3rd Wave of Inspiration
Since 2003
Kazakhstan-based designer Nissa Kinzhalina created “Living light” back in 2015 - a lamp that appears as a diaphanous container, in which the light was poured. This was her first recognised object to that date, and since than she created a number of design products worth to grab your attention below
Typoe (Michael Andrew Gran) is a multidisciplinary artist whose practice plays upon the constant tension between the dark recesses of the urban underground and the shimmering bling of celebrity. With both gravitas and irreverence his work might be regarded as a contemporary memento mori with a smile.
Typoe’s work evolves in response to a given situation or environment and he often works with gunpowder, fire, plastic, spray paint and found objects in the creation of his works and installations., the messenger that while laughing, points to hypocrisy and excess while announcing the melancholy of time lost.
Based in Miami, Typoe has participated in gallery and museum shows around the world and exhibited his work in Mexico City, Mexico, New York, Los Angeles, Buenos Aires, Argentina and Basel ,Switzerland. Typoe is cofounder and Creative Director of PRIMARY, an art collective and gallery in Miami.
Italian digital artist Leonardoworx (previously) shares his new venture in creating CG Alphabet "AXIS" inspired by product design from 1970-80s
"Shot around central and southern Japan / Okinawa, the series by Gabriella Achadinha shows day and night photographs of spaces and individuals that stood out from the time there. Marlize Eckard has added her touch by creating the ‘fleeting impermanence’ via acrylic paint with additional strokes that create the smudging, lapsing memory."
Figurative artist Jenny Morgan explores femininity in aspects of life, death and rebirth. "Fusing figurative realism with graphic forms, her impeccably detailed images demonstrate an exceptional technique, while purposefully abstracting the human body—at times literally reducing it to its fundamental, skeletal structure."
"Turkish art director and visual artist Hüseyin Şahin has an uncanny eye for combining disparate photographs into cohesive scenes, where technology, nature, and humankind collide. Sahin works with a variety of digital photographs which he then edits into collages that he shares on Instagram and Behance"
Recently we were amazed by the simple idea of a keyboard done in retro typewriter style. Guys from Lofree are currently crowd funding their product featuring different backlit options, wireless/wired mode and more
Elena Kulikova immersed herself in a world of commercial photography as a model while simultaneously experimenting on her own in her 20s. Self-taught but mentored by well known photographers, Elena launched her photographic career in Amsterdam in 2006. Her feminine sensibility and creative processing push her photography to deepen the subjects she photographs.
Worth to mention that Elena is a resident of our Digital Decade art collaboration and took a part in London, 2016 exhibition "There is No Planet B" with the concept of "Imagine there is no contamination" briefly shown below.
He was born on the 3rd of October 1977, and grew up in Sempach, Switzerland. In 1990, at the age of 13, he started his career with he foundation of Mix Pictures, an organisation for short film productions and cultural events. After a typography apprenticeship near Lucerne [1994-1998] he began an apprenticeship in graphic design at the studio of Niklaus Troxler in Willisau [1998-2002]. Then Erich moved to Germany where he did an internship at MetaDesign Berlin. Back in Lucerne he founded his own graphic design studio Mixer. Since 2007 he’s a member of the Alliance Graphique Internationale [AGI]. 2009 he was co-founder of the poster festival Weltformat in Lucerne and started the regular exchange meeting for graphic designers called Show & Tell in 2012.
"Artist Refik Anadol [previously] has used the element of light to create an immersive Infinity environment that surrounds visitors in an all-encompassing spectrum of illumination. set at the SXSW festival in Austin, Texas, the installation forms part of Anadol’s ongoing research into audio/visual spaces. Inside the mirrored chamber and through the careful programming of light, participants’ physical and mental state can be dramatically altered, creating the psychedelic perception an intangible world around them.." via Designboom
"Fascinated by anatomy and realistic depiction of human organs, the artist divided classical artworks into pieces showing anatomic details that compose their interiors. Believing that the object’s inner side is as important as the surface, Hui challenges the viewers’ expectations towards the classical sculpture. When assembled, the artworks appear to be predictable, traditional sculpture.." text by Monika Mroz, iGNANT
Estonian artist Eiko Ojala famous for his paperwork released a new personal project with no clue on what media is used in it. This could be a beautiful mix of paper, photography and illustrations but we are gracefully confused, but incline to paper. The only thing we know - it is beautiful
“With the series entitled “Traveling Landscapes”, vignettes of nature are encapsulated within steamer trunks and train cases aged through travel. Displaced elements indicative of natural landscapes are presented in partially opened cases, as to not fully expose the delicateness of what is contained within. Streams and rivers activate the scenes as they course through the landscapes contained within the cases. The illusion of life and growth, illuminated within, reflects the desire to capture a part of nature untouched by humans. Used as a mediation device between the lush pastoral scenes contained within and the harsh actuality of their physical surroundings, the trunks and cases elicit visions of travel, preciousness and possession.”
