Russia-raised worldwide-based digital artist Nasty Ibragimova knows how to make 3D sensual and arousing without sexualising or even using body-realted image
“I believe in general in death, but in the death of Dali, absolutely not.” Salvador Dalí
Just in time of his 115 Anniversary, St.Petersburg (Florida, US) museum of Salvador Dalí brought him back alive using AI technologies
“The exhibition, called Dalí Lives, was made in collaboration with the ad agency Goodby, Silverstein & Partners (GS&P), which made a life-size re-creation of Dalí using the machine learning-powered video editing technique. Using archival footage from interviews, GS&P pulled over 6,000 frames and used 1,000 hours of machine learning to train the AI algorithm on Dalí’s face. His facial expressions were then imposed over an actor with Dalí’s body proportions, and quotes from his interviews and letters were synced with a voice actor who could mimic his unique accent, a mix of French, Spanish, and English.”
“With 45 minutes of newly created footage and thousands of combinations, each visitor gets a different experience. There are scenes that open with him reading the newspaper, with an overlay of the current front page of The New York Times; if it’s raining, he’ll comment on the weather”
“A photographer and digital artist, Cass combines hundreds of singular moments shot in the street and other public locations. In his photos, made in locations ranging from nondescript city streets to college sports arenas, bodies battle for attention, perfectly stopped and coordinated. Cass’s ongoing series Selected People began in 2008 in Brookline, Massachusetts, where he lives”
In a parallel universe our infrastructure and power grid has collapsed. All lines of communication have broken down. In the absence of influence, organic life has started to evolve.
This film is meditation on the creative path and how we as creatives often need to go through hardship and discomfort in order to evolve and grow.
Sound Track: Echoic Audio
Gastón Ugalde, born 1944 in La Paz, Bolivia (Venice Biennale 2009, 2001) is considered a visual arts leader in the region. His work is deeply rooted in Bolivian traditions and filled with socio-political references.
@FITC Toronto is a globally recognized industry event showcasing the best the world has to offer in design, digital development, media and innovation in creative technologies – it’s three days and nights of presentations, parties, installations and performances that unite and transform the industry. Here is their 2019 Titles directed by Mike Winkelmann best known as @Beeple_Crap (and you may remember him as an indirect collaborator at our @Digital.Decade show) with a team of dozen talented 3D and 2D artists. And this all heavily reminds me 1985 Dire Straits first 3D music video lol :)
Supernova is an experimental 4K art film directed and designed by Maxim Zhestkov and made in Zhestkov.Studio
“Everything around and inside us was conceived in a huge explosion of a star billions of years ago… and, probably, recycled from other matrices myriad times. In this eternal carousel of matter, particles gather, form complicated structures and then burst into all directions fusing atoms together and producing new elements and points of view, new colours and patterns of perception. “
“Explosions could be perceived as a destructive force and the process of tearing previously formed matter apart and, therefore, could have negative connotations; however, fundamentally, only the process of breaking familiar structures and rearranging them into new, more sophisticated shapes could kindle new meanings and ideas and be the main creative force forming the future.”
The art film was initiated as the title sequence for @FITC 2019 / Amsterdam.
For Land O’Lakes “The Copernicus Project” at SxSW 2019, Aggressive collaborated with Loop Agency to create an immersive installation surrounding viewers with visuals and sound, crafting a thrilling ride through the biodiversity of world’s food system
Client: Land O’Lakes
Production & VFX: Aggressive/Loop
Creative Directors: Alex Topaller, Alex Mikhaylov, Daniel Shapiro,
Art Director: Alex Mikhaylov
CG Supervisor: Max Chelyadnikov
Producer: Alexander Aab
3D Artists: Artemy Perevertin, Vitaliy Babich, Daniil Rybkin
2D Artist: Vladimir Tomin @tomin.works
Production Manager: Won Cha
Sound Design & Music: Smider
Our second encounter with OFFF Festival was in 2009 where Prologue then lead by Ilya Abulkhanov presented event’s Main Titles in a sci-fi post-soviet “Kin-dza-dza” way. Little did we know that 10 years later, now Mill+ director, Ilya, will be invited to present 15-minutes “ARXIV”, a post human drama and indeed a continuation of original 2009 short movie.
ARXIV is an immersive sci-fi family drama is set in two time frames: the deep future, that is left with no future, and the near future, that will bring about the eventual dystopian collapse of society. Protagonist Lew Aron survives both time frames and is set to discover a potential outlet to confront his innermost desire, or what’s left of it.
Now in its 19th year, OFFF is regarded as one of the world’s most influential creativity festivals. OFFF consists of three-days of conferences, workshops, activities, and performances. It takes place in Barcelona annually, before appearing around the world as ‘OFFF on Tour’ with the next happens in Moscow
Melania Brescia creates self-portraits in a way of Phoenix bird, resurrecting from ashes each time she takes a camera and ignites imagination. Born in the southern part of Andalusia heart - Malaga, she moved to US but took the medieval fire of Spanish cultural melting pot with her.
The work of fine artist Samuel de Mare is in a perpetual state of flux. His paintings constantly change focus, taking different paths through a scene to try to capture his intention. Following the frustrations and decisions within his process becomes part of the joy.
As a part of new season campaign for London Symphony Orchestra, duo Alexa Sirbu and Lukas Vojir created a film driven by motion capture of Sir Simon Rattle. Expressing the enormous power and complexity of the orchestra and tracing it back to a single seed.
Kitt Bennett is a Melbourne based artist, specialising in illustration and murals. He paints large illustrative murals on the ground. The almost literal “street” art is best seen from a bird’s eye view and features people, objects, and skeletons that contort around their respective spaces as if they fell from the sky.
“Aakash Nihalani is known for his illusionist interventions that push the boundaries between two and three dimensions. Though he started off using using tape to form ephemeral installations, in the last few years Nihalani has moved into more permanent territory, working with wood and metal to form free-standing and wall-mounted sculptures.”
“South Korean artist Kwang Young Chun wraps tiny geometric packages in paper and combines them into massive wall-mounted and freestanding assemblages. Each composition is composed of thousands of individual mulberry paper parcels, carefully toned with tea and pigment and including the abstracted characters that allude to the paper’s origins as old documents. The works, which Chun refers to as ‘agreggations’, feature gradations in color and smooth craters within their highly textured surfaces.”
Shane O’Malley is an Irish artist who has emerged from Ireland’s vibrant graffiti subculture. He works in the mediums of paint, murals and art installations, creates art workshops and corporate art projects. Originally from Navan, Shane now resides in Galway city and has exhibited and painted nationally and internationally.