Hyper-realistic artist, CJ Hendry, is bringing her 6th solo exhibition: RORSCHACH to Brooklyn through April 21. Known for her iconic black and white pen drawings of pop culture objects, is furthering her exploration of color and abstract forms.
During the exhibit, guests will navigate through a 3,000 square foot bounce house that features padded walls and floors to feel like an old school insane asylum. The bounce house has taken over a year to plan, cut and sew to fit the Dumbo space perfectly. With 6 blowers standing 14-foot-high, the bounce house can accommodate up to 100 people at a time.
RORSCHACH : 10th – 21st April
10am – 9pm
202 Plymouth Street, Dumbo, Brooklyn
Tickets $10 – only available upon entry
“Slow Lens is the newest piece from French artist Vincent Leroy, who often explores optics and light in his large-scale installation work. The piece is suspended from above, and a network of curved, translucent lenses distorts the viewer’s perspective. Displayed en plein air, the connected lenses slowly rotate and ofter multiplied visions of the surrounding environment. Leroy installed and documented Slow Lens in various locations around Paris, including in highway lanes that were vacant due to pollution-induced city traffic restrictions.” via @Colossal
“COMPANION, a 121-foot-long inflatable sculpture by street artist @KAWS, launched today at Victoria Harbour in Hong Kong. The reclined, monochrome figure is the largest to date for the American artist, with recent previous iterations of the project installed at the Chiang Kai Shek Memorial Hall in Taipei, Taiwan, and on Seokchon Lake in Seoul, South Korea. The figure was purposefully designed to be in a peaceful repose, its crossed-out eyes gazing at the sky above.”
The work was launched by Hong Kong-based creative studio AllRightsReserved for the annual Hong Kong Arts Month, and will continue to occupy the harbor until March 31, 2019
Elodie Milan is a french photographer very inspired by paintings from The Renaissance.
She sacralizes her friends and empowered them with lights from Caravage and sometimes thanks to their clothes, an other big theme in her work
Moscow based artist and illustrator Andrey Surnov creates quintessential digital canvases depicting a mellow beauty of Russian suburb
Los Angeles based actor and artist Joseph Lee has spent years studying faces and the feelings that they emote. So it's absolutely impressive that his series of abstract portraits, composed of just a few thick, segmented brush strokes, can convey so much emotion and expression. And all without hardly a single detail of the face exposed! I could study these portraits for hours, while admiring the beauty of each stroke and his brilliant use of colors.
American artist Paolo del Toro painstakingly creates huge felt heads that appear to us as a mix of ritual and tribal masks from Central and South America and friendly characters from Japanese animations of Hayao Miyazaki.
Jocelyn Hobbie is a painter known for her hyper-realistic, brightly coloured portraits of women. “Over the years, Hobbie’s style has evolved from early days spent painting in an almost miniature scale to a later body of work that includes multiple subjects and more loaded scenarios.”
Leading Latvian award-winning illustrator and artist Vlad Lakshe is well-known world wide for his sport artworks with a focus on a street ball scene. Together with his partners runs “Ghetto Games” uniting the Baltic youth in street sport and culture
Arts Academy graduate and professional artist - Vladislav has started to immensely develop sports through art, contrary to all rules and prejudices. It became his life passion and together with playing streetbasket for over 20 years, he’s been creating unique designs for NBA stars and has been in charge of visual and creative side of many basketball world championships.
Trained as classic artist Vlad is a gem in art collections in different locations around the world due to his harsh social view on society through the painstaking reality of pencil artworks.
Photographer Ami Vitale’s images of six nature art installations around the world aim to spread good news about efforts to protect the environment. The project was carried out in partnership with the United Nations Environment Programme
Take Care for Future, by Saype, in Huila, Colombia
The work covers an area of 8,000 square metres and portrays a local inhabitant, Maria Paula. It is meant to symbolise the need for new generations to take care of the land and the planet
After years of armed conflicts and the spread of illegal farming in Colombia, the fields are lush again with the help of a project promoted by the Giuseppe and Pericle Lavazza Foundation. The aim is to offer support for the development of sustainable farms by training local communities to use new farming techniques and by providing internet access
The work was created using water and 100% biodegradable materials. Saype said: ‘What is interesting when I paint on grass is how quickly the ecosystem regains life. Flowers start blooming again, butterflies fly just above the grass, thousands of ants start moving around. It’s really incredible how nature takes over my artwork’
Mvuvi wa mikoko, by Mantra, in Gazi Bay, Kenya
The painting, measuring five metres by three, was painted in three days and then installed on a raft secured to the mangroves
The Mikoko Pamoja organisation plants 4,000 new mangroves in Gazi each year to protect coastal communities from floods and tsunamis and to act as a natural carbon sink. Now that Gazi’s forests have begun to grow thicker again, many aquatic animals have found a perfect habitat
‘Art comes after nature because humans have developed a powerful capacity to observe the world around them and reproduce it. I believe it is nature that has given an essence to art’ – Mantra
Rebirth, by Millo, in Genk, Belgium
The mural was surrounded by six bees to celebrate the insect that symbolises the rebirth of Genk
The mural was created in five days using water-based wall paint. ‘When I draw a grey city, I feel that I have to add colour as a complement. The message thus becomes to think of spaces in a more sustainable way, as in Genk’ – Millo
