Art of Eric Wert
Explore carnivore "naturmort" art of Eric Wert
Explore carnivore "naturmort" art of Eric Wert
Double-exposure or its imitation is nothing new on creative scene, but anyway it strongly depends on the quality of visuals selected for that. Young French artists Nevess does it very well sharing the best of collages on Instagram
Animated by George RedHawk
Illustrator from Moscow creates conceptual watercolour illustrations mainly portraits with a fairy-tale twist
Montana-based artist and photographer Kyra Schmidt triggers an increased consciousness of landscape with her ‘Transcriptions’ series.
“What if, instead of oozing blood, we sprouted flowers? “To Bloom Not Bleed” by Peony Yip illustrates this idea, portraying “the fine line between the grotesque and beauty of death.” A gutted fish, instead of looking limp and lifeless, reveals its insides to be a bouquet of peonies and roses. It’s a notion that makes death appear almost romantic.”
As a kid born in the USSR I can't admit I have a lot of nostalgia for that period but it definitely has a good examples of graphic design especially typography. Keeping this in mind Saint-Petersburg based designer Mike Levchenko approached the idea of rebranding famous global trade marks using so say "USSR" or "Soviet" style.
Jessica is an Italian artist studied at the Academia Albertina di Belle Arti of Turin and now lives and works in Berlin.
“My work is a challenge to find a paint method that could be sensory, emotional but cruelly true and real at the same time. I take people I know or find and I get inspired from their natural gesture and the sensation that I find in them. I observe what they evoke in me, and I want to transfer this kind of emotional feeling to the people that observe my paintings. I try to find a way to let my figures breath, move, think – but not only in their physical appearance. I don’t want to make a realistic paint, but a real painting, with all the sensation of their action. This is why I start from gesture, because is instinctive, it is pure, it is just a reaction to something external about us. Then I arrive to work on flesh with this caducity or freshness. This is the approach on my artwork, a continuous curiosity in development, life, communication, exchange.”
Using open-source neuro-style code Daniil Krivoruchko, Viktoriya Yakubova and Tatiana Stolpovskaya created awesome video depicting New York in it's neuromantic beauty
“I invent during the process, so I don’t know what will happen at the end of the sculpture. I don’t always remember what I have done. Every time I stop, it’s something new”
Samuel has a degree in Fine Arts from the University of Barcelona and has exhibited at various venues throughout Spain.
"Filip Dujardin makes digital photo montages of impossible structures. In some, modernist buildings are stacked like towers of mislaid Jenga pieces, with cantilevered sections shooting out in every direction. Others show passageways leading nowhere, like Escher drawings made real. Each is meticulously constructed, teetering on the fine edge between reality and absurdity"
London photographer specialising in urban photography, street photography Nicholas Goodden has a lot of project to show on personal website but we selected the striking one featuring minimal urban shots.
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
Talented graphic designer and than young nuclear physics Marco Oggian born in Italy and working in Spain as a part of True Color Studio He started to do commercial works in his early ages, Zara bought his work when he was 15, since than Marco never stop dreaming of being big name in design
Spatial Bodies is the next motion design episode of ongoing series Polygon Graffiti (previously) created by Japanese artist AUJIK
Watch it below
London based graphic designer Polina Hohonova was recently awarded by D&AD Yellow Pencil (Gold) for her graduation project at Chelsea College of Arts (Tutor: David Barnett)
Retro Serif is a project about the revival of glyphs in the Russian alphabet that had been omitted after the revolution. When the Bolsheviks came to power, says student Polina Hohonova, the letters I, Ѳ, Ѣ were omitted from the ‘new’ Russian alphabet as they were regarded as symbols of the aristocratic ‘High Russian’ and therefore representative of the defunct Tsarist Russia. Those symbols were part of the language of Pushkin and Tolstoy. “Reviving these characters is a protest against the prescribed dictatorship of the language,” she says.
"Each of Hoflehner’s photographs achieves a perfection of composition that seems to defy the possibility that it could ever be seen any other way. Gripping in their ultimate solitude and the unexpected natural beauty they capture, Hoflehner's photographs take his earthly subject matter to raise it to an almost mythical level, defining the essence of the place. In these rare and elusive moments, the natural and the man made are brought together in a poetic interplay of light and shadow, emptiness and structure"
Liu Yuanshou is a contemporary Chinese painter. He was born in Beijing in 1967. He earned a degree in oil painting from the Capital Normal University of Beijing in 1991, and has exhibited in and won awards in many prestigious exhibitions throughout Asia, including China, Taiwan, Hong Kong and Japan.
Chris Guest’s work focuses mainly on painting heavily tattooed people, with a ‘Pin-Up’ feel. Utilizing classical oil painting techniques, learnt at London Fine Arts in Battersea, Chris creates paintings in a classic figurative tradition, coupled with a contemporary twist
Reuters
The streets of Hull (England) were transformed into an ocean of painted human flesh as 3,200 volunteers braved the North Sea chill to create an incredible spectacle. Called the Sea Of Hull, it was the biggest nude art installation Britain has ever seen and the brainchild of US photographer Spencer Tunick, who was impressed at how wholeheartedly his idea was embraced.
“Korean artist Yeesookyung masterfully produces imperfect sculptures, bulbous yet elegant works composed from mismatched porcelain. The series, titled “Translated Vase,” was first inspired by the Korean artisan tradition of destroying porcelain works that are not deemed pristine, and she has continued to make the fused pieces since 2001. Intrigued by these tossed aside works and shards, Yee began saving fragmented tea cups and pots rejected by contemporary masters. Honoring the works’ dismantled states, she traces each crevice in 24-karat gold leaf in the style of Japanese kintsugi, merging the unwanted works together in a way that heightens the beauty of their distress. In this way she blends diverse methods to form a contemporary process that evokes both the elegant designs of her homeland and the delicate rebuilding of damaged works in Japanese tradition.”