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Fleeting Parts: Milena Naef Plays with Marble and Skin

September 22, 2017 by Arseny Vesnin in Art, Netherlands, Portfolios, Sculpture, 2017

In Amsterdam-based, Milena Naef’s new series, “Fleeting Parts,” sections of her body fill tailored empty spaces in expertly cut-out marble. Creating these pieces was a process as carefully mentally planned to fit her exact measurements, as the designing and stitching of an exquisite couture silk dress might be. But whereas the dress will disintegrate with time, the marble slab, with its custom-designed sections that Milena's body - and hers alone - fill will last “forever.” Even if it is just for one fleeting moment. And it is with that defining moment, she demonstrates, in a tangible way that the relationship between an existing structure and the human form, transform “the mental into physical to find a new relation between the two.” - via Yatzer

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@milena_naef
September 22, 2017 /Arseny Vesnin /Source
SEP
Art, Netherlands, Portfolios, Sculpture, 2017

Villa Walala at London Design Festival

Villa Walala
September 19, 2017 by Arseny Vesnin in Art, United Kingdom, Sculpture, 2017

"Currently hidden away in the City of London’s landscape of glass and concrete is a vibrant and squishy celebration of playfulness in the form of Villa Walala. The latest creation by textile-designer turned installation artist Camilla Walala opened on Saturday as LDF’s Landmark Project, and will remain open until 24 September." - Ruby Boddington @ It's Nice That

“I wanted to create something that played to this idea of escaping the office and letting off steam, but which was also a surprising contrast to the architectural context – something colourful and playful that would make the people of Broadgate stop and smile”
— Camille Walala

BAAAAAAM 💥💥💥💥 The VillA Walala is finally launching today for @l_d_f_official ❤️🌈🙌🏼💛 Huge thank you to @broadgatelondon @britishlandplc for the amazing opportunity @govisualltd for the floor vinyl 🙌🏼❤️ -------- @juliajomaa_ and @ioana_lupascu @jessmeyer__ for working by my side and make it all happen ❤️❤️❤️❤️ The @_zetteler_ Family for being the best creative agency. And @lemonheadprints for the beautiful deckchAirs!!❤️💛💚💜💙

A post shared by 🔵⚫️〰⭕️ (@camillewalala) on Sep 16, 2017 at 3:46am PDT

Walala was chosen by London Design Festival’s headline partner British Land to create this year’s Landmark Project to celebrate the 15th anniversary of London Design Festival

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@camillewalala
September 19, 2017 /Arseny Vesnin
British, SEP
Art, United Kingdom, Sculpture, 2017

Very Still Life by Roni Landa

August 21, 2017 by Arseny Vesnin in Art, Israel, Sculpture, 2017

"Very Still Life" is a series of clay sculpture created by Tel-Aviv artist Roni Landa depicting veggies in a totally "carnivorean" way

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@roni_landa
August 21, 2017 /Arseny Vesnin
AUG
Art, Israel, Sculpture, 2017

Fauxdega by Lucy Sparrow

July 04, 2017 by Arseny Vesnin in Art, United Kingdom, Portfolios, Sculpture, 2017

For her US solo exhibition debut, artist Lucy Sparrow opened a pop-up convenient store at the Standard, High Line Hotel. “Handmade in Manhattan: 8 Till Late” is a ‘fauxdega’ that features 9,000 handmade felt products that are all available for sale.

 

Sparrow transformed the 1,200 sq ft space into an exact convenient store replica with food, books, drinks and household products. The exhibition was intended to run from June 5 – June 30, but due to overwhelming demand—all of the products were sold, shelves were emptied and the store closed 9 days early on June 21. Sparrow even closed the store for 3 days midway through the show’s run to restock the shelves but was still unable to meet customer demand.

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@sewyoursoul
July 04, 2017 /Arseny Vesnin
JUL, British
Art, United Kingdom, Portfolios, Sculpture, 2017

"Wreck" by Jordan Griska

June 29, 2017 by Arseny Vesnin in Art, Portfolios, Sculpture, 2017

Life-size sculpture "Wreck" by Jordan Griska is a perfect replication of a Mercedes Benz S550 car constructed from thousands of polished steel mirrors. The Brooklyn-based artist echoes the themes of F.S.Fitzgerald's Gatsby juxtaposing the efflorescence of luxury with brutality of wreckage

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@jordangriska
June 29, 2017 /Arseny Vesnin
JUN
Art, Portfolios, Sculpture, 2017

HI-RES by Romulo Celdran

June 19, 2017 by Arseny Vesnin in Art, Sculpture, Portfolios, Spain, 2017

Imagined and executed by Madrid-based artist, Rómulo Celdran, the artworks entitled HI-RES, are divided into three distinct categories: Solid, Voxel, and Mesh. The goal of HI-RES for Celdran is to emphasise the artist's undying preoccupation with the ever-evolving and limitless possibilities of the 3D virtual world. As the artist explains, its the 3D world's "capacity and plasticity as a valid reference for pictorial and sculptural creation."

