3rd Wave of Inspiration
Since 2003
Stefan is a graphic designer and digital artist from Münster, Germany. He's been working as a freelancer for international corporations, NGOs and magazines as well as for musicians and startups, for almost 10 years.
CYCLE OF THE SHROOM is Stefan's new baby in the NFT world, showing his love for everything around cyberpunk culture
UK based multi-disciplined published artist Ash White utilising code and math to create digital art. We adore his transformation from contemporary painter and collage artist to NFT digital creator recently
Transylvanian artist Camibus is a visual artist that explores the aesthetic of the human figure, using surreal elements to depict psychological and philosophical themes.
16 months in creation, a piece inspired by LAN internet parties at the time Designcollector just started, released by gifted CG artist Cornelius Dämmrich as an NFT on @Superrare.co
“In 2011 I made a piece called "Ancient Area Network" which depicts a LAN Party in an old building that wasn't anything like the half-timbered house I lived in for many years, but it was my attempt to capture the atmosphere and chaos these gatherings had. I started this cycle 10 years ago with a depiction of a LAN Party and I'm closing it with another. This time with more delpherian touches to it. Mr. Wanderer is back with a whole duffle bag full of connectivity issues.”
“When I was 14, the most common LAN theme we had were birthday and weekend LANs that would go for two days and were never attended by more than 8 people. There was one LAN hosted by a student committee at my Highschool with roughly 130 people attending but that was never the norm for us. Most of us were not (yet) nerdy enough for the demo scene and we were too young and poor to attend the big boy LAN parties in early 2000 Germany.”
“The host’s parents would organize soda, snacks and a hearty alternative ("real food"). Every attendee would arrive half an hour apart and the first third of the night was usually spend with troubleshooting the network ("can anyone see me?","okay, let's all set the same workgroup", etc.), the second third was spend sharing porn, DVD rips, MP3s and games and the last part was either playing actual games or a combination of playing games and re-installing windows on someone’s PC because something broke.”
Tye Martinez is a multidisciplinary artist currently based out of Bellingham, WA. Focusing on the connection between emotions and various art forms, Tye aims to mend the preconceived notion that feeling different is not normal. Speaking of all emotions should not be considered taboo, and art can be such an excellent gateway to help normalise what it’s like to feel down or different.
Saint-Petersburg based digital artist working mainly with self-portrait photography manipulation by delivering new captivating image every week (or at least she promised that :)
Murat Saygıner is a self-taught digital artist who works as a motion designer, filmmaker, photographer and composer presents his new NFT series “Refractions” as an ongoing collection of 4K / 60FPS seamless loops.
Morphing Dreamscapes from a Cosmic Exhibition.
About artist
Born in Prague in 1989, Murat Saygıner got involved with photography and digital art in 2007 and won numerous international awards. As early as 2008, his works were selected for "IPA Best of Show" exhibition in New York and in 2010, he was awarded Emerging Talent of the Year in "The Photography Gala Awards".
He has written, directed and produced several animated short films since 2013 which were screened in over 200 film festivals including Academy Award Qualifying Festivals such as "Animest" and "AIFVF". Six of his films were Staff Picked on Vimeo. In 2019, he assembled ten of his short films under the title of "The Flying Fish" which drew various reviews by acclaimed film critics and received the Vitriol Award as the Best Experimental Film in The First Hermetic International Film Festival in Venice.
A new reality
by Maxim Zhestkov
To celebrate the reveal of the new all-electric BMW i4, BMW invited Russian media artist Maxim Zhestkov to freely interpret the new vehicle, and create a series of digital artworks using the BMW i4 design and technology as his inspiration. The result is a series that is as mesmerising as it is unique.
“I started out studying traditional architecture, but somewhere down the road I came to realise that the 3D software we used for mapping and modelling had so much more potential. It felt like it was being used to create the final product or output, and then… the process was seen as over. It was very finite, and it just didn’t sit right with me. But then I saw that, in fact, the software, if I found a way to use it right, could become much more. It could be used to discover and experiment in ways that didn’t have a goal in itself. It could be the way itself; the means to explore .something new and unexpected.”
Zhestkov describes this realisation as a process of “personal and creative liberation.” By plugging into the ever-evolving and ever more advanced visualisation and rendering software he had available, he was able to explore spatiality, physics, visuals and mathematics in a way he hadn’t thought possible. He quickly became hooked.
Olivier Caron is a freelance director and motion designer who is based in Paris, busy creating outstanding characters filling the digital void of screen nature
3D designer based in the UK, Carla Batley, specialising in creating pieces of work that immerse the viewer in exciting and imaginary worlds. Carla particularly loves to create environments that have an abstract twist.
Nakdtoys is Faheem, a 3D digital artist based in India who likes to create twisted and surreal scenarios with human forms and strange objects
The CG video ROBOTICA by Giuseppe Lo Schiavo is a 58 seconds animation inspired by contemporary theatre, combining elements from ancient greek culture, robotics, and digital art with a photorealistic visual aesthetic. Lo Schiavo is fascinated by some of the greatest masters of contemporary theatre and dance of the late twentieth century as well as by Bill Viola’s video art and Crypto Punks.
Despite robotic figures, the video is all about projecting humanity through technology and is inspired by artists such as Dimitris Papaioannou, Pina Bausch, and Bill Viola.
The performance is divided into three main scenes. They all manifest a particular feature of human socialisation.
The first dancing act is inspired by the idea of humans as a unique collective organism, a group of synergistically interacting organisms of the same species all working for the collective benefit. This view attains liberation from self and individualism.
