Davide D'Elia produces work that often re-values modern aesthetic graphic terminology by presenting itself beyond object and objectivity, by which he obtains a reasoning that examines the concepts of time and the flow of time. His recent Antivegetativa installation (antivegetative, the name in Italian of anti-fouling paint) is composed of paint, a chair, a buoy and nineteen paintings from old cellars, flea markets, antique shops and junkyards of Rome.