Floaters by Dima Rebus
Dima Rebus paints with ice that strangers send him from around the world.
The process begins before he touches a brush. Contributors (or as Rebus calls them, “floaters”) across the globe collect water samples — from parks, alleyways, abandoned buildings — and mail them to his studio. Rebus freezes each sample with watercolour pigments, then lets it melt onto paper. The ice dictates the first layer: unpredictable blooms, mineral traces, the ghost of a place he's never been. Others arrive carrying contamination, political residue, ecological unrest — water as document as much as material.
Only then does he enter the abstract field with figurative imagery, responding to what the water left behind.
Nearly every sample arrives with a letter. Place, mood, memory, time — the contributors become co-authors before Rebus makes a single mark.