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@romuloceldran
June 19, 2017 /Arseny Vesnin /Source
JUN
Art, Sculpture, Portfolios, Spain, 2017

Porcelain busts of Juliette Clovis

May 19, 2017 by Arseny Vesnin in Art, Sculpture, France, 2017

Bordeaux-based artist Juliette Clovis is back soon after her latest "Porcelain Eggs" series with new 4 Women Busts «Mechanitis Polymnia»,  «Millipora», «Black Baccara» and «Sternocera». This last piece was made by the artist during a residency program at The Insect Museum of Nedde (France). More than 500 jewel beetles’ wings were necessary to make this stunning piece where the incredible colours of these wings strongly contrast with the pureness of the porcelain biscuit.

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P.s. Note that jewel beetles wings are a product of leftovers from Asian restaurants, they sold it on special fairs to artists like Jan Fabre etc.

@julietteclovis
May 19, 2017 /Arseny Vesnin
MAY
Art, Sculpture, France, 2017

Fast Food in Marbles by Robin Atar

May 08, 2017 by Arseny Vesnin in Art, Portfolios, Sculpture, USA, 2017

Robin Antar known for her hyper realistic recreation of American legacy - fast food in stones. Her quality of the work lead to the official letter from U.S Gov saying she cannot copyright her work because it to closely resembles famous products.

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@robinantar
May 08, 2017 /Arseny Vesnin
MAY, American
Art, Portfolios, Sculpture, USA, 2017

Monumental sculpture ‘Lucie’ by David Mesguich in Poznan

April 24, 2017 by Arseny Vesnin in Art, France, Portfolios, Street Art, Sculpture, 2017

French artist David Mesguich has been pushing the boundaries between street art and fine art by creating monumental geometric sculptures that he puts within urban settings. For his most recent project, the artist created a ten meters high sculpture called ‘Lucie’ representing a little girl drawing a sun in the sky that has been installed in Poznan, Poland. 

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@us_r79
April 24, 2017 /Arseny Vesnin
APR
Art, France, Portfolios, Street Art, Sculpture, 2017

Xooang Choi on the Human Anatomy

April 21, 2017 by Arseny Vesnin in China, Sculpture, Portfolios, 2017

"Surreal and hyper-realistic, these seemingly contradictory traits have become the signature aesthetic of Xooang Choi‘s sculptures. His approach of incorporating anatomically correct human features – which have all been crafted with excruciating attention to detail – onto his nightmarish creations make each sculpture that much more harrowing. From the head of a Great Dane sewn onto the neck of a life-sized man to a pair of wings formed by disembodied hands, the South Korean artist seems to know no bounds in deforming and contorting familiar human bodies and body parts into deeply disturbing works of art. But through invoking discomfort, Choi’s goal is to draw attention to important societal issues such as human rights, discrimination, and isolation. Scroll down and see more of Choi’s haunting sculptures below."

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@xooang
April 21, 2017 /Arseny Vesnin /Source
APR
China, Sculpture, Portfolios, 2017

Elise's Phygital Objects

April 17, 2017 by Arseny Vesnin in Art, United Kingdom, Sculpture, Portfolios, 2017

Elise is an artist engaged with the shape and form of objects in space. Her sculptures are a giddying mix of surface, mass and volume, situated precariously on the verge of physical impossibility. Pushing materials to the edge of realism, she interrogates notions of materiality, duration and process. Her sculptural language borrows from the industrial and the vernacular. Simultaneously tangible and metaphysical, the compositions project across space, unfurling anthropomorphically upwards, or pushing outwards in repeated gestures of automated reproduction. 

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@elise.artist
April 17, 2017 /Arseny Vesnin
APR
Art, United Kingdom, Sculpture, Portfolios, 2017

Sculptures by Jaime Pitarch

April 11, 2017 by Arseny Vesnin in Art, Spain, Portfolios, Sculpture, 2017

Jaime Pitarch creates sculptures, drawings, videos and installations often using humble everyday objects such as a guitar, chair, or household and consumer products. He employs inventive strategies of displacement, re-contextualization and visual punning to peel away at their routine uses and meanings to alter our relationship with such utilitarian items.