A former industrial and coalmining area, today Genk is in a new cycle of sustainable development and has welcomed the return of bees. The redevelopment of the abandoned industrial area has created 69 new gardens where people can meet and grow organic food, and the efforts of local residents have created the ideal conditions for bees to thrive
Perpetual Flow, by Gerada, in Ouarzazate, Morocco
The image is meant to symbolise the ability to reuse water to create a greenbelt around the city and so protect it from sandstorms
The inhabitants of Ouarzazate, a city known as ‘the door to the desert’, have protected it against sandstorms by creating a greenbelt around the city using innovative irrigation systems. Waste water is recycled, collected, filtered in reservoirs and then pumped into the greenbelt with the aid of clean power generated by the biggest power plant in north Africa
Perpetual Flow extends over 37,500 sq metres and was created using rakes, stones found on the site, 36 tonnes of dark gravel, and vegetable oil
Dendrochronology, by Gomez, in Petchaburi, Thailand
The work is made up of six oil-painted plexiglass sheets up to 120cm high
The Wildlife Friends Foundation of Thailand and other organisations have regenerated degraded forest land, creating a perfect habitat for gibbons, above all, but also elephants and numerous other species
‘The portrait of a proud woman becomes at one with the trees and foliage because of the transparency of the plexiglass,’ according to the artwork’s description
Encompass I, by Hula, on the Rhône glacier in Switzerland
The work was created using non-toxic, 100% biodegradable materials and portrays two children sheltering under a blanket, symbolising the future generations who face challenges such as climate change and melting glaciers
The Rhône glacier is an expanse of ice and snow 10km in length and 1km in width. During the ice age it covered all of Switzerland. Today it shrinks by approximately nine metres in length and depth each year. People from this area have decided to try to protect the glacier using white geotextile blankets that reflect the sun’s rays
‘These mountains instil a sense of respect at first glance. Yet, when we reflect that the glacier has shrunk considerably in just a few years, it is easy to see how much it needs to be protected. We are at a crucial juncture for action’ – Hula
Butler is a Nigerian born, London based multidisciplinary artist whose practice focuses on the intentional removal of informational excess through a subtle, minimalistic approach. His work fixates on the significance of clarity in content, while upholding an uncompromising attitude towards achieving figurativism in a minimalistic art form. Butler grasps at the purity of objects in their rawest form, depicting just how possible it is to dissect the physical personality, without eliminating the elementary aspects of allure that many contemporary individuals relate to.
“The Milan-based painter Aldo Sergio uses paint to warp perception, creating portraits and still life paintings which blur the boundary between the digital and the physical, and the traditional and the contemporary. “
“Sergio uses traditional painting methods to capture portraits of Victorian families, bowls of fruit, and birds, and then distorts these objects by covering them in small ‘glitches.’ Sergio builds tensions between objects, people and space, and his carefully painted glitch-like malfunctions to give his artworks an unusual movement, making a stark contrast to the stillness and seriousness of traditional paintings.” via Colossal
His solo exhibition at Galleria Patricia Armocida in Milan runs until the 30th of November, 2018.
The new record was set within the framework of collaboration with Lokomotiv football club — the artist painted the square in front of RZD Arena (team’s home ground in Cherkizovo) in red and green — the reigningchampions’ club colors. The painting covers the area of 11,000 square meters.
The choice of location for the new art object was deliberate. Back in the Soviet days Cherkizovsky Parkused to bring art and sport together. The Stalinets stadium built here in 1935, was lavishly decorated with sculptures. The most famous among them was, perhaps, “The girl with an Oar” by Romuald Iodko — its four-meter copy printed on a 3D printer this simmer was painted by Pokras Lampas for Gorky Park. The new stadium built on the site of Stalinets has become a well-known arena for not just football games but also for first rate entertainment, art performances and concerts, it is used for shooting episodes about football.
According to Pokras Lampas, his new artwork brings together sport and art, taking up such topics as pushing the limits and conquering new peaks. As usual, Pokras encrypts a hidden message in his massive calligraffiti to be found and revealed by the audience. A shining example of profound symbolism and powerful meaning to be recognized is the installation “18 words about Vasily Vereshchagin” at the entrance to the New Tretyakov Gallery. The art object nearby RZD Arena has been no exception, as it implies a new slogan of Locomotiv which is “We go our (own) way”.
FIRMAVERA is the artistic practice of Natalia Romanova, based in London. Her product design ethos stems from her soviet childhood’s constructivist heritage and her experience as an industrial designer. She is influenced by an appreciative knowledge of engineering and industrial processes as well as the radical honesty of utilitarian and brutalism architecture.
The unpretentious beauty found in these disciplines informs her artistic practice which expands into experimentation through shape and perception. The frequent use of ceramics is a suitable canvas to convey a truthfulness to material while elevating the functional aesthetic into objects that are celebrations of that raw utopian vision.
Exposed overstructures, pattern repetitions and modularity hint at mass-production techniques and a brutalist rejection of ornaments. Ethical and functional intentions incidentally become malleable materials. The objects of FIRMAVERA are therefore playing with the notion of form and function, reconsidering their relationship in order to question the traditional norm of beauty.