3rd Wave of Inspiration
Since 2003
First floor - Kitchen and Dinning area
London-based LLI Design lead by Linda Levene recently completed a total redesign and refurbishment of a 7 storey townhouse in Highgate, a leafy and desirable part of the city.
First floor - Kitchen Island
Kitchen, Fireplace + Chaise + Joinery Unit
The owners wanted to create a new environment; they liked the idea of having a contemporary house and agreed that the house lent itself to this, however they were concerned that contemporary design could be cold and impersonal.
3rd Floor - Formal Living Room
The brief was to create a contemporary family home, not in a stark clinical sense, but rather, colourful and practical. The key to the overall success of the design was to re-think the dynamics of all the spaces and change the existing layouts to provide a design and flow which responded to their brief. The family had a large collection of vintage travel posters that they wished to display prominently around the house.
4th floor Bedroom
4th Floor - Bespoke Red Lacquer Bed Detail
5th Floor - Master - Dressing - Ensuite
By changing the dynamics of the spaces involved we maximized the available space creating a contemporary, but colourful, warm and inviting home; with a harmonious feel as you move up the house, but with each floor having its own character. As with the majority of LLI Design’s projects, the construction, joinery, home automation and landscaping were carried out by our in-house vertically integrated teams - Pegasus Property & Pegasus Automation.
"Above Below Beyond" is an ongoing solo exhibition at The Fergusson Gallery of Scottish photographer Janeanne Gilchrist (Staunch Industries). Her work explores the world under the waves and man's relationship with the sea. With strong themes of folklore, fantasy created from man-made waste, dive with Janeanne into my subconscious mind to find a deeper meaning of life. Freediving in various locations in the Scottish seas for the last 10 years, she has discovered a beautiful new world where gravity doesn’t apply and everything is in constant flux.
London-based, LA-heart'ed director, producer, writer and speaker Kinvara Balfour (we met her once at V&A) launches the ongoing film project:
Shot exclusively on iPhone and broadcast on YouTube, the videos are designed to represent the lives of visionary individuals in a format that suits the habits and expectations of viewers in our digital age.
Kinvara Balfour and Josh Ostrovsky
"The visionaries featured in the series come from all walks of life: there are fashion and accessories designers such as Manolo Blahnik, Mary Katrantzou and Stephen Jones; beauty entrepreneurs such as Charlotte Tilbury; and creative talents such as the set designer Es Devlin, the screenwriter Peter Morgan and the photographer Charles March." text via Town&Country Magazine
Manolo Blahnik
Kinvara Balfour and Nick Jones
The first six episodes of the series went live on Kinvara Balfour’s YouTube channel today, with further films released thereafter on a bi-monthly basis.
Guy behind "Hate Mail" and "quintessentially English" artist Mr Bingo (he once called us the peniscollector) is back again with his new Advert Calendar for December 2017. Same as last year approach, Mr Bingo called for the internet to crowdfund his new calendar with a simple challenge “NUDES WANTED, would you like to feature in my 2017 advent calendar?"
“Sorting through the applicants was a big job, I spent about 4 days stalking the 260 people online, looking for images of them and made a big spreadsheet of every single person, where they were in the world and a brief description of what they looked like. Then I somehow whittled it down to 25 people, trying to get as many different types of people represented.”
"Exuding a Renaissance aura and staring at the distance with haunted eyes, Pippa Young’s characters are born from a jumble of influences, the most notable of all being photographic imagery. The British artist’s characters, often young girls resembling art historical figures, seem displaced in time. Posing against unadorned backdrops and separated from imposed narratives, Young plays on the ambiguity of the figures, leaving us to construct our own stories and interpretations of each one."