Pitarch describes his work as mainly having “… to do with the human being’s inability to identify with the structures he himself has created.” Having been stripped of their functionality, we are free to view them in the alternative narratives the artist provides.

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April 11, 2017 /Arseny Vesnin
APR
Art, Spain, Portfolios, Sculpture, 2017
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Treasures from the Wreck of the Unbelievable: Damien Hirst

Palazzo Grassi
April 07, 2017 by Arseny Vesnin in Art, Italy, United Kingdom, Sculpture, 2017

"In 2008 the wreck of a treasure ship called the Apistos (meaning “the Unbelievable”) was found on the seabed off east Africa. It sank about 2,000 years ago. Its unique cargo of global artefacts, assembled by a freed slave called Cif Amotan II, have spent two millennia undergoing a “sea change” straight out of Shakespeare’s Tempest, becoming wrapped in coloured corals and bizarre crustacean growths - until the archaeologists who found this sunken marvel asked Hirst to use his millions to help recover it."

"If you believe that, you’ll believe anything. The curators who told this bit of hokum straightfaced at the start of the press view deserve bonuses, if Hirst has not yet bankrupted himself creating this luxury masterpiece. " The Guardian

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Photographed by Christoph Gerigk
© Damien Hirst and Science Ltd.

 

The elaborate backstory is slightly undercut by the fact that the fake relics include not just historical references, but the faces of Pharrell, Kate Moss, Rihanna, and Die Antwoord singer YoLandi Visser, not to mention Mickey Mouse.

Sphinx by Damien Hirst. Photograph: Miguel Medina/AFP/Getty Images

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Photographed by Prudence Cuming Associates © Damien Hirst and Science Ltd. All rights reserved, DACS/SIAE 2017.

‘Treasures from the Wreck of the Unbelievable’, April 9-December 3, Palazzo Grassi and the Punta della Dogana, Venice; palazzograssi.it

Photographed by Christoph Gerigk
© Damien Hirst and Science Ltd.

Skull of a Cyclops and Skull of a Cyclops Examined by a Diver. Photograph: Prudence Cuming Associates © Damien Hirst and Science Ltd.

Photography from exhibition by Rita Bamburova

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damienhirst.com
April 07, 2017 /Arseny Vesnin /Source
APR, British
Art, Italy, United Kingdom, Sculpture, 2017

Hyper Realistic Sculpture by Sarah Sitkin

April 03, 2017 by Arseny Vesnin in Art, Sculpture, Portfolios, USA, 2017

Sarah Sitkin is a Los Angeles based contemporary artist delivering hyper realistic and somewhat provocative art. Her sculptural works are made in wide variety of media including but not limited to silicone, clay, plaster, resin, and latex. 

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@sarahsitkin
April 03, 2017 /Arseny Vesnin
APR, American
Art, Sculpture, Portfolios, USA, 2017

Forbidden Fruit by Chris Antemann

March 24, 2017 by Arseny Vesnin in Art, Portfolios, Sculpture, USA, 2017

"In 2012, Oregon-based sculptor Chris Antemann was invited to participate in artCAMPUS®, the art studio program of Germany’s renowned MEISSEN® Porcelain Manufactory. The program enabled Antemann to collaborate with Meissen’s master artisans on unique pieces and a series of limited-edition sculptures, resulting in a grand installation that reinvents and invigorates the great porcelain figurative tradition."

"Using the Garden of Eden as her metaphor, Antemann created a contemporary celebration of the 18th-century banqueting craze. Inspired by Meissen’s great historical model of Johann Joachim Kändler’s monumental Love Temple (1750), the artist sculpted her own 5-foot version."

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Read More on Juxtapoz
March 24, 2017 /Arseny Vesnin
MAR, American
Art, Portfolios, Sculpture, USA, 2017

Wood Sculpture by Willy Verginer

March 23, 2017 by Arseny Vesnin in Art, Sculpture, Portfolios, Italy, 2017

Italian sculptor Willy Verginer creates figurative sculptures from wood, pieces that allow his carving skills to stand out with minimal additions of monochrome bands of paint. 

Verginer’s newest work is included in the group exhibition After Industry at Wasserman Projects in Detroit through April, 8 2017. You can see more of his minimally painted sculptures on his Instagram.

