Pacific Light by Ruslan Khasanov

Russian graphic designer Ruslan Khasanov who is probably best known for his experiments in liquid typography just released this experimental video where he plays with the interaction between ink, oil, and soap. Khasanov says he became inspired while cooking with a mixture of oil and soy sauce when he noticed the small black beads begin to form at the bottom of a container. He then began playing with a mixture of ink and soap to create this amazing mix of blue, white, yellow, and magenta. See everything in motion in the video above, and you can see some larger stills over on Behance. via

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http://vimeo.com/71035290

Pacific Light by Ruslan Khasanov

Russian graphic designer Ruslan Khasanov who is probably best known for his experiments in liquid typography just released this experimental video where he plays with the interaction between ink, oil, and soap. Khasanov says he became inspired while cooking with a mixture of oil and soy sauce when he noticed the small black beads begin to form at the bottom of a container. He then began playing with a mixture of ink and soap to create this amazing mix of blue, white, yellow, and magenta. See everything in motion in the video above, and you can see some larger stills over on Behance. via

ruslan-khasanov-4

ruslan-khasanov-3

ruslan-khasanov-2

http://vimeo.com/71035290

New York in Grand Canyon by Gus Petro

Lithuanian-born, Switzerland-based photographer Gus Petro took a trip to America in 2012, in search of something new, and made two contrasting stops—the Grand Canyon and New York City—that has inspired his three-part series known as Empty, Dense, Merge. The most interesting and final installment of the three, Merge, combines the vast bleakness of the Grand Canyon with the bustling density of New York City. via

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New York in Grand Canyon by Gus Petro

Lithuanian-born, Switzerland-based photographer Gus Petro took a trip to America in 2012, in search of something new, and made two contrasting stops—the Grand Canyon and New York City—that has inspired his three-part series known as Empty, Dense, Merge. The most interesting and final installment of the three, Merge, combines the vast bleakness of the Grand Canyon with the bustling density of New York City. via

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Digital Classics by Paul Vera-Broadbent

It’s a mashup of classical artwork and the digital age in Paul Vera-Broadbent’s fascinating reworking of history. He’s taken the works of past masters and redone them as faceted modern day tributes that look like they could have popped out of a video game. It’s a fitting piece of work for the artist: Vera-Broadbent has worked at designing video games since age 17, now has 25 titles under his belt, and a number of BAFTA nominations. Surprisingly he uses only his iPad and the popular app Sketchbook Pro to create the images!

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Digital Classics by Paul Vera-Broadbent

It’s a mashup of classical artwork and the digital age in Paul Vera-Broadbent’s fascinating reworking of history. He’s taken the works of past masters and redone them as faceted modern day tributes that look like they could have popped out of a video game. It’s a fitting piece of work for the artist: Vera-Broadbent has worked at designing video games since age 17, now has 25 titles under his belt, and a number of BAFTA nominations. Surprisingly he uses only his iPad and the popular app Sketchbook Pro to create the images!

Paul-Vera-Broadbent-11

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Strata #4 by Quayola

Strata #4 is a two channel video by the artist known simply as Quayola. For the video, Quayola used images of two grand altarpieces by Rubens and Van Dyck. He worked with an HDR photographer to obtain huge 20,000 by 20,000 pixel images of the work. Then using unbelievable computing power and algorithms Quayloa investigates each masterpiece’s underlying structure, composition, and color. Strata #4 at turn resembles 20th century abstract renditions of the baroque work. via

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http://vimeo.com/30458118

Strata #4 by Quayola

Strata #4 is a two channel video by the artist known simply as Quayola. For the video, Quayola used images of two grand altarpieces by Rubens and Van Dyck. He worked with an HDR photographer to obtain huge 20,000 by 20,000 pixel images of the work. Then using unbelievable computing power and algorithms Quayloa investigates each masterpiece’s underlying structure, composition, and color. Strata #4 at turn resembles 20th century abstract renditions of the baroque work. via

Quayola-digital-art-2

Quayola-digital-art-1

Quayola-digital-art

http://vimeo.com/30458118