"We can now reveal our Christmas advert - the tale of true Christmas spirit - with our favourite Paddington Bear", M&S, London 2017
Room divider by Nathalie Schwer, Bruno Mathsson daybed & chrome floor lamp from Jacksons, rug from Conran, coffee bean table by McCollin Bryan, chairs from Else Schneider, painting by Michael Wall, wall lamp by Frama
The Cereal Abode is as much an investigation of space, form and colour, as it is an opportunity to create a beautiful, functional living space. Created in partnership with Greenwich Peninsula (architect Santiago Calatrava) and Aucoot, Cereal Magazine has styled the interior of a new duplex penthouse, which is for sale on Greenwich Peninsula – an area of London undergoing a cultural transformation
Painting by Michael Wall
Living & dining room
London-based FutureDeluxe were approached by Wacom & Iris London to create a self-initiated art film with an open brief. The result is a surreal and experimental art piece combining woman and bird to tell a beautiful visual story within an imaginary world of intricate colour and detail – Plume.
New York-based, British artist Anthony McCall practices in the fields of film, installation, sculpture and drawing.
Anthony McCall. "Long Film for Four Projectors" (1974). Installation view (2003). Photograph: Hank Graber.
Light Show at Hayward Gallery, London. Photo by Linda Nylind. 27/1/2013.
Anthony McCall. “You and I Horizontal” (2006). Installation view at Institut d’Art Contemporain, Villeurbanne, France (2006). Solid light installation. 50-minute cycle in six parts. Computer, computer script, video projector, haze machine. Dimensions variable. Photograph: Blaise Adilon. Courtesy Sean Kelly Gallery, New York.
Anthony McCall. "Between You and I" (2006). Installation view at Peer/The Round Chapel, London, 2006. Vertical solid light installation. 30-minute cycle in two parts. Computer, QuickTime movie file, two video projectors, two haze machines. Dimensions variable. Photograph by Hugo Glendinning. Courtesy Sean Kelly Gallery, New York.
Anthony McCall. “Face to Face” (2013). Installation view at Sean Kelly Gallery, New York, 2013. Photograph by Jason Wyche.
Ahead of the launch of Maxim Zhestkov’s first digital edition on Sedition, Elements, this October 2017, they interviewed the visual and motion graphic artist from his studio in Russia to discuss his surreal animations, his approach to his own work and its subsequent reception.
Elements is an experimental video work by Maxim Zhestkov, which explores nature, physics, art and love through digitally animated ‘particles’ or ‘elements’. More than two billion particles, governed by tensions and forces influenced by those occurring in nature were used to replicate the motion of collective behaviour. As well as patterns of motion, the particles tell stories and evince emotional responses.
The film is a trial by the artist to explore the idea that everything around us and inside us is made from simple elements or blocks, which can be arranged in complex relationships and become compound structures. It demonstrates that there is a relationship between the tiny and individual, and the enormous and multiple. The ideas the work explores brings together emotions, behaviours, thought processes, relationships, life, planets and the universe.
Our friend "Anna Radchenko and Edgar Dubrovskiy team up to bring to life this sombre yet vibrant film. Encompassing rhythm and beauty, the scene is set around Jessica Louise transformed by the smooth makeup of Yulia Yurchenko. Haunting and unforgettable, the poetic composition is round off with comely muted styles by Hiroshi Goto and Dior under the supervision ofCamille Marchand." via Shön!
As OFFF "On Tour" Festival made his first successful step in the hot spot of creative scene - London, one of the best motion design studio FutureDeluxe took care of OFFF London Official Titles
Titled ‘The Spirit Of Ecstasy’, the artwork is a collaboration between the unnamed model, Chemical X and artist Schoony. According to the press release, “the British model and actress, who is a fan of Chemical X’s and already collects his work, has been identically recreated – as a hyperreal silicone and fibre glass model.”
The model was digitally scanned “posing in position with her hands and feet life cast” with her head and body 3D printed in order to make the silicone sculpture. This was then suspended into five sheets of acrylic “surrounded by a halo of 7,254 meticulously hand placed pills.” See images of the artwork below.
"Housed in what was once Cape Town’s tallest building is the newly unveiled Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), created by London-based architect Thomas Heatherwick. The institution’s 80 gallery spaces were converted from 42 historic grain silos, storage units which were once used to hold and grade maize from all over South Africa"
"Heatherwick Studio transformed the tightly packed tubes into open areas of contemplation, carving out various oblong shapes to make room for large social spaces and lots of light from overhead windows. Heatherwick wished to clear out large spaces for the galleries, however he was also careful about not eliminating the tubular structure of the building completely."
