The works we have shared by the artist Mika fall into a category that we could describe as post-crypto and post-Wi-Fi art. She blends elements of digital culture, technology, and modern life into physical or conceptual pieces that question the relationships between technology, symbolism, and daily objects.

Post-crypto art is generally developed after or in response to the rise of blockchain technology and the NFT market. Most works reflect the hangover or disillusionment from the previous promises of decentralisation, democratisation of wealth, or even "crypto utopia" we all had in 2021.
Mika's works seem to record an irony or judgment toward this ultra-modern, technology-marinated world, in which crypto art was promising to change but then primarily problematic.

Therefore, these objects in the images have an implicit dialogue with the viewer, an invitation to consider some thought about tradition—for instance, swords, tea bags, crosses—and modernity; what better examples than laptops, Bluetooth, or iPhone chargers?

Mika works are reflections upon the omni-presence of internet connectivity and how it is affecting the physical world. In post-WiFi art, a common theme is a disconnect between virtual and real-world interactions, critiquing the reliance on constant online presence.

Mika invites deep reflection on the state of modernity through her work, critiquing or accepting the role technology plays in redefining our relationship to power, comfort, connectivity, and even spirituality. In the post-crypto, post-WiFi era, as we call it, these works toy with the absurdities of modern life and digital reliance, pushing back against the elevation of mundane or obsolete symbols to objects of reflection.