Korean artist Beomsik Won creates mind-bending collages using architectural pieces as a material for his Archicreatures. Original limited edition prints by Beomsik Won are available online at Rise Art
"Won’s process is one of deconstruction and reconstruction. Divided into two chapters, Collage and Antigravity—the latter depicting composites of precarious balance and structural incongruities—and placed in isolation on fields or parks with a low-lying horizon, his architectural constructs are monumental edifices that encapsulate the entirety of the city, era or style its components are drawn from. "
"Lighting, Layers and Reflections" installation by Autumn de Wilde was commissioned by Cadillac for their Escalade ad campaign (in 2014). Where De Wilde was inspired by the reflections of the landscape on the vehicle
“I designed the sculptures so that they would interact and transform with the landscape as the sun rose, passed over us and set.”
Already named as the Monet of XXI Century by Artsy's Charlotte Jansen "beyond botanicals, her current practice is increasingly aligned with Impressionist ideas, but for the 21st-century set" digital art of Petra Cortright is something to focus on now.
"Her most recent works, now on view in concurrent exhibitions at San Francisco’s Ever Gold [Projects] and Berlin’s Société, are evidence of this: digital paintings filled with flowers and water lilies that are instinctively reminiscent of Monet. Both shows illuminate Cortright’s multi-pronged process. She begins by sourcing imagery online, employing a sort of digital impasto technique to make what she calls “a mother file,” which she then manipulates and prints onto various substrates—such as aluminium panels, sheets of linen, rag paper—which are layered to create the final painting, varying in opacity and translucency." says Artsy
“I came up in such a boy’s club, surrounded by guys—technology-based work can be very guy-heavy. When I was at Parsons, there were maybe three girls in the whole program, it was crazy. Pinterest is heavily geared towards women and I wanted to be using more of that imagery and energy, trying to make something that a lot of people really make fun of, things that are reductive to something that was additive.”
bitforms gallery nyc is very pleased to continue its fifteen-year anniversary season with Fragments, Quayola’s second solo show with the gallery.
Born in Rome, Quayola’s practice is deeply affected by the grandeur and decay of ancient sculptures and Renaissance masterpieces that he encountered at an early age. Architectural façades, objects, and artworks that were once new chip, fade, crack, and break over the centuries. While the perception and reception of distressed frescoes or fractured sculptures is fluid, the work itself remains, containing a multitude of temporal narratives. Quayola translates this experience into his sculptures and works on paper and aluminium, which he presents in the exhibition as “simulated archaeological artefacts.”
Laocoön Fragments is a series of sculptures based on the Hellenistic sculpture Laocoön and His Sons. A paramount example of the Pergamene Baroque style, the work was endlessly copied—beginning in Roman times and through the nineteenth century—both as an artistic training device and due to its sheer popularity. Quayola inserts himself into this tradition with a digitally-driven approach. The artist’s software imagines and renders alternative breakages, fragmenting the work into two distinctive styles: representationally accurate sections and geometric abstractions coalesce into new forms. Made with a unique blend of pulverized iron powder mixed with resin, the sculptures are then chemically treated to cause an accelerated patina effect. The geometric sections are polished and waxed to achieve a smooth, newer appearance, while the representational segments appear oxidized and textured. Thus, the visual contrast between the “past” and “present” becomes more pronounced.
Working on CGA Colour Mode digital artist from Toronto Joël Guzman creates surreal scenes in Instagram format
Inspired by quiet rural roads and grand, open landscapes, artist Grant Haffner creates vibrant neon depictions of sprawling vistas bursting with bright color.
