Born in Rome, Quayola’s practice is deeply affected by the grandeur and decay of ancient sculptures and Renaissance masterpieces that he encountered at an early age. Architectural façades, objects, and artworks that were once new chip, fade, crack, and break over the centuries. While the perception and reception of distressed frescoes or fractured sculptures is fluid, the work itself remains, containing a multitude of temporal narratives. Quayola translates this experience into his sculptures and works on paper and aluminium, which he presents in the exhibition as “simulated archaeological artefacts.”