BLN LOV by Simone Hutsch
Berlin is a city in Germany that never stands still. This surrealistic series of Simone Hutsch features a mix of popular pre-and post-war buildings.
Berlin is a city in Germany that never stands still. This surrealistic series of Simone Hutsch features a mix of popular pre-and post-war buildings.
The Guardian is a free interpretation of the parable "Before the Law" from Kafka's book "The Trial". A peasant after traveling the world arrives in front of a gate, controlled by a fearsome Guardian. The peasant tries to pass through but the Guardian denies him entrance. Peasant and Guardian are the same character, the peasant, like each one of us, in front of his own fear; the guardian, something shapeless, that surround and control him. The Door/Gate the possibilities we encounter during our life.
Fons Americanus is a 13-metre tall working fountain inspired by the Victoria Memorial in front of Buckingham Palace, London. Created by artist Kara Walker for the 2019 Hyundai Commission, it is one of the most ambitious installations in Tate Modern's Turbine Hall to date.
Rather than a celebration of the British Empire, Walker’s fountain explores the interconnected histories of Africa, America and Europe. She uses water as a key theme, referring to the transatlantic slave trade and the ambitions, fates and tragedies of people from these three continents. Fantasy, fact and fiction meet at an epic scale.
Based in New York, Kara Walker is acclaimed for her candid explorations of race, sexuality and violence. She is best known for her use of black cut-paper silhouetted figures, referencing the history of slavery and the antebellum South in the US through provocative and elaborate installations.
Fons Americanus is on display at Tate Modern until 5 April 2020. You can explore the artwork in more detail on @tate
Explore colourful and texture-rich illustrative universe of Kentish artist Eve Lloyd Knight
Lucy Sparrow strikes again. After her successful show of felted and knitted grocery store “8’ Till Late” that sold out in a few days she’s back with a new pop-up shop “Delicatessen on 6th” with a lot of felted and knitted fresh food, seafood and other veggies we adore so much! Head to Rockefeller Center, NYC to grab your piece of art for the affordable price. The project is the biggest activation to date in Art Production Fund’s “Art in Focus” public art series.
Opened through October 20, 2019
“A 2019 graduate of the Royal College of Art's MA in Design Products, Giovannoni designed the soft silicone headphones to improve upon current bone-conduction audio technology.”
Like other bone-conduction headphones on the market, his design bypasses the eardrum and conveys sound as vibrations through the bones of the skull, directly to the cochlea — the "hearing" part of the inner ear.
Unlike any other device on the market, it does so via waterproof speakers that are fully immersed in liquid and then sealed in a pliable membrane. This membrane sits against a person's skin, transmitting sound vibrations through touch.
Read more on @dezeeen
Two brothers JP and Mike Andrews settled on a life-changing trip leaving harsh UK life behind and spent a year in a wild Australian main lands. They continued hunting extraordinary among ordinary around the world making their aerial photography a masterpiece of composition caught in time.
Marcus Chaloner is a Art director and motion designer working at FutureDeluxe in London but what we adore most is his personal CG works he shares on Ello profile
How do you feel when you see a synthetic version of yourself?
In Future You, you are faced with a unique reflection of your potential, synthetic self. Starting as a primitive form, it learns from your movements to adapt, suggesting an agile, superior version of you. This artwork evolves, creating a new visual response for each visitor, generating 47,000 possible variations.
Commissioned by The Barbican, London for the entrance of the exhibition AI: More Than Human, open 16 May through 26 August 2019.
Creative Director: Matt Pyke
Creative Technologist: Chris Mullany
Realtime Look Development: Adam Samson
Sound Design: Simon Pyke
Exhibition Designer: Tonkin Liu
Studio Manager: Simon Thompson
Executive Producer: Ben Young
Commissioned by The Barbican, London
New work from Chris Labrooy. The irreverent meets the sublime in this animated short film that follows an all star automotive cast from around the world. Elegant british classics mixed with Inflatable german auto’s and chopped up American metal
Talented British illustrator Sam Chivers shows off his skills by sharing commercial and personal projects
Carpet as landscapes, and landscapes as carpets. A new film for DESSO directed by Thomas Traum as part of their “HUMAN FASCINATION” campaign. Four types of carpets were matched to four landscapes with four characters exploring these landscapes. Additionally, CG artefacts provide a visual link between both worlds, the carpets and the landscapes.
As a part of new season campaign for London Symphony Orchestra, duo Alexa Sirbu and Lukas Vojir created a film driven by motion capture of Sir Simon Rattle. Expressing the enormous power and complexity of the orchestra and tracing it back to a single seed.
Talented illustrator and art director Joe Kibra creates unforgettable black and white illustrations using contrast forms and stripes as a main visual tool
We’ve been following Lee’s carrier path since his debut on London Design scene more than 10 years ago. Attracted by the way he works with light and materials we can’t skip his recent milestone “a whirlwind tour of the Indo Pacific with Space Furniture, his exclusive retailer in Australia, touching down in Singapore, Australia, and New Zealand“
“And so 2019 marks Lee Broom’s second visit to Australia, and the Park Life installation sees it become an unforgettable moment in time for all”
“Conceptually, Park Life draws on the very British history of the Pleasure Garden, at its most popular in the 18th century. According to Lee, they were typically places for the aristocracy and the middle class to see music, art, fashion and dine and drink. Like an architectural display, they were designed with miniature waterways, mazes and pagodas. Although it was a period of high culture they became infamous for facilitating debauchery.” - continue reading on @habitusliving
London-based illustrator Stuart McReath was commissioned to create posters for new season of Santa Fe Opera
“Biff is a multi-faceted illustrator, designer and creative personality. A limitless imagination and diverse skill-set not only enable him to champion a brief but also stand him in great stead for generating impulsive projects and original ideas. His relaxed yet distinctive and on-point style has won him clients from all over the world, and his ever-expanding use of new tools and media is a testament to his versatility and professionalism. Inspired by every aspect of the world around him. Biff's creations are fresh, current, comedic and instilled with immeasurable character." - Emily Beeson, Young Gold Teeth.
As a small tradition we share the most beautiful New Year Countdown Firework that’s taking place in London every year. “London is Open” is a new campaign for this multi-cultural melting pot went as a red line during the show last night.
Butler is a Nigerian born, London based multidisciplinary artist whose practice focuses on the intentional removal of informational excess through a subtle, minimalistic approach. His work fixates on the significance of clarity in content, while upholding an uncompromising attitude towards achieving figurativism in a minimalistic art form. Butler grasps at the purity of objects in their rawest form, depicting just how possible it is to dissect the physical personality, without eliminating the elementary aspects of allure that many contemporary individuals relate to.
FIRMAVERA is the artistic practice of Natalia Romanova, based in London. Her product design ethos stems from her soviet childhood’s constructivist heritage and her experience as an industrial designer. She is influenced by an appreciative knowledge of engineering and industrial processes as well as the radical honesty of utilitarian and brutalism architecture.
The unpretentious beauty found in these disciplines informs her artistic practice which expands into experimentation through shape and perception. The frequent use of ceramics is a suitable canvas to convey a truthfulness to material while elevating the functional aesthetic into objects that are celebrations of that raw utopian vision.
Exposed overstructures, pattern repetitions and modularity hint at mass-production techniques and a brutalist rejection of ornaments. Ethical and functional intentions incidentally become malleable materials. The objects of FIRMAVERA are therefore playing with the notion of form and function, reconsidering their relationship in order to question the traditional norm of beauty.