Advertising is vanishing the borders of perception last days, becoming more a piece of art, performance or installation. After epic Kenzo feminist statement we have a parkour from young parisien lady making jaw-dropping climbing through Paris roofs to her special little box of gifts (collaboration Claudie Pierlot x My Little Box) Premiered on My Little Paris the video is quickly catching a viral spiral now
German visual artist Susi Sie was involved in creation of Rio Olympics Opening Ceremony projection mapping for the first episode of the show.
Title: Beginning Of Life
Client: Olympic Games
Agency: Oito Zero Oito
Creative Director: Fabio Soares, Fernando Meirelles
Visual Artist: Susi Sie
Music and Sound Design: Antonio Pinto
Whilst in Barcelona on a temporary writing assignment, Julia beds a tall dark stranger to find herself with more than what she bargained for – a serious relationship..
Just because girls are cooler. Directed by Spike Jonze, performed by Margaret Qualley
Based on a poem by Rainer Maria Rilke.
'To fall, patiently to trust our heaviness'
Inspired by Rainer Maria Rilke’s poem ‘Gravity’s Law’, McDermott taps into themes of meditation and nature in a deliberate response to the overload of information in modern society.
He was drawn to The Barbican Centre and estate because of its otherworldly quality and achieves a sense of calm with his long free-falling shots against the brutalist architecture.
Hakanaï is a solo choreographic performance that unfolds through a series of images in motion. In Japanese Hakanaï denotes that which is temporary and fragile, evanescent and transient, and in this case something set between dreams and reality. This symbolic relationship is the foundation of the dance composition in which a dancer gives life to a space somewhere between the borders of imagination and reality, through her interactions with the images she encounters. Performed by Adrien M and Claire B (previously) it was debuted in San Francisco few years ago.
Using dome-shaped futuristic construction shelling Audi A4 inside of #a4space VR Installation, Moscow-based event production team DEPARTÁMENT level up the virtual reality experience stepping outside simple frames of plastic glasses. The whole Audi A4 car become a sort of "oculus" on wheels delivering the physical imitation of zero-gravity forces and "driving" people into the new worlds projected and synchronised with the driver gestures. Total thing was programmed and designed by SILA SVETA.
Reimagined and bigger scale version of interactive hexagonal installation “MyWhale” which was originally produced as a site-specific interactive installation by Tundra for “Brusov”, a renovated ship, laid up on Moscow river and turned into an art-cluster.
The inner revision of MyWhale was specially made for “9 Lights in 9 Rooms” exhibition at D MUSEUM (Seoul, Korea) and was visited by more than 200.000 visitors during the period of exhibition.
"When you stand among the handiwork of teamLab, a Japanese tech art studio, you’re seemingly transported to a sprawling foreign land that engulfs you in a vibrant, light-filled splendor. This immersive approach is now the focus of a massive exhibition that spans 3,000 square meters (over 32,000 square feet) and is called DMM.Planets Art by teamLab. It showcases a variety of the group’s digital work throughout the years, including new pieces just revealed to the public.
The exhibition features four spaces that offer kaleidoscopic colour schemes and multi-sensory activities. Each piece has its own distinct smell, including: the aroma of flowers, a forest, and “the universe”—a scent that astronaut Naoko Yamazaki helped create."
Our Time (2016) is the latest large-scale installation by United Visual Artists investigating our subjective experience of the passing of time. It defines a physical environment where pendulums swing at a pace apparently unhindered by the laws of nature and where no single time measurement applies. The installation combines movement, light and sound as a multi-sensory, multi-dimensional canvas the visitor can enter. Pendulums swing, each to their own rhythm, as time flows through the grid. With light tracing the path and sound its echo, the passing of time becomes almost palpable.
Immorphosis - 360 ° projection space, created by french Collectif Scale for the club space of La Gaîté Lyrique museum in Paris. The viewer can immerse himself in one of the four video tracks, controlling them through the interface in the central part of the installation.
Speechless short movie of recent Paris' floods directed by Olivier Campagne & Vivien Balzi on the music by Brice Tillet