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Subsequence, 2017 algorithmic audiovisual installation This work refers to the theme of subjectivity of personal perception, expressed through abstract graphics, on four screens. Every screen represents a visually different response to aspects of the overall sound environment. Event generation is based on the parametric sequence. This sequence is most fully manifested in sound, different screens reflect separate layers and transform into graphics according to their subjectivity. Each screen has its own recursive character of image generation which complicates the unique picture of its representation of the sound environment. The viewer can form his own idea of ​​the relationship between the main sequence and the screens' interpretations. Subsequence was presented at the exhibition A=A? of Synthposium 2017 festival in the Great Wine Cellar of the WINZAVOD Contemporary Art Center. Subsequence, 2017 алгоритмическая аудиовизуальная инсталляция Эта работа обращается к теме субъективности персонального восприятия, выраженного через абстрактную графику, на четырех экранах. Экраны представляют визуально разную реакцию на аспекты общей звуковой среды. Происходящее генерируется на основе параметрической секвенции. В звуке эта секвенция проявляется наиболее полно, а разные экраны отражают ее отдельные слои и согласно своей субъективности преобразуют в графику. Вместе с этим каждый экран имеет собственный рекурсивный характер построения изображения, что усложняет неповторимую картину его представления звуковой среды. Зритель может составить свое представление об отношениях между основной секвенцией и том, как экраны ее интерпретируют. Subsequence была представлена на выставке А=А?, прошедшей в рамках Synthposium 2017, в Большом Винохранилище Центра современного искусства ВИНЗАВОД.

STAIN - Generative Visual Performance Studio

May 02, 2018 by Arseny Vesnin in Digital Art, Motioncollector, Russia, Portfolios, 2018

Alexandra Gavrilova and Sergey Titov are Moscow artists, working together as Stain.  They are focused on abstract forms and concepts to find concentration in today's poly-dimensional information flow, seeing creative process as a way to render one's idea of the world and oneself, to learn more about principles of nature and human perception.  Stain works with generative methods to create graphics, audiovisual and light installations.

Скорость жизни / Speed of life алгоритмическая проекция, документальный фильм algorithmic projection, documentary Абстрактные объекты на проекции медленно движутся согласно динамике твердых тел, активная окружающая среда за счет обратной связи наполняется частицами рекурсивных реакций. В этом алгоритмически обусловленном, но вероятностно нестабильном графическом полотне видна метафора причинно-следственной связи и рефлексия на события в жизни сообществ. Происходящее фиксируется камерой с низкой частотой кадров. Вся реальная ситуация пространства экспозиции оказывается в документальном фильме, внутри другого времени, погружая наблюдателя в ощущение вечности и мимолетности взгляда издалека на произошедшее минуты назад. Abstract objects on the projection are moving slowly according to the solid dynamics, an active environment is filled with bits of recursive reactions. This algorithmically conditioned but probabilistically unstable graphical canvas depicts a metaphor of causation and reflection on the events in the life of communities. All the scene is filming with low frame rate. The real situation in the space of the exhibition turns to a documentary, in another time, it immerses the observer in eternity and transience of the view from afar on the events happened a minute ago.

"Abstract objects on the projection are moving slowly according to the solid dynamics, an active environment is filled with bits of recursive reactions. This algorithmically conditioned but probabilistically unstable graphical canvas depicts a metaphor of causation and reflection on the events in the life of communities. All the scene is filming with low frame rate. The real situation in the space of the exhibition turns to a documentary, in another time, it immerses the observer in eternity and transience of the view from afar on the events happened a minute ago."

The interrelations of the elements of sets, the patterns of their combinations, and the constancy of recurring circumstances constitute the stabilities of our existence. Audiovisual screening at Plumps Pop Up Festival Moscow 2017 plumsfest.ru

"The interrelations of the elements of sets, the patterns of their combinations, and the constancy of recurring circumstances constitute the stabilities of our existence."

MIMPI /mobile interactive multiparametric image/ is an experiment with abstract generative image and simple multiuser interactivity. Everyone can influence the image with tilting a smartphone connected to the local network. Sound by Lazyfish is also realtime synthesized and forms a whole with the graphics. Audience's interaction with the installation floats between game, creation or contemplation, depending on participnts' mood and actions. Visually complex image is a metaphor of virtual structures, which one can affect intuitively easy. Participant's mind is immersed in the process of influence and perception of emotional feedback. Graphic style hints at futurist aesthetics and has a certain irony along with intention to rethink our attitudes to technology. MIMPI v2 was presented at "The Fifth Dimension: Singularity" exhibition at MARS center, Moscow, 2015 Special thanks to the team of MARS center for the excellent production and for 3-months long exhibition.

"Everyone can influence the image with tilting a smartphone connected to the local network.
Sound by Lazyfish is also realtime synthesized and forms a whole with the graphics.
Audience's interaction with the installation floats between game, creation or contemplation, depending on participnts' mood and actions. Visually complex image is a metaphor of virtual structures, which one can affect intuitively easy. Participant's mind is immersed in the process of influence and perception of emotional feedback.  Graphic style hints at futurist aesthetics and has a certain irony along with intention to rethink our attitudes to technology."

Designcollector's personal experience with STAIN' installation at MARSSPB, 2016

A post shared by Arseny 1981 (@rsny1981) on Oct 18, 2016 at 1:21pm PDT

May 02, 2018 /Arseny Vesnin
Russian, MAY
Digital Art, Motioncollector, Russia, Portfolios, 2018
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