“We realised we needed to do something that your eye couldn’t instantly predict. Our role was destructing rather than constructing, but trying to destruct with a confidence and an energy, and not treating the building as a shrine.”
"Currently hidden away in the City of London’s landscape of glass and concrete is a vibrant and squishy celebration of playfulness in the form of Villa Walala. The latest creation by textile-designer turned installation artist Camilla Walala opened on Saturday as LDF’s Landmark Project, and will remain open until 24 September." - Ruby Boddington @ It's Nice That
“I wanted to create something that played to this idea of escaping the office and letting off steam, but which was also a surprising contrast to the architectural context – something colourful and playful that would make the people of Broadgate stop and smile”
Walala was chosen by London Design Festival’s headline partner British Land to create this year’s Landmark Project to celebrate the 15th anniversary of London Design Festival
During UK bank holidays on 25th of August Designcollector Network ran a successful exhibition that explored intersections digital and physical forms - "Phygital" in art, featuring 50 Artists working in the field of near-future terms. This year's theme was "Cyberia - the Unknown Territories shaped by the Digital Ethnos" encourages artists to reflect on the concept of the newborn digital-native that is changing our common value systems.
Digital Decade 5 went on 25 - 27 August at Ugly Duck, London
For the 5th Edition we were lucky to collaborate with 3 huge online platforms working in the fields of Digital Art and representing the majority of online artists. If you are looking to promote your body of work, please consider this platform as a kick starter of your career
Ello is The Creators Network, a socially-powered publishing and collaboration platform supporting a global community of artists. Founded in 2013 by a small group of art & design professionals, Ello provides a creative oasis for artists and their fans while empowering artist x brand collaboration via our Artist Invites program.
Designcollector is proud to have Curioos as a retail partner. They are printing all artworks for Digital Decade 5. Curioos is a curated marketplace of lifestyle products designed by independent artists. It’s the one-destination for graphic artists to profit from their creativity by selling their artworks on high-quality, everyday products such as wall art, apparel and accessories.
Delivering Video Art challenge and showcasing selected artists on “Sedition digital Frames” at Digital Decade 5. Sedition Art is the world’s leading online platform for artists to display and sell their art in digital format for connected screens and devices. Sedition offers everyone an easy, enjoyable and social way to experience art-collecting at affordable prices. The company was founded by Harry Blain, the owner of Blain|Southern. The mission of Sedition is to change the art world by introducing a marketplace for collecting and trading art in the digital age.
Photos are taken by Antony Kitson
Sedition and Designcollector are delighted to announce the winners of the Digital Decade open call for video artworks.
During July 2017, artists working with the moving image submitted their responses to the theme ‘Cyberia’ to an open call co-ordinated by Sedition and DesignCollector Network.
85 artworks were submitted by artists whose work responds to the geopolitical, environmental and social changes which are taking place, and will take place, as a result of the increasing influence of digital practices worldwide.
Five artworks were chosen for exhibition in Digital Decade 5 organised by DesignCollector Network, which takes place from 25-27 August. Digital Decade 5 will combine works from a range of media including print, video and VR to look to the digital future.
Markos R. Kay is a digital artist, director and lecturer with a focus on art and science. He is best known for his video art experiment aDiatomea (2008), exhibited at Ernst Haeckel's Phyletic Museum, and for the generative short The Flow (2011), which can be seen in an episode of the TV series, Breaking Bad. His art and design practice ranges from screen-based media to projection and print. Kay’s work can be described as a series of experiments using generative methods which explore and abstract the complex worlds of molecular biology and particle physics.
Created as a series of virtual experiments, Quantum Fluctuations shows the complexity and transient nature of the quantum world, which is impossible to observe directly.
Joëlle (b. 1982) is a South African designer and visual artist whose work is focused on exploring the connection between sound and form. Her creative process is led by experimentation and emotion and she considers her output a reflection of her environment and state of mind.
Her works range from music videos and generative graphics to live real-time visuals and are constructed of computer generated imagery and audio responsive elements that result in moving images largely sculpted by sound.
Turmoil explores themes of fragility and desolation. A longing for a world untouched and unbroken.
