Zimoun + Hannes Zweifel

200 prepared dc-motors, 2000 cardboard elements creates installation done by Zimoun in collaboration with Architect Hannes Zweifel 2011

"The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns." words by Tim Beck zimoun-2

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http://vimeo.com/22651405

Zimoun + Hannes Zweifel

200 prepared dc-motors, 2000 cardboard elements creates installation done by Zimoun in collaboration with Architect Hannes Zweifel 2011

"The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns." words by Tim Beck zimoun-2

zimoun-1

http://vimeo.com/22651405

In 20 Steps by Drift

In 20 Steps by Drift (previously), an installation about the movement of flight presented as a part of group installation "Glasstress 2015 Gotika" in Venice Biennale 2015 as part of an exhibition by the State Hermitage Museum in St Petersburg Exhibition.

http://vimeo.com/128608936

In 20 Steps by Drift

In 20 Steps by Drift (previously), an installation about the movement of flight presented as a part of group installation "Glasstress 2015 Gotika" in Venice Biennale 2015 as part of an exhibition by the State Hermitage Museum in St Petersburg Exhibition.

http://vimeo.com/128608936

Amanda Charchian

LA-based artist Amanda Charchian uses mixed media to create captivating surrealist art. Her latest work, a collaboration with fellow artist Eli Craven, remixes studio nudes and photographs of stalactite and stalagmite caves from around the world to produce super cool/slightly disturbing images. She talked art, inspiration and being into suprasensuality with us. Read full interview on Oyster

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Sculptures by Tamsin van Essen

"British ceramicist Tamsin van Essen is fascinated by what she describes as the “the fragile boundary between attraction and repulsion,” a place where tension is created by the visible and the obscured. For her Erosion series Essen created layered blocks of alternating black and white porcelain which she then sandblasted to mimic biological forms similar to a parasitic virus in the process of devouring a host. " via Colossal

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Classical Paintings on Streets

Julien de Casabianca started Outings Project to fill the cultural gap between the museum and street. Using nothing but mobile phone people can take photos of abandoned and less-known pictures in museums and transfer them on street walls with the help of Outings team. It is legal until you break a law.

P.s. I bet Julien needs to visit Saint-Petersburg and check the street project done by Russian Museum with the same idea. It was vandalised several if not dozen times until people get used to it, and now you watch Russian Classic Paintings outside.

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Gravitant by Cinta Vidal Agulló

With this work, Catalonian artist Cinta Vidal Agulló (1982, Barcelona) wants to show that we live in one world, but we live in it in very different ways, playing with everyday objects and spaces, placed in impossible ways to express that many times, the inner dimension of each one of us does not match the mental structures of those around us.Check her exhibition at Miscelanea, Barcelna this week

"I do not remember the last time I left home without a notebook to draw what I see, notebooks where I try to reflect the complexity of human relationships from different perspectives. I never wanted to commit to a single style, even if that's the common thing to do: each new project, painting, illustration, client, idea... is thoroughly analysed and after that process, what should be told and how it should be told will arise."

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Post-Soviet Pin Up by Kathrin Longhurst

Raised in East German Kathrin lived in many European countries and finally settled down in Australia. Her works reflect the diverse cultural background and strongly influenced by Communist era, but personally I'd call her canvases the pin-up reflection on a non-existent military post-soviet country. "Women of the Revolution" is her ongoing series of pinup portraits mixed with Russian slang words from "Bitch" to "Pretty". Follow up her latest artworks on kathrinlonghurst.com

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Artist Samantha Everton Covers A Building In Her Work

Australian artist Samantha Everton, worked with the architecture practice Kavellaris Urban Design, to create the façade of this new building in Melbourne, Australia. The mixed-use building is called “2 Girls,” and features Everton’s “Masquerade” photo art from her “Vintage Dolls” series, re-created as the building’s façade.

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