From Canvas to Celluloid: Edward Hopper on Film
A look at how the film SHIRLEY: VISIONS OF REALITY by Gustav Deutsch transforms the paintings of Edward Hopper into cinema. A video essay by José Sarmiento Hinojosa. More at fandor.com/keyframe.
A look at how the film SHIRLEY: VISIONS OF REALITY by Gustav Deutsch transforms the paintings of Edward Hopper into cinema. A video essay by José Sarmiento Hinojosa. More at fandor.com/keyframe.
Millennial's new media artist Tasha Alakoz based in St Petersburg works easily with commercial brands vanishing them in her personal way of colourful fashion selfies. We adore this balance that definitely requires a lot of will power and creativity and hope to see her speaking about that experience on some festivals like OFFF.
"In this brief video, artist Garip Ay creates an interpretation of Van Gogh’s ‘Starry Night’ painting using a paper marbling technique—or more specifically the Turkish method called ebru. Marbling involves the careful process of floating colors on the surface of water or a slightly more viscous solution called size, before transferring the design or pattern to a special sheet of paper in a dramatic flourish." via Colossal
"Besides the traffic, California is a beautiful place. Filmed entirely on RED. The shots in Yosemite were captured using the Highsight cable cam system. And a sunroof. Matt Pagan is the wave ripper and a local pro down in the LA area." A Local.Studio Production, directed by Sean Slobodan
Keith Loutit is an Australian filmmaker based in Singapore doing a lot timelapse videos both for personal and commercial reasons. Watch his new and second video (previous) dedicated to Asian New York - The Lion City
“Method Design was tapped by production company RSA to concept and create this year’s sponsor reel for AICP at the MoMA The AICP awards celebrate global creativity within commercial production. Method Design wanted to create an entertaining piece of design that encapsulates the innovative and prolific nature of this industry. Our aim was to showcase the AICP sponsors as various dancing avatars which playfully reference the visual effects used throughout production. Motion capture, procedural animation and dynamic simulations combine to create a milieu of iconic pop dance moves that become an explosion of colorful fur, feathers, particles and more.”
View case study on Method Design website
I was lucky to dance through the greatest performance ever dropped by mighty digital artist Joshua Davis at OFFF Festival. Teamed up with M.I.A's drummer Kiran Gandhi, Joshua created a live visual madness.
“A six month secret project incubated inside the Sub Rosa lab performed live at the OFFF Festival in Barcelona Spain. This 40 min rendering is from 27 unique, real-time, audio reactive systems to drive algorithmic animations. Each of the 27 animation systems we’re cue’d at key points in a 40 min track, with some new original music by Madame Gandhi, pre-mixed by Kiran and Alexia Riner. On stage, Kiran live drummed on top of the mix in addition to using OSC (Open Sound Control) to have her percussive hits change variables in the animation system. I also had a base set of variables that I could trigger via OSC that further controlled different aspects of the animation overall.”
Computational artist from LA - Albert Omoss working on a mixture of client projects and self-initiated experiments, but Instagram has proved the perfect platform for Albert to show off his weird and wonderful creations
Immorphosis - 360 ° projection space, created by french Collectif Scale for the club space of La Gaîté Lyrique museum in Paris. The viewer can immerse himself in one of the four video tracks, controlling them through the interface in the central part of the installation.
Speechless short movie of recent Paris' floods directed by Olivier Campagne & Vivien Balzi on the music by Brice Tillet
We are all brothers and sister says Momondo advertising using the idea of DNA complexity. Nicely done thing
Talented photographer and filmmaker Xavier Portela released his new travel visual inspiration
Artist Sougwen Chung built a robot arm that draws in harmony with her in order to gain a better understanding of how humans relate to robots. With the project, dubbed "Drawing Operations Unit" (or DOUG for short), she hopes to counter the prevailing media representations of robots as adversarial to their human counterparts. Check out the video above to see Chung and DOUG in action.
What happens when you mix the ultimate fun souls with award winning designers and a rapper? BOOM! A massive explosion of creativity shooting right at you. Watch OFFF Barcelona 2016 Main Titles by Merlin Crossingham and Gavin Strange with Aardman Animations
Our friend Louise Mertens set and art direction for Orta Anadolu Autumn-Winter 2017/2018 collection
Creative + Art Direction: Louise Mertens
Video + Montage: Vlad Solovov - SOLOVOV.be
Video Assistant: Thomas Vercauteren
Styling: Layna Isle Vancauteren
Make-Up & Hair: Laura Noben
Models: Angela (Future Faces Models) - Alexandru (Flag Models)
“Paris is a vibrant city and it has never been quiet for me. It’s full of fragile sounds, unique textures of streets echoing with the patter of footsteps, wheels, horns, voices.”
Directed by Alex Soloviev
Hyper-Reality presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. This is a near future was directed by Keiichi Matsuda.
Our friends at NORD Collective created this self initiated project to play the motion muscles they have. Meet Underpaper Gods
“Under the surface of the paper, deep down there live old Gods, as ancient as the first stroke of paint. Guiding the hand of lost artists, they bring glory to their messengers and truth to the world. They are primal art.”
"The Red Turtle" co-produced by Studio Ghibli, is the animation directed by Michaël Dudok de Wit will premiere in the Un Certain Regard section at Cannes. It follows a marooned sailor on a desert island who desperately tries to escape until, one day, he encounters a strange turtle that will change his life.
London based directors Tom Wrigglesworth and Matt Robinson were asked by Nikon to make a film experimenting with their new camera's low light capabilities. Using 4 Nikon flashes, a 20 meter track and 84 foam board animal frames, we created ‘Nightlife' - A sequence of looped unedited photographs using a combination of different flashes and exposures. The camera EXIF data on each shot shows the settings used