Artist and director of Barcelona Academy of Art Jordi Diaz Alamá has a vast relationships with academic and abstract ways of painting.

“Alamà offers through this series of saturated, vivid and imposing reds, a privileged peek inside the universe of the painter’s studio, the practice of working with life models and the vast plurality in sensuality. Red Studio synthesises the many layers of technical research the artist has acquired over the last decade. Academicism and abstraction coexist again on the canvas: a new aesthetic chapter carried out by an overwhelming expressive force in the form of a dance between the measured and the vigorous brushstroke.”

“Red Studio has been developed in parallel with another of Alamàs’s ambitious series of paintings illustrating scenes of Hell in Dante’s Divine Comedy. Both series have grown in the same space – the artist’s studio – a place that can too often become hell in itself. The fire of the Dantesque Hell seems to crawl into these classical anatomical studies and envelop the figures with an abrasive red enamel, the main unifying thread of the series. Similarly, the works from the #ClásicosDesollados series also make an appearance, engulfed in flames and hung at the bottom of the Red Studio‘s works.” - words by Albert Navales