ROBOTICA official release 30th June on @SuperRare x @AsteCambi
— Giuseppe Lo Schiavo (@GlosArtist) June 28, 2021
#nftdrop #cryptoart #crypto #digitalart #glos #superrare #CryptoNews pic.twitter.com/PUwfEPmXNQ
Opening today the exhibition Dystopian Visions at @AsteCambi curated by @SerenaTabacchi @bruno_pitzalis
— Giuseppe Lo Schiavo (@GlosArtist) June 24, 2021
Happy to be part of this incredible project! #nft #NFTartwork #robotica #NFTs #nftart #nftartist pic.twitter.com/265Yu8hUw2
The second act is about domestication and the epigenetic principle that the environment also shapes part of our DNA. I like to believe that our personal choices and the information we absorb are stored in our epigenome and passed into future generations. So each choice has an impact on our society.
For the final act, the artist staged a procession, a celebration to express belongingness and community inspired by the ancient greek ceremonial Panathenaic festival rituals where people were marching on the streets of the ancient cities with their offerings. In this scene, the robots carry an original Cryptopunk sculpture created by the artist and made of 576-pixel boxes.
About the artist
Born in Italy, Lo Schiavo currently lives and works between London and Milan.
He studied architecture at La Sapienza University in Rome with a specialization in visual design.
Giuseppe Lo Schiavo is an award-winning visual artist based between London and Milan. His research is aiming to create a bridge between art and science. Using AI and machine learning, virtual reality, infrared systems, or microorganisms in the lab, the artist’s research often focuses on opposing elements: creation-destruction, past-future, analog-digital, real-virtual
Moscow-based digital artist Eugene Korolev stretches his imagination and our perception in all possible directions
Ronald Kuang working under Seerlight moniker uses serenity twilight palette to create his magic anime-like dystopian worlds and visual stories
'Bathhouse' ✨🌊
— SeerLight ✨🌙✨ (@seerlight) April 17, 2021
Sorry for the terrible quality. I had to compress it so much for twitter 🥲
Would you want to be spirited away? 👀 pic.twitter.com/2JH8LA5szW
One of my most well known pieces 'Ramen Village' is now available on foundation with reserve bid at 5 eth. Check link below.
— SeerLight ✨🌙✨ (@seerlight) April 22, 2021
This will be my last nft drop for the foreseeable future. #Cryptoart pic.twitter.com/HG6Via1lvp
Dutch-Canadian photography artist Ryan Koopmans continues his ongoing photographic exploration of surreal architecture, structures and megacities around the world with an emphasis on the social and environmental consequences of hyper globalisation. Recently he has teamed up with Swedish artist Alice Wexell to create The Wild Within, a series that brings new life into abandoned buildings from a bygone Soviet era.
“Based on real-world physical spaces, an animated rebirth into a digital realm has been created.
During the Soviet Union, the Georgian town of Tskaltubo was a popular health destination famed for its therapeutic water and luxurious sanatoriums.” - read full interview on Superrare Editorial
Cyril Lancelin develops a hybrid work made up of sculptures, immersive installations, drawings, virtual experiences and videos that forge links between the physical and the fictional.
It is from a plastic vocabulary based on primitive geometry that he links architecture and the human body, the everyday and the functional, the perennial and the ephemeral, science and nature.
He began his career working for architects and artists in Paris and Los Angeles, using 3D modeling techniques and virtual images that he developed in the 1990s.
On a Pedestal
Jam Sutton is a British artist exploring the space between technology and antiquity. Utilising 3d scanning, augmented reality, 3d printing and AI, Jam creates sculptures exploring identity and representations of the body in our digital age.
Honey Dijon
Fragmented frieze (Staring into the Abyss), 2020
Jam Sutton welcomes virtual visitors to ‘Staring into the Abyss’, a show featuring new artworks created in 2020. Displayed in an augmented reality installation, the show is accessible to the public in any location.
Bitten by the decorated statues, there was nothing glistening as temples do, there was chaos, 2020
Jam Suttons’ work explores technology, the human body, figures under tension, struggle and identity through sculpture and digital composites. The new work captures the human body through frantic, chaotic, isolated, fragmented, strong and fragile sensibilities. The exhibition title reflects times of uncertainty and turbulence, facing the unknown.
‘Through Constant Decay’ augmented reality installation featuring 11 new AR sculptures. The sculptures will be released as NFTs on @niftygateway with @ivgalleryla this week
Nastplas are an international creative duo based in Madrid, Spain and formed in 2006 by illustrator Fran R. Learte 'drFranken' and creative director Natalia Molinos 'Na' (together 'Nastplas Team'). Their work combines an impressive range of digital elements and abstract patterns with which they develop elaborate pieces of art with a deeply aesthetic. As many of other artists they are successfully entering NFT marketplace right now
HAVOC, 2021
QUO Horse
DEIMOS
Cameron Burns known as CaptvArt specialises in music album cover art and animation. He's worked with Run The Jewels, Daddy Yankee, summer walker, ACER computers, The Lumineers, Neon trees, The Word Alive, Juice Wrld, MGK and many more. Recently he is into NFT scene doing his drops on Foundation and Knownorigin
SPACE10 is a research and design lab, on a mission to create a better everyday life for people and the planet.
Exploring societal, technological, and environmental shifts likely to influence people’s lives in the coming years, they wanted to visualize the different ways that climate crisis is manifesting itself, through climate stressors.
“To support their different projects and articles relating to the crisis, these visuals will then be used to highlight in a beautiful way, nature we all love and remember.
Our task was to create visualizations of three phenomena: wildfires, floods, and droughts. The focus was on how these processes unfold over time and, eventually, become massive forces that alter entire ecosystems.” - says Media Work
“Visually, we looked for the balance between aesthetically pleasing and alarming — we had to show the phenomena as something important that is happening here and now, although, not to create frightening catastrophic images that would leave the viewer hopeless.” - continues Media Work