Yoshi Sodeoka is an artist from Yokohama, Japan, who’s lived in New York for more than two decades. Sodeoka’s neo-psychedelic work with video, GIFs and print simultaneously inhabits the world of fine art, music (he’s collaborated with bands like Psychic TV, Tame Impala, Yeasayer, Beck, The Presets), publications (creating art prints for New York Times, Wired Magazine, San Francisco Magazine, Entertainment Weekly), and advertising (developing projects with brands like Apple, Samsung and Nike). Sodeoka’s work has been shown all over the world, from Centre Pompidou, Tate Britain, Museum of Modern Art, Deitch Projects, La Gaîté lyrique, Channel 4 Random Acts UK, Baltimore Museum of Art, OneDotZero, Sonar Festival, Transmediale, Whitney Museum of America's Art Artport. His artworks are in the permanent collections of Museum of the Moving Image as well as the San Francisco Museum of Modern Art. Sodeoka’s experimental video art collective, Undervolt & Co, was founded in 2013.
When Hell Freezes Over is a time-based realization of the print triptych and consists of composited elements which capture the cycles of nature. The seasons are rendered as emojis as the work flits between Bosch’s famous painting and digital culture at its most recognizable and ubiquitous. When Hell Freezes Over is both a humorous mash-up and reflective comparison of Bosch’s iconography and Emojis, the virtual sign/symbols of the present century.
Overlap's Nearfield appears as a moving piece of audiovisual abstraction rendered in a palette of mostly whites, occasionally interrupted by nuances of new colours which add a subtle warmth to an otherwise icy ambience. As the visuals unfold, Overlap’s polyphonic soundtrack produces a series of alien vibrations, evocative oscillating disruptions which carry the shifting shadows across the screen. As hypnotic as they are haunting, Nearfield creates a view into an isolated and entirely abstract world in which detail appears to have been replaced by impenetrability and ambiguity. As with other works from the Glide collection, Nearfield appears to delve into our psyche, relating experienced dreams to realised abstractions.
"Like the loop-de-loop scribbles of a child, artist Jung Lee (previously) constructed a series of neon light sculptures that were installed and photographed against cinematic landscapes as part of her series titled “No More“. "
Jung Lee was born in 1972 and currently lives and works in Seoul, Korea. She received her M.A. in Photography from the Royal College of Art, UK and her B.A. with honors in Photography from Kent Institute of Art & Design, UK. She received a B.A. with honors in Mass Communication & Journalism from Kyung Hee University in Seoul, Korea. She most recently participated in 2012 Daegu Photo Biennale, the Incheon Women Artists Biennale, the 2010 Gwangju Biennale “10,000 Lives” under the direction of Massimiliano Gioni, the contemporary Korean photography exhibition “Chaotic Harmony” at the Museum of Fine Arts (Houston). She has also shown at the Seoul Museum of Art and Gwangju Museum of Art. She will participate in the upcoming Esslingen Foto and Media Triennale. via ONE AND J. GALLERY
Matthew Stone is an artist and shaman. These two interconnected roles are defined by his activities as painter, photographer, sculptor, performance artist, writer, Optimist and cultural provocateur.
“Optimistic thought without action will not fix broken systems. In fact pitching optimism as the primary means of self-actualisation for those facing genuine adversity can be a patronising tool of oppression. By-your-bootstraps philosophies tacitly reassert the toxic idea that inequality arises from the attitudes of those who are oppressed rather than the systemic violence enacted upon them.”
Stone’s most recent body of work demonstrates an innate enthusiasm for the development of painting within the framework of art history. The new works, use 3d modelling software and paint to break with the history of painting on a flat surface, lifting the strokes into a virtual and free space. The addition of shadows and foreshortening creates an illusionistic - trompe l’oeil sense of depth and perspective within the canvases. He organises and examines complex statements in regard to the relationship between painting, photography & computer generated imagery disrupting the holy status of painting as the ‘cosmic flesh’ of art history whilst simultaneously pushing the visceral experience of paint forward. The series offers a new technical approach to traditional painting, showing diverse bodies at play and in conflict.
