example Leo Tolstoy and Anton Chekhov. Now you can try how it feels before growing your own.

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The hero of Russian folk tales, a dangerous dragon with three heads, became a peaceful toy for children.

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Anya Druzhinina (Fёdor Toy)

Gorka Many Russian people remember from their childhood a pyramid of pillows decorating the bed in their granny’s house. Anya designed one pillowcase for several pillows, making this pyramid a functional and playful object.

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Kokoshnik Kokoshnik, traditional Russian headwear for special occasions, in modern interpretation became an inflatable headwear. Initially it symbolized protection and was a kind of woman’s helmet. Modern Kokoshnik protects your hairdo from the rain.

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Yaroslav Misonzhnikov

Treschotka Folk music instrument treschotka is made of thin planches fixed together with a rope. In ancient culture, this instrument possessed a mystical function in addition to musical, the sound kept evil spirits away. Rocking horse for children Treschotka not only follows the folk instrument in its unusual structure, but also sounds.

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Odnosvechnik This candle holder is inspired with an unusual appliance found in a traditional Yakutian dwelling and displayed now in The Russian Museum of Ethnography in Saint-Petersburg. Odnosvechnik is made of marble, adjustable wooden base inside can lift the candle higher and fix on one of three levels. Due to this, you can keep the flame on the same level for a long time

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Maxim Scherbakov

Pridanoe Pridanoe is Russian for dowry. In traditional culture, it was very important to prepare a good and substantial dowry for a bride. Families were accumulating household items, clothes and valuables for many years in a number of chests. Chests were stacked one on top of the other on the floor of on a bench. Pridanoe is a modern interpretation of an old Russian tradition, a set of various containers with a bench stand. Details are decorated with gold plate, typical material for traditional Russian culture.

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Aleksey Galkin

Shkatulka is Russian for casket. Caskets with a ‘secret’, special opening mechanism, were much appreciated in Russia from ancient times and were used for keeping valuables and important items. Storage kit Shkatulka is a system consisting of several containers. You can change their combination depending on the functional needs. Secret lock will take care of privacy.

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Sveta Gerasimova

Rusalka & Rusal Rusalka is one of the most romantic images in Slavic mythology. A female humanlike being, it can be compared to a West European mermaid. Rusalkas hide all autumn and winter in rivers, and come out to spend the summer in the fields and forests. They play among the ripening ears of corn, swing on the branches of the trees and spellbind careless young men. According to less known folk stories, male rusalkas also exist. This became a starting point for a new story told in printed textiles.

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Project curator: Tatiana Kudryavtseva - Design Gallery/Bulhaup St. Petersburg Graphic designer: Anna Kulachek Photographer: Mitya Ganopolsky

Tattooed Porcelain Figures by Jessica Harrison

Jessica Harrison proposes a multi-directional and pervasive model of skin as a space in which body and world mingle. Working with this moving space between artist/maker and viewer, she draws on the active body in both making and interpreting sculpture to unravel imaginative touch and proprioceptive sensation in sculptural practice. In this way, Harrison re-describes the body in sculpture through the skin, offering an alternative way of thinking about the body beyond a binary tradition of inside and outside.

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Head in the Clouds by Laurence Demaison

French photographer Laurence Demaison has released two new photo series’ entitled ‘In the clouds’ and ‘Meditations’. Both projects illustrate haunting images of subjects engulfed in smoke. Demaison has an affinity for distortions of the human body – her previous projects depict the manipulation of reflections, refractions, visual repetitions and the experiments through the idea of light in darkness. laurencedemaison-0

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Everywhere and Nowhere at the Same Time

"World-renowned choreographer and artist William Forsythe has just unveiled his latest “choreographic object,” an old municipal market space filled with hundreds of suspended pendulums that swing in timed sequences. As visitors move through the space they are forced to duck, dodge, and dart through the rows of swinging weights resulting in an impromptu dance. Forsythe is known for his unique blend of choreography and artwork where the viewer often becomes a participant in his interactive installations." text via Colossal

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http://vimeo.com/94638603

Art History revised by Cesar Santos

Cuban-American artist Cesar Santos modernises academic art styles and techniques through witty compositions that juxtapose elements directly borrowed from canonical art pieces with his own, contemporary imagery. If you follow us carefully you might remember his previous set from Top 2013 Artistsvia

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Giant Flowers by Tiffanie Turner

"Spanning nearly three feet wide, these giant fluffy flowers were crafted from paper by San Francisco-based artist and architect Tiffanie Turner. Because of the massive scale of each piece a single flower can take upward of 35-80 hours to assemble from crepe paper."

My work in paper stems from my background as an architect, particularly my interest in how things are made and the use of repetitive elements, along with my lifelong obsession with flowers and botanical drawings. The exploration of scale plays heavily into everything I do, and the organized chaos and rhythms in nature make the heads of flowers an excellent case study for me.

via Colossal

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