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@verginerwilly
March 23, 2017 /Arseny Vesnin /Source
MAR
Art, Sculpture, Portfolios, Italy, 2017

"I Want to Play God" by Cao Hui

March 16, 2017 by Arseny Vesnin in Art, China, Portfolios, Sculpture, 2017

"Fascinated by anatomy and realistic depiction of human organs, the artist divided classical artworks into pieces showing anatomic details that compose their interiors. Believing that the object’s inner side is as important as the surface, Hui challenges the viewers’ expectations towards the classical sculpture. When assembled, the artworks appear to be predictable, traditional sculpture.." text by Monika Mroz, iGNANT

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Cao Hui
March 16, 2017 /Arseny Vesnin /Source
MAR
Art, China, Portfolios, Sculpture, 2017

Traveling Landscape by Kathleen Vance

March 16, 2017 by Arseny Vesnin in Art, USA, Sculpture, Portfolios, 2017
“With the series entitled “Traveling Landscapes”, vignettes of nature are encapsulated within steamer trunks and train cases aged through travel. Displaced elements indicative of natural landscapes are presented in partially opened cases, as to not fully expose the delicateness of what is contained within. Streams and rivers activate the scenes as they course through the landscapes contained within the cases. The illusion of life and growth, illuminated within, reflects the desire to capture a part of nature untouched by humans. Used as a mediation device between the lush pastoral scenes contained within and the harsh actuality of their physical surroundings, the trunks and cases elicit visions of travel, preciousness and possession.”
— Kathleen Vance
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@kathleenvanceart
March 16, 2017 /Arseny Vesnin
MAR, American
Art, USA, Sculpture, Portfolios, 2017

Quayola: Fragments

bitforms gallery nyc
March 13, 2017 by Arseny Vesnin in Art, Sculpture, Portfolios, Italy, 2017

bitforms gallery nyc is very pleased to continue its fifteen-year anniversary season with Fragments, Quayola’s second solo show with the gallery.

Born in Rome, Quayola’s practice is deeply affected by the grandeur and decay of ancient sculptures and Renaissance masterpieces that he encountered at an early age. Architectural façades, objects, and artworks that were once new chip, fade, crack, and break over the centuries. While the perception and reception of distressed frescoes or fractured sculptures is fluid, the work itself remains, containing a multitude of temporal narratives. Quayola translates this experience into his sculptures and works on paper and aluminium, which he presents in the exhibition as “simulated archaeological artefacts.”

Laocoön Fragments is a series of sculptures based on the Hellenistic sculpture Laocoön and His Sons. A paramount example of the Pergamene Baroque style, the work was endlessly copied—beginning in Roman times and through the nineteenth century—both as an artistic training device and due to its sheer popularity. Quayola inserts himself into this tradition with a digitally-driven approach. The artist’s software imagines and renders alternative breakages, fragmenting the work into two distinctive styles: representationally accurate sections and geometric abstractions coalesce into new forms. Made with a unique blend of pulverized iron powder mixed with resin, the sculptures are then chemically treated to cause an accelerated patina effect. The geometric sections are polished and waxed to achieve a smooth, newer appearance, while the representational segments appear oxidized and textured. Thus, the visual contrast between the “past” and “present” becomes more pronounced.

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February 25 – April 9, 2017
March 13, 2017 /Arseny Vesnin
MAR
Art, Sculpture, Portfolios, Italy, 2017

Studio Drift at Armory Show

The Armory Show
March 06, 2017 by Arseny Vesnin in Art, Netherlands, Sculpture, USA, 2017

A magician never reveals her tricks, so maybe that’s why the Dutch design team Studio Drift (Lonneke Gordijn and Ralph Nauta) declined to explain how, exactly, they are making a huge concrete block levitate at next week’s Armory Show in New York

Representatives from Pace Gallery pose with Studio Drift's Ralph Nauta and Lonneke Gordijn, Armory Show director Benjamin Genocchio, and Platform curator Eric Shiner. Photo by the Beckett Mufson, VICE

Titled Drifter, the 5 x 2.5 x 2.5-meter rectangular prism created by Dutch artists Studio Drift was presented by Pace Gallery

A post shared by ArtWise (@artwiseonline) on Mar 6, 2017 at 8:26am PST

 

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A post shared by StudioDRIFT (@studio.drift) on Mar 5, 2017 at 2:53pm PST

@studio.drift
March 06, 2017 /Arseny Vesnin /Source
MAR, American
Art, Netherlands, Sculpture, USA, 2017
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